# data[].attributes.body
today was a very tough day for me. i had prepared everything for our crit while my group did nothing but watch and that really got to me. not only that, but at the end, when we were to put everything down, everyone left since they took for granted that i was going to organize and clean everything up. of course i did because if i hadn't, no one would've but it was really frustrating to me. i realized how hard working in groups is and i don't really like it.

# data[].attributes.body
daniel gave classes today. it was AMAZING. i had forgotten what a great tutor he is, how smart and uplifting he is. he has great references and helped me open my eyes about our illustrations. amanda wasn’t here for the morning session so i made a couple of decisions on my own. the one thing that daniel said that influenced me a lot was that we don't have to stick to reality in our drawings, we don't have to be literal, and precise. you don't need to draw arms, legs, a face with all details to express a human being, sometimes a weird abstract shape could give the same message if drawn with eyes or mouth, for example. it is a lot nicer and you (in my opinion) better entertain your audience. daniel also told me about two great de stijl artists, theo van doesburg and bart van der leck, so i headed down to the library and spent a lot of time researching through their books. i found out lots of interesting stuff and great colour palette and organization ideas, as abstractive drawings inspirations too. later when amanda arrived, we spent the rest of the day trying different patterns, making collages, trying designs for our mural.

# data[].attributes.body
i am aware that not everyone would understand my illustrations. since i am not being literal and following the brief as it literally says, i need to be prepared that a few people wont get the point and won’t feel what i want them to feel. one person during my crit, thought i was talking about a kid (?) or about worms that would grow and dominate my body. another one absolutely did not understand my work. i am ok with that, it doesn’t bother me anymore, because i know that the people that needed to understand, did. feedback i recieved includes: display methods are sometimes unnecessary, it distracts the attention from the actual work, they don’t always add to the work; i could create an animation further on with it, digitally perhaps, of those thoughts growing. i think i want to try this with digital painting also so i can explore the wacom tablet which i have never done before (and should’ve); the use of different widths of thread gives a nice sense of depth (that’s exactly what i wanted and i tested so many times how to get this and i am glad that i could deliver this); you can see a clear progression throughout the drawings, the narrative is clear as the 1st one is small and it gets bigger and bigger as it goes on; its simple and basic, only necessary information; people (some of them at least) were able to really relate to it, it is powerful because many people feel the same way and its difficult to translate those feelings into words/graphic elements; nice technique, you can see the material (the thread is not only a line, its an actual “scan” of the thread); development of idea tests are really important so the final outcome is the result of lots of testing and experimentation, the outcome is the  most successful one from all the tryouts; they thought it was about overthinking, depression and confusion. for me it was a little bit more “microscopic”, not as broad as “depression” but as the end of the world, so the 4th drawing is not only about overthinking, its about suicide and thoughts that consume you and you have no control anymore, and body and mind not being able to distinguish anymore because they are all mixed up right now. that’s the implosion. that’s my implosion.

# data[].attributes.body
i started having ideas on what the end of the world would mean to me. i realized that the end of the world wouldn't necessarily be a bad thing because for me it would mean that nature takes the world, kills all humans and destroys everything manmade. i tried doing some collages to explain that but i terribly failed. i am still not convinced that's what i want to talk about in my project.

# data[].attributes.body
Ferramentas no printing room

Pedir pra tutor ou marcelo

3d making: sapato fechado, manga comprida, remove colares, cabelo preso

Use googles e luvas

Serra: cortar. diferentes velocidades pra diferentes materiais (madeira, plastico, metal, papel)

Dremil: acabamento! Gravar em madeira, vidro, xilo. cuidado com botao fantasma

# data[].attributes.body
i tried having different ideas on how i wanted to approach my end of the world. as i’m very inspired by louise bourgeois, i immediately started working with this magetaish powerful red. monique introduced me to amazing artist annette messager, whose work is very similar to louise, so i feel very strong research-wise, now i just have to find ways to put this in my art.

# data[].attributes.body
i went to fedrigoni today to get the paper i wanted for the final version of my end of the world. i feel in love with two papers: pergaminatto and markatto. when i got back at school, i spent the rest of the day doing many testing and studying a little bit more about the strings and its imprints on paper.

