# data[].attributes.headline
B-Roll - Cutaway shots which are used to cover the visual part of an interview or narration. The term is often used in TV news.

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B-Roll - Cutaway shots which are used to cover the visual part of an interview or narration. The term is often used in TV news.

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Closeup - Tightly framed camera shot in which principal subject is viewed at close range, appearing relatively large and dominant on screen. Extent of view may be designated "medium closeup" or "extreme closeup." [See long shot, medium shot.]

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Closeup - Tightly framed camera shot in which principal subject is viewed at close range, appearing relatively large and dominant on screen. Extent of view may be designated "medium closeup" or "extreme closeup." [See long shot, medium shot.]

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Wide-angle shot - Camera lens with short focal length and broad horizontal field of view. Opposite of telephoto, supports viewer perspective and tends to reinforce perception of depth.

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Wide-angle shot - Camera lens with short focal length and broad horizontal field of view. Opposite of telephoto, supports viewer perspective and tends to reinforce perception of depth.

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Two-shot - Camera view including two subjects, generally applicable to interview situations.

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Two-shot - Camera view including two subjects, generally applicable to interview situations.

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Pan - Horizontal camera pivot, right to left or left to right, from a stationary position. Follows a subject, redirects viewer's attention from one subject to another, shows relationships between subjects, and scans subjects too large to fit into one shot.

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Pan - Horizontal camera pivot, right to left or left to right, from a stationary position. Follows a subject, redirects viewer's attention from one subject to another, shows relationships between subjects, and scans subjects too large to fit into one shot.

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Tilt - Camera "pan" move in a vertical direction, down or up, from a stationary position. Follows movement, contrasts differences in size between two subjects, or gives viewer point-of-view sense of a subject's height.

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Tilt - Camera "pan" move in a vertical direction, down or up, from a stationary position. Follows movement, contrasts differences in size between two subjects, or gives viewer point-of-view sense of a subject's height.

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Ambient Sound - (ambience) Natural background audio representative of a given recording environment. On-camera dialog might be primary sound; traffic noise and refrigerator hum would be ambient.

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Ambient Sound - (ambience) Natural background audio representative of a given recording environment. On-camera dialog might be primary sound; traffic noise and refrigerator hum would be ambient.

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Cut - Instantaneous change from one shot to another. [2] Director's command to immediately terminate on-camera action and recording.

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Cut - Instantaneous change from one shot to another. [2] Director's command to immediately terminate on-camera action and recording.

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Cutaway Shot of other than principal action (but peripherally related), frequently used as transitional footage or to avoid a jump cut.

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Cutaway Shot of other than principal action (but peripherally related), frequently used as transitional footage or to avoid a jump cut.

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Dissolve - Image transition effect of one picture gradually disappearing as another appears. Analogous to audio and lighting cross-fade. [See cross-fade.]

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Dissolve - Image transition effect of one picture gradually disappearing as another appears. Analogous to audio and lighting cross-fade. [See cross-fade.]

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Establishing shot - Opening picture of a program or scene. Usually a wide and/or distant perspective, orients viewer to overall setting and surroundings. [See long shot.]

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Establishing shot - Opening picture of a program or scene. Usually a wide and/or distant perspective, orients viewer to overall setting and surroundings. [See long shot.]

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Fade - Gradual diminishing or heightening of visual and/or audio intensity. "Fade out" or "fade to black," "fade in" or "up from black" are common terms.

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Fade - Gradual diminishing or heightening of visual and/or audio intensity. "Fade out" or "fade to black," "fade in" or "up from black" are common terms.

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Field - One-half of a television frame, containing all the odd or even scanning lines of the picture. In NTSC 262.5 horizontal lines at 59.94 Hz. In PAL 312.5 lines at 50 Hz.

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Field - One-half of a television frame, containing all the odd or even scanning lines of the picture. In NTSC 262.5 horizontal lines at 59.94 Hz. In PAL 312.5 lines at 50 Hz.

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 Field of view - Extent of a shot that's visible through a particular lens; its vista.

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 Field of view - Extent of a shot that's visible through a particular lens; its vista.

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Framing - Act of composing a shot in the camcorder's viewfinder for desired content, angle, and field of view -- overall composition.

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Framing - Act of composing a shot in the camcorder's viewfinder for desired content, angle, and field of view -- overall composition.

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Headroom - Space remaining between the top of a subject's head and a monitor's upper screen edge. Composition consideration.

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Headroom - Space remaining between the top of a subject's head and a monitor's upper screen edge. Composition consideration.

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Jump cut - Unnatural, abrupt switch from and to shots identical in subject but slightly different in screen location. Awkward progression makes subject appear to jump from one screen location to another. Remedied with cutaway. A jarring edit caused by the choice of shots rather than any technical imperfection.

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Jump cut - Unnatural, abrupt switch from and to shots identical in subject but slightly different in screen location. Awkward progression makes subject appear to jump from one screen location to another. Remedied with cutaway. A jarring edit caused by the choice of shots rather than any technical imperfection.

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Over-the-shoulder shot - View of primary camera subject framed by another subject's shoulder and back of head in foreground. Common in interview situations, perspective affords sense of depth.

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Over-the-shoulder shot - View of primary camera subject framed by another subject's shoulder and back of head in foreground. Common in interview situations, perspective affords sense of depth.