# data[].attributes.body
Yu explores the transition between opposing cultures in order to explore "dual identities" , and the poet's internal conflicts.

# data[].attributes.body
The dual imagery of having "two tongues" and "two hearts" suggests the narrator's dual allegiance to both cultures and reveals his conflicting dual identity. This is emphasised in the juxtaposition of "one east" and "one west" which highlights the the narrator's clear distinction between these cultures and how they cannot be interconnected.

# data[].attributes.body
The poem reflects the mental hardship of diaspora through the extended metaphor of death. The poem illustrates ideas associated with leaving a country towards "losing a heart" and death emphasising the psychological toll of diaspora

# data[].attributes.body
The duality of having "two tongues" and "two hearts" reveals the internal strife of transcultural hybridity and the hardships of maintaining one's cultural and personal identity.

# data[].attributes.body
The poet uses the Pacific Ocean as a symbol for liminal space due to its geographical location being in between Australia and China, thus symbolising the alienation he feels with both cultures.

# data[].attributes.body
Ouyang Yu physically represents the idea of liminal space through the Pacific Ocean to explore the persona’s internal conflict of his two cultures. By placing the protagonist above a space not belonging to any countries, Yu highlights the persona’s disconnect from his two cultures exemplifying his dual identity crisis.

# data[].attributes.body
This hyperbole exaggerates the extent of his cultural disconnection from his Chinese and Australian identities, comparing it to the vastness of the "pacific ocean," thereby accentuating his liminality.

# data[].attributes.body
By hyperbolising his anecdote of dispora, Yu exposes the internal hurt he experiences by comparing the act of leaving a country with death, through the use of an extended metaphor.

# data[].attributes.body
The poem explores the theme of "otherising," by using a synecdoche, employing broader terms such as "tongues," and "hearts," to highlight the importance of language and culture, emphasising the loss.

# data[].attributes.body
The dual imagery of "two tongues" and "two hearts" in "Second Drifting" encapsulates the internal conflict of maintaining a bicultural identity.

# data[].attributes.body
By displaying the transition between two cultures, Yu expresses the puzzling concept of ‘dual identities’.

# data[].attributes.body
The liminal space in the poem is depicted through the vast distance of the ocean which separates the two identities. This physical barrier creates a lack of belonging in embracing both cultures.

# data[].attributes.body
The narrator's stylistic choices of simplifying 'i', 'china', and 'australia' depicts the thought of other. He further enhances the complexity of this issue by offering "two tongues" and "two hearts", providing an unbiased persona relating to both distinct cultures, but expresses through an oppressive 'other' viewpoint.

# data[].attributes.body
The metaphor of being a "bird of passage" evokes a sense of transience and nomadism, suggesting the narrator's desire to navigate different landscapes and adapt to new environments.

# data[].attributes.body
The use of a synecdoche is also a way of showing readers the poets disconnection with his cultures through text.

# data[].attributes.body
The poem uses the metaphor of death to poignantly reflect the psychological impact of diaspora, particularly in terms of the loss of cultural and personal identity.