# data[].attributes.body
today was the last day for the conclusion of the project. due to the gas crisis i will not be able to come to school tomorrow so i had to finish everything today. since i finalized all my testing yesterday, today i finally used the papers i so much wanted. markatto and pergaminatto papers. at first, i did all the 4 series in the markatto paper since i really like it but its not my favourite one (pergaminatto is). as i was finishing the LAST piece, my sheet got dirty because someone before me used the press with blue ink and didn’t clean it laterwards. as i am a perfectionist, i wouldn't hand in a work with a blue stain, so i started all over again with the pergaminatto paper. i stayed in school until 9pm but i finally finished everything. i think i am quite satisfied with my work.

# data[].attributes.body
after we got back from insign today, amanda and i decided to split tasks because we had a lot to do and not too much time. i started cutting the cardboards for our maquette and she started working on the design of our panel on photoshop, because monique told us it would take us longer if we kept doing it by hand. both manda and i like doing things manually instead of digitally but we agreed with her so she moved on to the maclab for so. i spend the rest of the evening making terrible calculations and measurement conversions. i am horrible at math so it took the whole afternoon for that, even with marcelo's help.

# data[].attributes.body
today tom and i went to sesc 24 de maio, japan house, casa das rosas, itaú cultural and mis. there’s a reggae exhibition at sesc24, that really introduces you into the scenario in Jamaica (Xamayca!) before and after their independence in 62 from the UK. I was extremelly impressed how they found a way to solve all of their problems in a creative way. they didn’t have canvases, they painted on wood, they didn’t have plastic/metal/acrylic they created wood sound systems (incredibly complex ones). they found a way to really incorporate wood into their dailybasis and it really intrigued me. they left bob marley & the wailers for the last bit of the exhibit and i found that a smart move, meaning they didn’t want to focus in bob and make other many important artists fade away, they all have huge importance to raggae and to jamaica as a free and independent country. at japan house, the exhibition going on was about prototypes and new high tech experiences for disabled people. although it was very interesting, it is not something that really grabbed my atention.

# data[].attributes.body
today was a veeery productive day. i had a conversation with ana who helped a lot. she told me that maybe i wouldn’t be able to hand in something sewed because it would be 3d not 2d so she gave me an incredible idea, to work with monotype and use the threads to leave a mark on the paper. i spent then the whole day at the studio printing and so much happened. i made many many prints, i tried different sizes of threads, different papers and colours for the threads.

# data[].attributes.body
today tom and i were in charge of doing the last bit of the graphic score at the printing room. we spent 10 minutes arguing which colour should be used, he wanted it red and i wanted it black, because a. its neutral b. its everywhere and can be found at all of our materials c. red is nowhere to be found in our aesthetics, instruments, etc d. red would definitely look pretty on top of the foil paper but it has nothing to do with our work e.it steals the show (in my opinion). after looong discussions we finally came to an agreement and we used black (lol). its a hard task since the paint we're using is not normal paint dissolved in water, this one's solvent-based because its the only paint that will stick to the foil paper. done that, we had to clean our space. i cleaned the tables and the walls, glued our graphic scores on the wall, displayed all our instruments and somehow tried to make a scenario to our band, where theres steel wool and wires creating the 'metalics' environment.

# data[].attributes.body
i spent the whole day trying to create what it's called instructional art, inspired by yoko ono and eleonora fabião. after hundreds of attempts, i realized it was going to be harder than i thought. what they do is not only nonsense, its a perfect balance of nonsense and poetry and that takes a long time to mature and i am starting to get scared i wont be able to create this in such a small period of time.

# data[].attributes.body
I am not happy about my devolpment of my portfolio because i havent done much since last session (I havent had the time!). I have taken a few pictures i needed but not anything further that.
I have to give it more thought and time, but this is very hard because we have other projects going on and they demand a lot of time and effort into it. I wish we weren’t preparing the porfolio at the same time as we are ongoing in projects.
I will try to make those improvements during progress tutorials week like buy paper sheets (quadriplex 300g), organize images and print them, etc. also, i need to rearange a few pages of my portfolio since there are more projects that i have completed since i first started it.

# data[].attributes.body
today was a hard day for me. my head wasn’t here and i didn’t enjoy any exercise. maybe the theme we’re discussing (the end of the world) and what i think about it (humans will cause it because its doomed to our essence) makes me feel down or its something else but today was not a productive day. the only thing that helped me a little bit was SCAMPER, where i had a few  more seeds of ideas. the references i brought are based on dadaist/surrealist collages and i think i want to further explore these manual/digital type of collage. i look forward to develop my ideas best with more research and time, but for now, i still got nothing that really interests me.

