# data[].attributes.body
Initial contact with Duncan Howlett regarding photoshoot for Printed Sounds.

# data[].attributes.body
Attached is the rough plan I sent Duncan late January, arranging times and shots for each act.

# data[].attributes.body
Further planning for dates and acts for photoshoot.

# data[].attributes.body
When inviting the six artists to the shoot, some couldn't make the 16th February, therefore we scheduled in another shoot the morning of 14th February.

# data[].attributes.body
Myself and Duncan arranged a call to run through the photoshoots, how many acts, what shots were needed etc in order for everything to run smoothly on the day.

# data[].attributes.body
I used Instagram as the main way of communication as this was the quickest way to get a response.

Above is relations between myself and Fari where I asked permission to use her for the front cover of 'Printed Sounds.'

# data[].attributes.body
I contacted Sal Atkin, the bassist from Holler and a close friends of mine, inviting them to the photoshoot.

As stated previously, an extra date was needed to suit different artist's availability.

# data[].attributes.body
Most communication with Cimmerian was done through Liam Benn, a close friend of mine, through WhatsApp.

# data[].attributes.body
Georgi, one half of Electric Lullaby, is my close friend and roommate, therefore most communication was done face to face regarding photoshoot timings etc.

# data[].attributes.body
Frankie's photos were the easiest to edit as her background was white, compared to others who used a green screen.

# data[].attributes.body
Attached is the summary of the two days of photographing. It includes a clip of each act in the Under Dog Studio, Brighton.

# data[].attributes.body
I ended up using Holler's unedited photos as I believed they looked better than the edited versions. As we used a green screen, it was a challenge to remove any green colouring from gaps in hair, as well as reflections on shoes etc.

# data[].attributes.body
Here's an edited version; to me it looks too fake to use within the magazine. When zoomed in, you can see the green reflection on their hair therefore I decided they weren't high enough quality to use within the magazine.

# data[].attributes.body
Cimmerian's photo was a lot better; I like the fact we used their album artwork as the background, it adds a gloomy element to the photo. An issue when printing this image was the background mostly turned black, which still related to their genre.

# data[].attributes.body
I was impressed with this photo in particular, it fitted the brief well and captures them as artists well.

# data[].attributes.body
This was the unedited image used for the front cover. I wanted Fari to 'roar like a lion' to grab potential reader's attention. It also connects to Printed Sounds' tagline of 'unleash the roar', connoting confidence you should have in the music industry.

# data[].attributes.body
Here's the final edited front image. Originally the background was a darker purple although I asked for it to be lighter.

# data[].attributes.body
Mission Creep's photos had similar issues to Hollers; when zoomed in you can see the gaps in some member's hair, although this is better disguised with a black background rather than pink.

# data[].attributes.body
A photograph of myself and Fari talking through each step of the photoshoot.

# data[].attributes.body
Attached is the final article used within the magazine; titled 'How To Ace Your Bass'

# data[].attributes.body
Originally, I invited Lucy Evers (my digital presence tutor) and her band Orchards to the photoshoot, unfortunately I didn't get a response from her.

# data[].attributes.body
Kairen's article was the least edited as she has plenty of experience in writing.

# data[].attributes.body
I asked George to write an article for Printed Sounds was , the head of production at WaterBear. Unfortunately, George didn't get back to me - perhaps he could contribute to future copies as production is a key element of music and I believe he could give some great tips.

# data[].attributes.body
Another tutor I contacted was Liam Kearly, I was also met with no response however I believe this to be as he wasn't working with WaterBear this term, perhaps he probably didn't have access to his emails.

# data[].attributes.body
Editing the artist's interviews was a lot more challenging than those sent by the industry professionals. Although most gave detailed answers, the example above from Holler shows little information, meaning I had to add in bits of information (mostly through knowledge of their instagram) to bulk out the page. This was difficult as I planned Holler for a double page spread and unfortunately, compared to other artists, you can tell the information given lacked due to the sparseness of the page.

# data[].attributes.body
Frankie's response was a lot more substantial, I was able to transform this into a page of A5 with little effort.

# data[].attributes.body
The main issue with Mission Creep's response was that it look too long to get the answers back to me, despite reminding over six times via Instagram DMs.

Originally, I wanted to release Printed Sounds on the 5th April, however as Mission Creep responded on the 6th, this pushed the print date back to the 12th April as I needed time to edit their article and magazine page.

# data[].attributes.body
Similarly, Electric Lullaby also took a while to get back to me relating to the delay of print. However, important to note that if I gave these questions a month in advance as opposed to a week, then I would have more time to edit articles. Organisation is a priority here.

# data[].attributes.body
Cimmerian were one of the first bands to get back to me, their response was detailed- although some editing was needed throughout to keep the writing flowing.

# data[].attributes.body
Fari's article was my favourite of the whole magazine; she provided great detail on who she is as a person as well as the music she creates. This article was partly focused on Fari's MDD (Major Depressive Disorder), which gave helpful insight into the mind of a musician who struggles with their mental health. I liked how real the interview felt even though it was conducted over email - I struggled to fit her answers onto the page!

