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Study two front covers of your chosen magazines and comment on the decisions made by the photographer and team regarding the style of the cover. Comment on lighting, posing, use of colour and effectiveness of the image. Comment on the theme of the front cover.

Find out how many were involved in the making of the front cover, art director? make up artist? stylists? etc.

Find out the photographers name and look for other images from the same photographer. Add them to your research too.

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The First Daughter

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Cillian Murphy by Photographer Gregory Harris

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GQ FASHION

Cillian Murphy by Photographer Gregory Harris

Cillian Murphy sitting on the chair gives off a cool vibe. It's like he's about to drop some wise words or share a secret recipe for success.(Which he does in the article that compliments this front cover.)

In the front cover image, the use of colours creates a striking visual impact. The actors outfit features vibrant hues that contrast beautifully with the background, drawing attention to his presence. For instance, he wears a subtle blue shirt against a the vibrant red backdrop, the clash of these colours enhances the richness and depth of the scene. Such contrasts not only highlight the model’s features but also evoke strong emotions, making the overall composition more engaging. The vibrancy of the colours brings the image to life, showcasing the model in a way that feels dynamic and captivating. Based on the visual description of the magazine cover image with the actor sitting on a chair and the use of vibrant, contrasting colours, the theme could be considered modern and stylish. It likely embodies a contemporary fashion aesthetic, focusing on bold expressions and dynamic visuals. This theme emphasizes individuality and confidence, showcasing the actor in a way that reflects current trends while also highlighting artistic flair. Additionally, the setting has a relaxed yet sophisticated vibe, it could also suggest themes of luxury or lifestyle, appealing to a fashionable audience. The lighting in the photograph plays a crucial role in enhancing the overall mood. Soft, diffused light creates an inviting atmosphere, adding warmth to the vibrant colours. Highlights on the model's features draw attention, while gentle shadows add depth, making the image feel dynamic and visually engaging.

How many were involved in the making of the front cover?

Photographs by Gregory Harris

Styled by George Cortina

Hair by Teddy Charles at Nevermind Agency

Skin by Holly Silius using Lyma & YSL Beauty

Set Design by Colin Donahue for Owl and the Elephant Agency

Produced by Paul Preiss at Preiss Creative

Daniel Riley is GQ’s global content development director.

OPENING IMAGE FASHION CREDITS:

Jacket by Hermès. Shirt by Dries Van Noten. Pants and belt (throughout) from Kincaid Archive Malibu. Boots by Manolo Blahnik. Necklace (top) by Atra Nova by Sheila B. Necklaces (second and third from top) and bracelets (on right wrist, top and bottom, throughout) by Platt Boutique Jewelry. Necklace (bottom) and ring (on ring finger, throughout), his own. Watch (on left wrist, middle, throughout) and bracelets (on left wrist, bottom, and throughout, and on right wrist, middle, throughout) from FD Gallery. Bracelet (on left wrist, top, and throughout) by Belperron. Ring (on left pinkie, throughout) by TenThousandThings. Rings (on right pinkie, throughout) by Graff.

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Research for photo cover

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Research for photo cover unit

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Research for photo cover unit

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Colour palette research

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In my photography editorial titled Portraiture Through Mental Health: "Fallen Angel", I explore the profound connection between mental health the struggles and the strengths visually using fashion and atmospheric lighting, the ethereal representation of angels and resilience.

This project aims to capture the delicate balance between vulnerability and strength, illustrating how individuals navigate their mental health journeys while embodying the grace of angelic figures.

The editorial features a series of portraits where each subject is styled with angelic elements such as Dark wings, Lighting that creates shadows leading into the light. These visual metaphors symbolize hope, protection, and the transcendent nature of healing. The settings are carefully chosen outdoor and indoor locations that evoke a sense of serenity and connection to nature and self affirmation, enhancing the themes of growth and renewal.