# data[].attributes.body
i started making the grid for the puzzle and its harder than i thought. our brain doesn't like misfit  and imperfect grids so it took me a very long while to finally get to a grid. i even talked with rafael coutinho, i met him at the mac lab and he helped me have a few ideas on kinds of grids. after that, i started looking for places i could go to use the laser cut and laser cut the puzzle board, since it would be impossible for me to cut it buy hand. i spend a long time researching how laser cut machines work, places where i could go to use the machine, FabLab Livre, Mundo Maker, Happy Code, etc. but then Leo told me that i should abandon the laser cut idea and cut it by hand, since i would have to use illustrator to vectorize the lines of the puzzle and as i am not familiar with .ai it would take me a long while to make the file. also, i would be depending on other people to keep going with my project, since fablabs are normally busy on their open day days, and i would have to wait there and loose precious time of work. the advice was extremely wise and important but it costed me the finalization of the puzzle. cutting it by hand (the cardboard) is VERY hard and the finalization is horrible. i felt really bad delivering something so ugly, but i didn’t have a choice at this point. there was no time left for me to use laser cut or start a different idea since the project is due thursday evening and i still had a video to shoot.

# data[].attributes.body
today we went to garoa hacker club. i was really inspired by the talk we had since Alexandre was talking about metadesign and i immediately remembered Yoko Ono and her series "Grapefruit" (which i had seen last year in Tomie Ohtake).

# data[].attributes.body
today amanda and i spent the day gathering our references and trying to find some unity in what we want to do. also, we picked the place where we wanted to make our intervention. we really wanted the stairs and create a drawing that would only be complete if you looked to the stairs through one angle but we both agreed that the bathroom was a place that was in pretty bad shape and that it would be really nice if we were able to come up with something that could help and brighten those kids' days. of course, it would be a lot more challenging working there, but we are keen to try and help 'em. i started doing the maquette, while amanda started some research to gather everything we wanted to work with.

# data[].attributes.body
today we had an amazing workshop with filipe grimaldi, a graphic designer and "letrista". he taught us how to draw the letters, how the process works, how almost every letter fits into the 4x5 grid, but just A, M and W needed a 5X5 and I had its one only grid. then we started painting on the walls and created this beautiful and cheerful panel near FAD's room.

# data[].attributes.body
i got at ebac early today so i could catch up with the things i hadn't been able to help my group with since i was at home with tonsillitis. i started to "renovate" our instruments, since Cezar advised us to. at first i was reluctant but now i see the need for the aesthetics of our project. i used metallic spray paint  and aluminum paper. i really enjoyed the results of most of instruments, yet i still think a few of them were too fake and should’ve remained their 'original' way. tom and i engraved our silk screen for the printing of our graphic score. i bought aluminum paper/foil paper at the store and gave the ideia to do silk screen on top of it, instead of normal paper. i think it would add a lot to our work and would make the aesthetics complete and making sense, at least in my head the name of our band and everything else (the graphic score, the printing method, etc) now had a connection amongst all of 'em.

# data[].attributes.body
I went for work today. I've been a. learning a lot b getting tons of references c. having lots of fun. for the day, we had to figure out how to use bee wax to mix with oil paint. she hadn't done any previous research so I used my little experience with wax from last year at pre fad to help her. it wasn't enough tough, so we had to do more research but he had to leave. we went to tomie ohtake  to see cecily brown, paulo pasta, alucinacoes parciais. I wasn't that interested at anything I saw. later I came to first thursdays @ ebac, about the audiovisual economy in Brazil.

# data[].attributes.body
i was involved in a car accident/crash this morning so i was a little bit off. even though i (a way or another) still presented my research.

# data[].attributes.body
today we created our instruments. i brought many things i found at dumpsters and things i collect at home because ~i’m an artist~ like old telephones, broken clocks, light bulbs, corks, used pop cans, etc etc etc.
at the end of the day, i created the following instruments:

'pau de chuva' with a palm tree leaf and many nails and pins.

i used two paint cans, one i hammered and made it seem "hurt" and the other i kept intact, so they had different sounds.

pipe to create a 'sonar' sound

i found at the dumpster a steel "beam" and it was rusty and dirty with cooking oil/grease because it was part of a barbecue grill, and i used a sandpaper to make the sound of something scratching the metal.

i used a toilet bowl to make an harp but since another member of my group was already making an instrument with strings so i left it behind and didn’t go through with it (even though i really with i did

# data[].attributes.body
today i decided to go to places that would make me feel better, since I'm having a tough week. I went to sesc paulista. I really enjoyed the view, but now much about the exhibition that's going on there right now. bill viola's 'visions of time' for me, is more about torture and different kinds of human torture and human condition than about time, life and death, etc. the use of ultra-slow motion video encourages you to sink into the image and connect deeply to the meanings contained within it, it made me feel extremely disturbed. at fiesp, the exhibit was about Belgium art. just like fiesta, ims didn't impress me at all :(
back at school, our group rehearsed for tomorrows performance.

