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NB - how many times can you get the letters in CYMK mixed up?

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CYMK EYES

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Nora - This sums up how i'm feeling right now.

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AS: Not sure how you achieved this, but its good :)

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Holly

Fluid shapes as aopposed to geometric is definitely worth an exploration. A good one to push on with, can make great 'digital camo' patterns for cyber warfare!

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AS: really interesting effects here Jessica, very excited to find out what's happening here, by intention or chance!

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Tracing paper flat/hovering

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Printed on Blue paper

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Transparency 100% Screen

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Asim Khan

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Asim Khan

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Printed RGB & CMYK

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Overprinting RGB & CMYK

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experimenting with different settings

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Rosie Frisby

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Rosie

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Asim Khan

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Ellie P

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Rosie

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Rosie Frisby

AS: I like the slightly random angle of overprint

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Testing out the overprinting process using the examples

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Testing out over printing and overlaying tracing paper and seeing how it changes the initial design

AS: Would love to see these close up, they look really interesting outcomes.

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Thought about using thinner lines when over printing and layering to sort of build on detail - I printed in CMYK colours, layered the layers over laptop screen.
Edited the actual image I have taken , bringing the highlights right up...

AS: Very good idea. makes your eye find these little moments of change in the overall pattern. A good experiment.

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Left side overprinted once right side overprinted twice

Pantone swatches used to show some examples of 'double hit' colours which we were always desperate to specify but rarely had the budget to do so.

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Pixilated printed all at once. Original over printed

AS: Really nice, like bauhaus weaving students, Annie Albers, Edith marx etc

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Asim Khan

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AS: Great arrangement. Love what's happening at the corners and points of overlap.

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Asim Khan

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Overlapping CMYK on RGB
AS Intersting that the black seems to get stronger trather than being washed out by the screen

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Overlaps

AS: The pale colours created by the show throughs really extend the overall colour palette wonderfully here.

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Closeup printed overlapped on screen

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CMYK Overprinting

Good shape to chose and i definitely like the asymetric composition. Learning from Jan Tschicold!

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Overprint closeup

AS: I like what the softness brings to this myself. Maybe emphasises that colours are not so clearly defined but are indeed just points on a continuous spectrum

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RGB overprint vs multiply

And semi backlit too. Good you are marking these up for future ref.

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Asim Khan

AS: Great experiment. The 'functional' colour of the roads versus the random colour of the overprinting. Exciting. Like the way SHEFFIELD sings out from the yellow too. All planned I'm sure :)

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Close up of CMYK overlapping text

AS: Like it. A lovely 'top line' to this composition which really activites the white space I'm typing into here

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Asim Khan

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Coloured ink was running out so this was the result...

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RGB with lighten and multiply CMYK with darken and multiply

AS: That's a very astute combination and has done a good job towards getting the same amount of impact from both process. Great overlapping inner shapes too.

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RGB VS CMYK

AS: My vote is definitely with the CMYK. In this instance...

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Asim Khan
Wondering if you can now adjust the 'digital' in programme overprinting so it can look more like the real overprint. Do you need to add in more colour or just find the right effects in the 'Transparency' window?

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AS: The orange really sings here. Like a neon light strip

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AS: Very much like the shapes created here, like a budah of colour!

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Asim Khan

AS: My note seems to have disappeared but was saying that reproducing greyscale imagery in CMYK print is usual practice for magazines etc and as well as bringing more depth to the tones in the print it allows the designer to control if the greyscale feels more 'warm' or 'cool' by shifting the CMYK levels

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Asim Khan

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Asim Khan

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Overlapping type all layers together

AS: This works as solids to give an imoression of physical mass but then really comes alive when the layers are seperated from this precision. See comments on your next experiment

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Asim Khan

AS: Really good practice what you are doing here Asim to annotate the different processes on the sheet so you can come back to them if you want to recreate for a project. The difference between print and screen here is vast!

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Overlapping Type in layers

AS: The annimation this brings is very exciting and I love that the yellow sits in the 'counters' of the black letters. This is something I would not have guessed at but now works so strongly to help let the black layer read well. An accident that can be an answer to problem that isnt yet defined.

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The overprint text came out a lot different to the illustrator file. I don’t know if it changes with which layers you print first or not but I like it and how all the colours that overlap mix to a new colour

AS: Agree, the print out feels much richer. Interesting to think if you can then manipulate the screen version to capture the qualities of the printed?

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Can almost touch the 'saturation' in this palette, it looks great. Those dark dark blues are amazing

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AS: Both really interesting. Would love to see a zoom in. The bottom one in particular is intruiging which I'm not sure I can spell

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Great start Reece. What I love here is the colours have the intensity of the screen but the actual colours are more intersting than typical straight RGB/CMYK combinations. It makes for a very interesting palette. I could imagine these as ceramic tiles decorating the BBC television centre etc...