Each photograph tells a unique story, revealing the subjects' personal experiences with mental health challenges. Through expressive posing and thoughtful composition, I aim to convey a sense of empowerment, encouraging viewers to recognize the beauty in vulnerability. The angelic imagery serves as a reminder that, like angels, we all have the capacity to rise above our struggles and find light in the darkness. The editorial also includes accompanying narratives from each subject, sharing their insights and reflections on mental health. This personal touch adds depth to the visual experience, fostering a sense of community and understanding among viewers. By merging portraiture with the theme of mental health, I hope to spark conversations, reduce stigma, and inspire others to embrace their own journeys with compassion and resilience. Ultimately, "Portraiture Through Mental Health" is a celebration of the human spirit and the transformative power of self-acceptance.

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Lillian Bassman was a prominent American photographer known for her influential work in fashion photography.

1. Early Life: Born on December 15th 1917 in Brooklyn, New York, Lillian Bassman began her artistic journey studying painting at the Brooklyn Museum Art School.

2. Career Start: Bassman started her photography career in the 1940s, working as an assistant to renowned fashion photographer Alexey Brodovitch at Harper's Bazaar, where she honed her skills. She would bring in her own photographs to show him, Brodovitch looked at them and told Lillian, "There great, now go become a photographer." so that is what she did.

3. Distinct Style: Bassman was known for her unique style, characterised by soft focus, dramatic lighting, and a painterly quality. She often captured models in a way that emphasized their emotions and movements.

4. Legacy: Throughout her career, she photographed many iconic models and created memorable images that contributed to the fashion industry. Her work has been featured in numerous exhibitions and publications. Lillian Bassman worked for several prestigious publications throughout her career. Some of the notable ones include:

1. Harper's Bazaar: She gained significant recognition for her work in this fashion magazine, where she was an influential photographer during the 1940s and 1950s.

2. Vogue: Bassman contributed to Vogue, one of the most famous fashion magazines, showcasing her unique style and artistic vision.

Elle:  She worked with Elle, where her photography continued to push the boundaries of fashion imagery.

Life Magazine: Bassman contributed to Life, a well-known photojournalism magazine, further expanding her reach beyond just fashion.

These publications helped establish her reputation as a leading figure in fashion photography, showcasing her innovative approach to capturing beauty and emotion.

5. Later Work: In her later years, Bassman continued to experiment with photography, creating abstract works and revisiting her earlier images, often manipulating them to create new interpretations.

Lillian Bassman's contributions to photography have left a lasting impact on the fashion world and continue to inspire photographers today.

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Fantasy on the dance floor, Barbara Mullen

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In this portrait is Barbara Mullen featuring in a Christian Dior wedding dress, the composition focuses on the model, placing them centrally to highlight their attire and pose. The framing includes elements that suggest the era, such as vintage dress, adding context to the image. The lighting used has a softer quality, which creates a nostalgic feel. Natural light used to illuminate the model, enhancing the textures of the dress and the model's features. The photo is in monochrome, this further contributes to the vintage aesthetic, evoking a sense of history and timelessness. Bassman used her signature style of over blown lighting and dark contrasts to give a sensual painting like image, the play on soft shadows on the skirt gives a flower like texture. Overall, the combination of thoughtful composition and gentle lighting, harsh highlights and soft dark shadows, helps to create an intimate and classic feel in the image.

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The composition of the portrait emphasizes the model by placing them prominently in the frame, but slightly off centred to create visual interest. The table is included, that itself serves as a grounding element, adding context to the scene and drawing attention to the subject's interaction with their surroundings.

In terms of lighting, monochrome images often rely on contrasts between light and shadow to create depth and mood. Bassman's style is to experiment with the highlights and contrasting shadows, using soft, diffused lighting to enhance the models features and create a flattering effect. While harsher lighting can produce strong shadows and grainy effects that adds drama and intensity. The interplay of light and shadow in a monochrome portrait can evoke emotions and highlight textures, making the image feel more dynamic and engaging.

Overall, the combinations used are effective and contributes significantly to the portrait's impact.

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The underwear series is breathtakingly erotic, and you can barely even see the models’ faces; there’s something unbelievably wraith-like, ethereal and sensual about how the lines have been softened and blurred. And all this without distracting from the stunning beauty of the couture outfits photographed in her work, especially from the 50s, which are simply stunning.

The composition of the photo with the blurry arms in mid-air emphasizes movement and action, giving a whimsical feel for the image. The placement of the arms in the frame can create a sense of dynamism, drawing the viewer's eye to the motion. The arms are positioned towards one side of the frame, leading the viewer's gaze across the image, enhancing the feeling of movement.