# data[].attributes.body
we started our day by performing live our composition. we had practiced yesterday, but not all details were settled and I think we somehow managed to deliver a good result. later wards, we started to rehearse again to make final adjustments and decide what would be the perfect time for each instrument to come in and how would the harmony be harmonical(sorry about the rhetoric). once that was done, we recorded it and uploaded the .wav files to garage band and we did some final touches. now that the audio file is done, we have to focus on the graphic score and the animation. Cezar told us to work on the visuals of our instruments, to make them look prettier. I still disagree with that but we'll work on that during the week.

# data[].attributes.body
sesc 24 maio
japan house
casa das rosas
itau cultural
mis feira cavalete

# data[].attributes.body
*i was at the hospital with tonsillitis*

# data[].attributes.body
*i was at home with tonsillitis*

# data[].attributes.attachment_link.description
WeTransfer is the simplest way to send your files around the world. Share large files up to 2GB for free.

# data[].attributes.attachment_link.title
tinta fresca espaco cultural porto segur...

# data[].attributes.attachment_link.description
tinta fresca espaco cultural porto seguro may/18

# data[].attributes.attachment_link.title
tinta fresca espaco cultural porto segur...

# data[].attributes.attachment_link.description
tinta fresca espaco cultural porto seguro may/18

# data[].attributes.body
words usen in my crit

# data[].attributes.body
workshop with eleanor greenleaf

# data[].attributes.body
notes about the visit to Garoa Hacker Club.

# data[].attributes.body
today i had a great talk with carlos. he helped me clarify a few things i had in mind. i am not anymore going with a literal meaning, trying to illustrate the end of the world as the brief suggests. i am going for a more deep and personal approach, i am going to talk about my end of the world. what happens to me when i have my anxiety crisis, what happens when my thoughts and feelings take over my mind and have control over my whole body. i want to illustrate how i am feeling right now.

# data[].attributes.attachment_link.description
Hi! I'm Alexandre Villares, let's see if I can make one small program ( sketch) a day. I'm working mostly with Processing Python Mode and sometimes Processing Java Mode and P5JS (JavaScript) or other stuff.

# data[].attributes.body
today was day 1 for the last project of the semester, do-redo-undo. i had done my research during last week and my rationale for each project i wanted to redo but with the help of my friends, i finally decided which project i am going to redo. i need to consider the fact that i have a tough week ahead of me and i need to be 'SMART' (specific, measurable, achievable, realistic and time based) for this project. i only have 3 more days to finalize it, tuesday-wednesday-thursday. i have done my action plan and i am quite worried i wont have time to do everything, since i have chosen the collector brief, which means i need to collect wood boxes all over again and then decide what kind of outcome i want to reach. it was really good planning my week so i now how much time i have to collect and how much time i have to finalize the outcome (1.5 day for each task). also, while i am still collecting, i can already start thinking and analyzing what outcome i want to reach.

# data[].attributes.body
Today was an interesting day. I explored many different fields and techniques, but I should've gone bigger. I went from charcoal, to strings, to chalk, and once I finally decided to paint on a bigger scale, I wasted a lot of time mixing paint trying to find out the right fit for the wooden boxes, and ended up not having time to actually paint. Sometimes colour is not as important as the drawing itself, so try not to focus to much on this next time. You can add details later. I only explored four different techniques and I wish I could have done more, tried negative spaces, tried a few collages with that wooden paper material I found, and as I said before, gone bigger. Sol said go big or go home. Go big.

-

It's nice to realise you're wrong. It is very very important to experiment and test many different ideas before sticking to one or the first one. I really enjoyed trying different approaches to my collection and the results were even better than the my first try in my opinion.

• Separated all the wood boxes into styles. there were at least 5 different types of boxes, so I pilled them up. I did this because I wanted to map the types of materials I had, to figure out a different and interesting way to display my collection.

• Michael and I pilled all the 12 boxes. We had to find out which one was the biggest to the smallest, which took a while. Its hard to keep them standing because many of them are broken and are not still.