# data[].attributes.body
Early March, I contacted WaterBear to ask if they could help with funding the cost of print. This led to a meeting with Will Matthews and Andy Maclure, to where I pitched Printed Sounds.

# data[].attributes.body
After the meeting, Will Matthews introduced L4 business students who could help with writing articles, photography and design elements. The idea was to use these students for future copies, which would lessen the overall work load for me.

# data[].attributes.body
After the meeting, I was advised to contact Bruce Dickinson regarding funding from the project. Attached is his response.

# data[].attributes.body
Andy recommend possible sponsorships for Printed Sounds.

# data[].attributes.body
Bruce helped massively in finding a sponsorship for Printed Sounds, attached is the email asking to form a pitch to send to Rob Town (Owner of Stampede Press UK)

# data[].attributes.body
Attached was the first draft of a Printed Sounds pitch which I sent to Andy for further feedback. He pointed me in the correct direction, where I added hyperlinks and a table of pricing to make it easier to read.

# data[].attributes.body
Attached is the pitch which led to the sponsorship from Stampede Press UK.

# data[].attributes.body
Attached is the invoice I made and sent to Rob Town for the sponsorship of Printed Sounds. An error I made however was not including Rob's address, which he did send in an email - however I didn't read properly.

# data[].attributes.body
As Rob contributed £75, I gave him an advertisement slot on the back page. Attached is the email confirming artwork, where Rob also gave some good advice when asking for advertisements from a company.

# data[].attributes.body
Attached above is the advert Rob sent. I used this for the back page of Printed Sounds.

# data[].attributes.body
With the magazines printed, the next step was to distribute the 100 copies throughout Brighton and Hove. This was partially completed on Monday 15th April to WaterBear HQ, Hobgoblin Music, GAK and Small Pond. Further copies were given to: Brighton Electric, Resident, Hope and Ruin, Folklore Rooms, Across the Tracks, North Laine Music, Rossi Bar, The Prince Albert, WaterBear Venue and Mudpie Music.

# data[].attributes.body
I used the online printing service, Mixam. Attached is the invoice of £87, a figure higher than expected as I had to pay for priority printing due to the delay of artists sending their information for the articles.

# data[].attributes.body
The second means of distribution was the online magazine, linked to the Printed Sounds website. This was shared through a link on my social media, which gave artists involved the chance to repost on their page.

When distributing the printed copies, I tagged artists who were able to repost, therefore widening the audience.

More distribution was seen in links sent to WaterBear tutors.

The desktop website looks a lot better than the iPhone version, it was a challenge to get information displayed the way I wanted on a smart phone, although the information is still there - just in an awkward manner.

# data[].attributes.attachment_link.readable_text
Printed Sounds is a free independent music magazine that offers aspiring artists guidance through the music industry. From Neo Soul to Rock, Printed Sounds covers all genres and provides readers with a chance to explore topics which interest them the most, using trusted information collated from experienced industry professionals.

This first edition of Printed Sounds includes articles with industry professionals on bass playing, radio and writer's block. Fari Chiketa, a Neo Soul songwriter based in Brighton, shares the creation of her latest single 'In the Vein', whilst tackling Major Depressive Disorder, with further interviews from Holler, Frankie LG and Electric Lullaby.

Get in Touch

Looking to promote your new music, share industry related advice or to simply give feedback? We'd love to hear from you - fill out your details for further discussion; now let's create something amazing!

# data[].attributes.attachment_link.description
Printed Sounds is a free independent music magazine that offers aspiring artists guidance through the music industry. From Neo Soul to Rock, Printed Sounds covers all genres and provides readers with a chance to explore topics which interest them the most, using trusted information collated from experienced industry professionals.

# data[].attributes.body
This was the first draft made for the front page, the logo has changed significantly.

# data[].attributes.body
This mock up contains the unedited photo used for the front page, different font and positioning were used for the subheadings.

# data[].attributes.attachment_link.title
Adobe Certified Professional in Visual Design was issued by Adobe to Naomi Baker.

# data[].attributes.attachment_link.description
The Adobe Certified Professional in Visual Design is an industry-recognized certification that validates the individual's expertise in creating and designing holistic digital aesthetics using Adobe Creative Cloud. This certification requires professional-level knowledge in at least 2 Adobe applications to effectively create and develop digital creative assets.

# data[].attributes.attachment_link.title
Adobe Certified Professional in Visual Design Using Adobe Photoshop was issued by Adobe to Naomi Baker.

# data[].attributes.attachment_link.description
This Adobe Certified Professional certification is an industry-recognized validation of the individual's expertise in Adobe Photoshop. It requires an in-depth understanding of the key industry concepts and the program's interface to create and publish digital images.

# data[].attributes.attachment_link.title
Adobe Certified Professional in Graphic Design & Illustration Using Adobe Illustrator was issued by Adobe to Naomi Baker.

# data[].attributes.attachment_link.description
This Adobe Certified Professional certification is an industry-recognized validation of the individual’s expertise in Adobe Illustrator. It requires an in-depth understanding of the key industry concepts and the program’s interface to create digital graphics and illustrations.