Regarding lighting, the effect of blur influences how light interacts with the models pose. The photo is well-lit, which makes the highlight contours of the arms stand out, even in motion. Conversely, using the lighting harshly, creates shadows that add to the sense of movement. Overall, the combination of composition and lighting works together to convey a moment that feels lively and spontaneous.

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References:

https://www.liliums-compendium.co.uk/post/lillian-bassman-gifted-gallery

https://www.youtube.com/watch?v=nDRGWHGlNO4

https://www.harpersbazaar.com/fashion/photography/videos/a5116/a-last-interview-with-lillian-bassman-video-1480792566001/

https://www.harpersbazaar.com/fashion/photography/videos/a5116/a-last-interview-with-lillian-bassman-video-1480792566001/

https://www.jacksonfineart.com/artists/lillian-bassman/fantasy-on-the-dance-floor-barbara-mullen-in-a-christian-dior-dress-paris/

https://www.flickr.com/photos/skorver1/albums/72157631913040208/

https://fromthebygone.wordpress.com/category/lillian-bassman/

https://rachttlg.com/2011/06/08/lillian-bassman-fashion-photography/

https://www.flickr.com/photos/skorver1/48068784568/in/photostream/

https://uk.pinterest.com/pin/639651953307074200/

https://aperture.org/editorial/fashion-photography-in-12-photographs/

https://dia.org/collection/suzy-parker-harpers-bazaar-93152#

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While doing some research on Fashion photographers, I was looking for a great photographer called Lillian Bassman, she was a famed American fashion photographer renowned for her work at Harper's Bazaar magazine using high contrast and harsh lights to produce some outstanding pieces of work, I decided to give a wee shot in the studio myself all be it with a digital camera as to film that Bassman would use.

Model: Callisto McKenzie

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Cecil Beaton was a renowned British photographer and designer, celebrated for his glamorous portraits and fashion photography. Born on January 14th 1904, in Hampstead, London, he became famous for capturing the elegance of the elite, including royalty and celebrities. Beaton's work appeared in magazines like Vogue and Vanity Fair, showcasing his unique style that combined artistry with a keen eye for detail. He also ventured into set design and costume design for films and theatre, winning multiple Academy Awards. His legacy endures through his iconic images that reflect the beauty and sophistication of his time, making him a significant figure in photography.

Cecil Beaton launched his career as a 'society' photographer in 1926 with an exhibition in London that won him an immediate contract with Vogue, where he worked for the next 30 years.

Publications:

1. Vogue - He contributed numerous fashion photographs and articles to this iconic magazine.

2. Harper's Bazaar - Another leading fashion publication that showcased his glamorous photography.

3. Vanity Fair - Beaton's portraits of celebrities and socialites appeared in this influential magazine.

4. The Sunday Times - He contributed to the magazine section, providing striking images and commentary.

5. Life Magazine - Beaton's work was also published in this American magazine, known for its photojournalism.

These publications helped cement his reputation as a leading photographer of his time.

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Cecil Beaton's portrait of Maria Callas taken in 1958 is a striking representation of the iconic opera singer. Beaton, known for his fashion photography and portraits of celebrities, captured Callas in a way that emphasised her dramatic presence and artistic spirit.

In this particular portrait, Callas is often depicted with a strong, confident expression, showcasing her unique beauty and charisma.

The composition typically features her in elegant attire, which highlights her status as a cultural icon of the time. Her posture is tall and strong, her hands clasped together elegantly, giving her arms a triangle that draws the eyes up to her face.

The use of lighting and shadow adds depth to the image, enhancing the theatrical quality that Callas was famous for in her performances.

The photograph is not just a simple portrait; it's a reflection of the era's fascination with celebrity and the arts. Beaton's ability to blend fashion with portraiture allows viewers to appreciate both Callas's artistry and her personal style. This portrait remains a significant piece in the history of photography, illustrating the intersection of art and celebrity during the mid-20th century.