• I tried something different this time. Something chaotic wet well thought. I arranged the boxes to make it look like they were thrown away at the end of the street markets, for instance. I really enjoyed the results, that's what I'm thinking of  going with at the end.

• We took the collection downstairs, to the ground level. I seized the opportunity since there's wood and plants all over there. I thought I could use this in favour and make the pile of boxes look like they were left there at the end of the street fair, since they were thrown there. Michael saw the pile and it reminded him of a monster-like figure and told me to try an animation/GIF. At first I was reluctant but I had an idea to make it look like the monster was being destroyed and that was fun to do and also I guess the GIF will be a totally different approach to the project, and I like trying different methods to present my work.

Busy busy day. But productive. :)

-

Today was the last day for our Collection Project, we had to pretty much come with our ideas finalised, ready to install the collection. After so many experiments throughout the week, I went with my favourite one: on Mar 7, we took our collection downstairs to the ground level, where I used the information from the space itself to interact with my wood boxes in a chaotic way. I thought that wasn't enough though, so I finalised the GIF I had been thinking about since Michael talked to me about it, and I also hung a few of my outcomes from the drypoint and the monotypes at the pilar near by. I was actually (and surprisingly) satisfied with my work and was proud of me in the matters that I experienced many different methods to represent my collection and I went with them all the way even though I wasn't 100% happy with the final result.

# data[].attributes.body
1. "very well executed, very complete. great presentation, very thought through. space worked out and gives a conceptual background".
2. "the way you chose to display all the boxes, kind of messy, was really interesting and it grabbed my attention. I think each person can make their own interpretation on what "sculpture/structure" looks like, and thats really cool. also, the way in which your work is presented, with all those pictures passing by, was a high light".
3. "it was well presented, we can see how it begun and how it ended, the project went through a a lot of changes. I like how the idea started from a simple thing (box) and at the end it became something like a big monster of boxes or maybe even other things."

# data[].attributes.body
https://foundationjournal.tumblr.com/post/172521598925

https://foundationjournal.tumblr.com/post/172521652320

https://foundationjournal.tumblr.com/post/172521701235

https://foundationjournal.tumblr.com/post/172521186755

https://foundationjournal.tumblr.com/post/172521333705

https://foundationjournal.tumblr.com/post/172521440190

# data[].attributes.body
since i encountered that problem yesterday with school, i decided to do something during the time i couldn't access my installation. i decided to make some gum printing at the printing room. i printed out some of my favourite images of the wooden crates, made a orangeish offset paint, and made a couple of paper lithos with artesanal paper i bought at papelaria universitaria. later that day when they finally let me get to my work, i took my pictures of the "performance"//gif and made my

# data[].attributes.body
i spent the day trying to create different instructional art, using different approaches, different subjects and different ways of delivering it. i tried the exercise of having 30 ideas in 30 minutes, and it turned out that i took the whole day but was able to come up with much more than that, though i am still not convinced they are good enough or they are possible for me to create given my time schedule. i get really sad when i feel like i have to give up on an idea because i wont have the time to finish it, since our foundation projects last at the most 2 weeks.its a challenge for me to adapt to this specific rhythm but i’m trying my best.

# data[].attributes.body
You showed evidences you have been thinking about your Portfolio and you have already some good works to take part of it. Remember you don’t have to be restricted only to the projects of the course – rather the contrary: you are also encouraged to bring some independent works you believe are going to contribute to the Portfolio’s quality.
From now on, be assured you are testing various possibilities of what to present and how. If you need, don’t hesitate to ask for Tutor’s support, we ‘d be pleased in discussing it with you. It’s important to considerate your BA choice – give preference to the works which are more related to your interests.

# data[].attributes.body
i have somehow (incredibly) met my SMART goals i set for my day. i made lots of progress comparing to what i had the day before because now i have a narrative that envolves EBAC's building and is still a lil concept art work which is what i wanted.
i focused on thinking about my work at first and then when i finally decided what i wanted to do with the narrative, then i went to take some pictures with the bricks. i took pictures at the rooftop and at the guillotine. i still need to edit them to see the results but i guess it will turn out fine (i feel hopeful).
i’m using the orangeish bricks (refer to cris bierrenbach's orange garden) and EBACs natural scenarios. i am not planning anything in reality, i’m just working with what i got there at the moment at those specific sites.