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Cecil Beaton's photograph of Mrs. Mona Williams from 1936 is a significant work that showcases Beaton's unique style and his ability to capture the essence of his subjects. Beaton often employed careful composition to create a sense of elegance. The framing of Mrs. Williams emphasises her presence, drawing the viewer's eye directly to her. The use of space around her can create a feeling of sophistication and poise. He was known for his mastery of light and shadow, which he used to enhance the features of his model in the portrait, The lighting in this portrait highlights Mrs. Williams' face and attire, creating a soft glow that adds to the overall aesthetic. The clothing and accessories worn by Mrs. Williams are crucial to the portrait's impact. Beaton often captured his subjects in fashionable attire, reflecting the trends of the time. The choice of fabric, colour, and style can reveal much about her social status, all be it is in monochrome you can still get a feeling for how extravagant the attire is by the clever use of lightning and shadows. Mrs. Williams’ expression and pose can convey a range of emotions and attitude. Beaton had a talent for capturing the character of his subjects, and her demeaner, in the portrait it suggests confidence, grace, and introspection. There is alot of use of the triangle rule to align the subject in the frame of sight, he uses this technique to draw the viewers eyes to the subject. This portrait was taken in 1936, a period marked by significant social changes. Understanding the context of the time can provide insights into Mrs. Williams' identity and the societal expectations of women during that era. The inscription 'Mrs. Harrison Williams' in an unknown hand adds a layer of mystery. It suggests a connection to her identity that might indicate her marital status or social standing. This detail prompts viewers to consider the significance of names and titles in the context of the time.

In summary, Beaton's portrait of Mrs. Mona Williams is a rich visual elements that combine to create a portrait that is both elegant and thought-provoking. The careful attention to detail, lighting, and composition, along with the mysterious inscription, invites viewers to explore the story behind the image.

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The portrait of Anna May Wong by Cecil Beaton is a striking representation of the iconic actress and fashion figure. In this portrait, Wong, depicted with a glamorous yet contemplative expression, showcasing her unique beauty and the complexities of her identity as a Chinese-American actress in a predominantly white Hollywood. Beaton's use of lighting and composition highlights her features, emphasising her elegance and poise. The background and styling are also significant. The composition of Anna May Wong's portrait features a balanced arrangement, with Wong positioned centrally. The use of soft lighting accentuates her facial features, while the background remains understated, drawing attention to her. This creates a sense of intimacy, highlighting her elegance and individuality within the frame. The lighting is soft and diffused, creating a flattering glow on her skin. This technique highlights her features while adding a dreamy quality to the image. The subtle contrasts enhance her elegance, drawing the viewer's focus to her expressive face and captivating gaze. Beaton was known for his theatrical and artistic approach, often incorporating elaborate settings and costumes that added depth to his subjects. In Wong's portrait, the choice of textures can reflect the era’s fashion trends while also hinting at the cultural influences surrounding her. Overall, the portrait captures not just Wong's physical appearance but also her status as a trailblazer in the film industry, breaking barriers for Asian representation in Hollywood. During a time of racial stereotyping in Hollywood, Wong broke barriers, becoming a symbol of elegance and resilience, challenging societal norms and paving the way for future generations.

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Millicent Rogers, Charles James Hat, 1930

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Millicent Rogers, Charles James Hat, 1930

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The portrait of the Charles James Hat by Cecil Beaton captures the essence of high fashion and artistic expression. The model in Beaton's portrait is Millicent Rogers. She was known for her elegance and style, making her a fitting choice to showcase the exquisite hat designed by Charles James. In terms of context, this portrait reflects the collaboration between Beaton and renowned fashion designer Charles James, known for his innovative designs. The hat symbolizes the intersection of art and fashion in the mid-20th century, showcasing the era's glamour and creativity. Regarding composition, Beaton employs a striking arrangement, positioning the hat prominently in the foreground with the mirrors reflections on either side of Millicent Rogers creating a striking visual effect, emphasising symmetry and depth. This technique enhances the viewer's focus on the model while also reflecting her surroundings, adding layers to the image. The mirrors contribute to a dynamic interplay of light and space. The lighting of the mirror reflections on either side of Rogers is soft and diffused, creating a gentle glow that enhances the overall atmosphere. This illumination highlights the model's features while adding depth to the reflections, contributing to a harmonious balance between the subject and her surroundings.