# data[].attributes.body
today was our first day of classes. we were briefed about our new project, surrounding narratives and we welcomed marcia cymbalista, an amazing fine artist who also helped us get the mood of the new project. she brought many artist's books and since i am very into this kind of publication, i really enjoyed her visit. i wish we had more lectures like this, they are really enlightening to me.

# data[].attributes.body
we had our crit for the 'souvenir' brief, which was our vacation homework. after several attempts and not knowing what to do for this project, i finally chose to show the pictures i took at my trip to foz do iguacu, in paraná (brasil). i got in touch with nature like i’ve never before, and it make me reflect a lot about humans, humankind and human interference in natures' magical and wonderful world. i decided to take pictures of things that had zero to little human interventions, or presence. i took mainly pictures of birds and feathers and their patterns: how PERFECT nature is. in my crit, people told me to further develop those pictures, maybe to make patterns and designs, maybe silkscreens and match different patterns, maybe embroidery, and even a calendar. i was really happy people actually enjoyed my work, since this was the first time ever that i was shooting in the manual mode, changing ISO's, apertures, shutter speeds, etc.

# data[].attributes.body
today we went to Risotropical near Santa Cecilia. they just recently moved from vila madalena so not everything was in place but i had an AMAZING experience. i am very glad Ana was able to arrange this field trip, it was extremely enriching and i learned a lot about the risograph technique. i have always been keen to this printing technique but i was never able to identify it and to understand it, of course, so having almost a one to one workshop with Renan from estudio tropical, was an honour. he explained us how the riso machine works, the process of the printing itself, how to operate the machine that comes from japan and a lot of insider tips. he also showed us lots of posters, zines, publications, invitations, books, etc he's printed there, and i adored touching and seeing everything. if i could i would have bought everything because all of them were extremely beautiful. we then proceeded on printing our own designs. my pair was leticia, and we had prepared our file and was ready to print. we chose red and blue as our colours, where the blue layer was print with a big halftone marking. i was more interested in the process rather than the final result, though i liked how it turned out, i wish we had more time to experiment and mix and match layers and colours and overlap informations.

# data[].attributes.body
i spent the whole day working on my portfolio, printing and attaching to the plates my work. i am worried about my personal statement because every time i start sketching it, i give up. :( i have even read all the 11 examples bea has uploaded to sharepoint to inspire us to write our own statement but i feel stuck

# data[].attributes.body
i spent the beginning of the morning thinking about the surrounding narratives topic. i referred to my favourite references, like michael wesely and coletivo garapa, and i started to create a line of thinking that matched both of them. what was it that i liked about their work? it occurred to me the reason why i liked it so much, and it was the fact that it talks about time passing and somehow (indirectly) about human interference in the world. it all started to make sense when i understood that a second changes everything and how fragile and weak humans and human made things are. how things break easily, how people change, how life suddenly turns upside down. i started to build this narrative in my mind and i was really enjoying it, but whilst talking to Ana, i realized my narrative didn’t envolve ebac's building. i was just creating a narrative where my character was a brick, which i chose to protagonize this ephemeral relationship and ebac's surrounding was just the background space, but instead it should've been one of the main characters.
laterwards, fernando vilela came and gave us an amazing lecture. i felt really inspired by him and wanted to start doing things right at that moment. i spent the rest of my day researching and looking for references that could help me think of a better narrative or even enhance my already existing one. i left school at 11pm because i was there trying to finish my portfolio. i couldn't make it to life drawing classes with rafael coutinho or to the movie screening and typography open lecture ebac was hosting downstairs. i was sad but i realize those are choices i have to make to deliver a good portfolio and not a sloppy one.

# data[].attributes.body
i experimented many different approaches to drawings during the day. i printed some of the images i took from school and make a couple of interferences on top of them. i also used different mediums to draw different scenarios at ebac and tried using different techniques, like line art, perspective, sloppy drawing, collage, photography, etc.

# data[].attributes.body
i was very happy with my final results. i tried a different approach to my project and was also able to finalize my gif, now with good quality pictures. i look forward to trying more gum printing since i really enjoyed experimenting this printmaking technique.

# data[].attributes.body
today we started working on our graphic score, trying to visualize symbols, colours and graphic elements to our song. tom and i worked together while the other two worked on the animation, but at the second half of the day, tom and marcelo were late so they were left out so aline and i worked together on a timetable for next week for us to prepare. we also thought about the graphic score but without tom's help that was pretty challenging, since he is into this kind of exercise (graphic elements).