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References

https://www.vam.ac.uk/articles/cecil-beaton-an-introduction?srsltid=AfmBOopFbi7fU1hrNKRKk7bhx-5xf_n-DqWdg1FIIVlZo-Vcc5Loxo1b

https://huxleyparlour.com/artists/cecil-beaton/

https://www.artnet.com/artists/cecil-beaton/

https://huxleyparlour.com/artwork/marianna-van-rensselaer-in-charles-james-hat/

Cecil Beaton 7 Images That Changed Fashion Photography (youtube)

Cecil Beaton - Behind The Glitter (2004 BBC4 Documentary) (youtube)

The Glass of Fashion. Illustrated by the author. With a portrait. by Cecil Beaton. (book)

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Photographer Gregory Harris.

"Cillian Murphy sitting on the chair gives off a cool vibe. It's like he's about to drop some wise words or share a secret recipe for success."(Which he does in the article that compliments this front cover.) "https://www.gq.com/story/cillian-murphy-gq-cover-story"

In the front cover image, the use of colours creates a striking visual impact. The actors outfit features vibrant hues that contrast beautifully with the background, drawing attention to his presence. For instance, he wears a subtle blue shirt against the vibrant red backdrop, the clash of these colours enhances the richness and depth of the scene. Such contrasts not only highlight the model’s features but also evoke strong emotions, making the overall composition more engaging. The vibrancy of the colours brings the image to life, showcasing the model in a way that feels dynamic and captivating. Based on the visual description of the magazine cover image with the actor sitting on a chair and the use of vibrant, contrasting colours, the theme could be considered modern and stylish. It embodies a contemporary fashion aesthetic, focusing on bold expressions and dynamic visuals. This theme emphasises individuality and confidence, showcasing the actor in a way that reflects current trends while also highlighting artistic flare. Additionally, the setting has a relaxed yet sophisticated vibe, it could also suggest themes of luxury and lifestyle, appealing to a fashionable audience. The lighting in the photograph plays a crucial role in enhancing the overall mood. Soft, diffused light creates an inviting atmosphere, adding warmth to the vibrant colours. Highlights on the model's features draw attention, while gentle shadows add depth, making the image feel dynamic and visually engaging.

How many were involved in the making of the front cover?

Photographs by Gregory Harris

Styled by George Cortina

Hair by Teddy Charles at Never mind Agency

Skin by Holly Silius using Lyma & YSL Beauty

Set Design by Colin Donahue for Owl and the Elephant Agency

Produced by Paul Preiss at Preiss Creative

Daniel Riley is GQ’s global content development director.

OPENING IMAGE FASHION CREDITS:

Jacket by Hermès. Shirt by Dries Van Noten. Pants and belt (throughout) from Kincaid Archive Malibu. Boots by Manolo Blahnik. Necklace (top) by Atra Nova by Sheila B. Necklaces (second and third from top) and bracelets (on right wrist, top and bottom, throughout) by Platt Boutique Jewellery. Necklace (bottom) and ring (on ring finger, throughout), his own. Watch (on left wrist, middle, throughout) and bracelets (on left wrist, bottom, and throughout, and on right wrist, middle, throughout) from FD Gallery. Bracelet (on left wrist, top, and throughout) by Belperron. Ring (on left pinkie, throughout) by Ten Thousand Things. Rings (on right pinkie, throughout) by Graff.

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Editorial Research with Anna, Eryn, Kirsty and Myself Jennifer.

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In Tim Bret-Day's editorial on sunglasses, the central theme emphasizes the celebration of individuality and the essence of summer.

The accompanying images evoke a sense of freedom and playfulness, presenting a variety of styles that embody a carefree spirit.

This theme is effectively illustrated through the use of vibrant colours and dynamic settings, which create a bright and exhilarating atmosphere.

The sequence of the images is pivotal in narrating the story; it commences with three-quarter portraits that set the scene and establish the style, transitioning into close-ups that highlight the sunglasses and intricate details of the outfits.

This progression takes the viewer on a visual journey, enriching the overall narrative. To maintain engagement throughout the pages, there are diverse styling choices, poses, and shot types; the portraits are composed in a manner that captivates the audience, with the models either directly engaging with the camera or gazing intently in a sultry fashion. Despite the variety, consistent elements unify the images, such as a cohesive color palette and recurring locations.

The overall mood of the editorial is energetic and inviting, achieved through bright lighting and joyful expressions. Bret-Day’s utilization of studio lighting further enhances this atmosphere, rendering the images fresh, vibrant, and alive. In post-production, he infuses uniqueness into his editorial portraits through playful, bright edits, employing contrasting colours to complement one another effectively.

https://www.timbretday.com/galleries/sunglasses/

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A list of essential equipment for an outdoor and indoor photoshoot:

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A list of essential equipment for an outdoor and indoor photoshoot:

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1. Camera: A DSLR or mirrorless camera is ideal for high-quality images.

2. Tripod: A sturdy tripod helps stabilize camera, especially in low-light conditions or for long exposures and dramatic lighting.

3. Reflector: A reflector can help bounce natural light onto your subject, softening shadows and enhancing lighting.

4. External Flashes: If shooting in bright sunlight or need extra light, an external flash can help fill in shadows or create atmospheric lighting. Light meter.

5. Lenses: Bring a variety of lenses, such as a wide-angle for landscapes and a portrait lens for close-ups. 20-70mm 16-200mm and 50mm lens

6. Memory Cards: Have extra memory cards on hand to ensure to run out of space during the shoot.

7. Batteries: Bring spare batteries to avoid running out of power, especially for longer shoots.

8. Lens Cleaning Kit: Keep a lens cloth and brush handy to clean lenses and avoid dust spots in your photos.

9. Backdrop: To create a specific scene, portable backdrop that fits theme.

10. Water and Snacks: Stay hydrated and energized during the shoot to keep the crew and models energy levels up.

11. Paddle board: for on the water shoots, safety is crucial and risk assessment is mandatory, using shallow waters, checking weather reposts and using correct PPE such a lifejacket, Heated jacket and towel, hot drinks.

12. Indoor location: Boxing gloves, bandages.

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FUTUREPROOF

“Street Level Photoworks” exhibition space.

Located at Trongate 103, Glasgow, G1 5HD.

Exhibition review form,

Name

Jennifer_McKenzie

Class

2A

Date

September 2024

Name of exhibition

Futureproof 24

Location of exhibition

Street Level Photoworks

*These responses should reach 300 words approximately.

How does the flyer/poster advertise the exhibition? (Include an image of the flyer)

The text document flyer advertising the exhibition effectively utilizes its content to engage potential visitors and convey essential information. Firstly, the language used in the flyer is clear and direct, ensuring that readers can quickly grasp the key details without confusion. It typically starts with an eye-catching title that highlights the name of the exhibition, immediately drawing attention.

The flyer includes crucial information such as the dates, location, but does not include the opening hours, presented in a straightforward manner. This allows potential attendees to easily note when and where the exhibition will take place. Additionally, a brief description of the exhibition is included, providing insight into the themes, featured artists. This helps to generate interest and encourages readers to attend.

Moreover, the use of engaging language is important in the flyer. Phrases that evoke curiosity or excitement about the exhibition can entice readers to learn more. For example, using words like "discover," "explore," or "experience" can create a sense of anticipation and encourage attendance but on reading the flyer it does not include any key words as such, also Including information about any special events, such as opening receptions or artist talks, could have also enhanced the flyer’s effectiveness. This not only informs potential visitors about additional opportunities to engage with the exhibition but also adds value to their experience. Some pictures could have been added to also entice any potential viewers. In conclusion, the text document flyer advertises the exhibition by presenting clear, engaging information that highlights key details and stirs curiosity. Its concise language and focus on essential elements ensure that it captures the attention of potential visitors, ultimately encouraging them to attend the event.

What is the suitability of the gallery space? How is the exhibition laid out? (include images)
The suitability of the gallery space for an exhibition is essential for creating an engaging experience for visitors. The well-designed gallery has ample lighting, sufficient floor space, and a layout that complements the artworks being displayed. The exhibition features large Famed work, is spacious enough for viewers to walk around and appreciate the pieces from various angles. On the other hand, smaller artworks have benefited from a more intimate setting that allows for closer inspection. The layout of the exhibition is also crucial in guiding visitors through the space. The logical flow begins with an introductory piece and statement that sets the tone for the exhibition. From there, artworks are arranged thematically. This organization helps visitors to make connections between different works and enhances their understanding of the exhibition's overall message. Signage plays a vital role in the layout, providing clear information about each piece without overwhelming visitors. It includes the titles, artist names, and some gave descriptions that offer context and insight. Additionally, incorporating interactive elements and discussion space helped further engage visitors, making the experience more dynamic and participatory. Seating area was also beneficial, allowing guests to pause, reflect, and discuss their thoughts with others. Overall, a suitable gallery space combined with a thoughtful exhibition layout creating an inviting atmosphere that encourages exploration and appreciation of the art on display. This careful planning ensures that visitors have a meaningful and enjoyable experience throughout the exhibition, ultimately enhancing their connection to the artworks.

How has the work been mounted? Is this appropriate for the work? (include visual examples)

In the exhibition, the work that is mounted plays a significant role in the overall presentation and viewer experience. The common mounting methods include framing under glass, displaying digital prints. Framing photographs under glass is a classic approach that offers protection and a refined look. This method is particularly suitable for the fine art photography that is on display, as it preserves the integrity of the images while allowing viewers to appreciate the details. However, glass can create reflections that may interfere with the viewing experience, so the careful consideration of the lighting is necessary. This method is ideal for larger works, creating a more immersive experience for the audience. This approach is particularly effective for contemporary photography and multimedia works, allowing for dynamic presentations that include video or sound. This enhances storytelling and engages the viewers in a unique way. The documentary photography that’s exhibits a straightforward presentation to emphasise the subject matter, while an artistic collection embraces more creative mounting options. The framework complements the intent of the photographs and enriches the viewer's experience.

Who made the work?

Amy Storey, Audrey Bizouerne, Ava Wright, Caitlin Eadie, Charles McGuigan, Chema rodriguez, Clarissa Gurd, Coral Allen, Demelza Kingston, Edward Cawood, Emily Broadrick, Heather Graham, Freya Cookson, Innes Geogory, John Ferguson, Lyela Ahmad, Maria Strang, Marylynn Ballard, Naomi Wood, Rachael Clarkson, Rob Symington, Theo Craig and Victoria Filimonova.

Who did they make it for, who is the audience?

Anyone interested in contemporary photography and multimedia works and documentary photography.

How does it make you feel? If the work has a title does it make you think about the image/s differently? How would I describe it to someone later? Does the photograph make you want to ask questions, what are these questions?

A contemporary and documentary photo exhibition stirs up a lot of feelings for a viewing. Walking into the gallery, there's this buzz of excitement and curiosity. Each photo seems to pull you in, telling its own story while also fitting into a bigger picture of what’s happening in the world today. The contemporary aspect makes you think about current social issues and cultural changes, and you can't help but feel a connection to the emotions and realities captured in the images. It’s like each photograph is a window into someone else's life, prompting you to reflect on your own experiences and artistic path. As I move through the exhibition, I might feel inspired by the different styles and techniques used by other photographers. The way they play with light and composition that sparks new ideas for my own work, making me consider how to tell my own stories through photography. Plus, being in a space filled with fellow photographers creates a sense of community. I find yourself chatting with others, sharing thoughts about the images, which adds another layer to the experience. In the end, This contemporary and documentary photo exhibition isn’t just about looking at art; it’s an emotional journey that challenges me, inspires me, and connects me to both the world and other creatives around me.

Is the photograph valuable? How do you know?Is the work for sale and who might buy it?

There wasn't any information on site to see and on asking the staff they did not know which gave the impression that one must have to contact the organisers themselves.

What information is available about the artist/s?

The only information was on the flyer and the name tags under each work on show.

Who organised the exhibition and who selected the work?

FUTUREPROOF:

University of the Highlands and Islands (inverness and Elgin), Forth Valley College (stirling), City of Glasgow, Glasgow School of Art, Duncan of Jordanstone College of Art (Dundee), Gray's School of Art (Aberdeen) Edinburgh Napier University.