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Jan Vormann

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This website serves as a platform as well as an archive for Dispatchwork. The first documented patches go back as far as 2007. Today Dispatchwork is a multi-person artistic installation in virtually all public spaces worldwide. And more than an artistic intervention of just a single artist, when in fact hundreds of enthusiasts are acting on broad daylight under their clear names, to rightfully claim their share of the public space.

Together we have infiltrated cultural heritage, facades and fortifications. From cottage to skyscrapers and both, the berlin and chinese wall. Even a handful used bricks of whichever brand is plenty, and enough for a contribution. The persons and institutions named and credited on this platform seized this hands-on opportunity to go out in the streets and temporarily seal and heal fissures in buildings, complete the material compilation in urban construction and add color to the urban greyscales.

Dispatchwork aims at childhood-memories in abstract shapes and towards a global collaboration of persons unknown to each other in vivid colors. The project is made for all people who identify as one of the others and embrace transitoriness. Because even when cast in concrete decay is only delayed for a short moment: eventually all the structures crumble out and 'dissolve' (friendly to our environment) back into private toyboxes to await their resuscitation.

Overcoming national borders, this is a Forum to further develop, piece by piece, a common global culture together. Alternate realities where events like this are just very normal, and nothing out of the box. Because nobody enjoys living in dull cities. Everybody, not only kids can imagine the world more colorful.

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This website serves as a platform as well as an archive for Dispatchwork. The first documented patches go back as far as 2007. Today Dispatchwork is a multi-person artistic installation in virtually all public spaces worldwide.

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Urban Geode

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Noan
Sascha
enregistrement audio

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Réflexion au tour d’œuvres. Mathis et Enzo

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Réflexion au tour d’œuvres. Mathis et Enzo

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Fissures

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Elsa melisa Chloe

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Theo bastien

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fissures œuvres ethan , melisa  et chloé 

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fissures œuvres ethan , melisa  et chloé 

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Biancoshock

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BORDERLIFE
Lodi - Milan, 2016

If some problems cannot be avoided, make them comfortable.
The series speaks about people forced to live in extreme conditions.
An example of inspiration is Bucharest, where more than 600 people live in the city sewers.

0,65 x 0,56 mt - mixed media
/ IT

Se alcune criticità non si possono evitare, tanto vale renderle confortevoli.
Intervento che, parodicamente, racconta di persone che tutt'oggi sono costrette a vivere in condizioni limite.
Un'esempio di ispirazione è quello di Bucarest, dove più di 600 persone vivono sotto terra, nelle fogne.

1,03 x 1,00 mt - mixed media
1,10 x 0,85 mt - mixed media

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BORDERLIFE Lodi - Milan, 2016 If some problems cannot be avoided, make them comfortable. The series speaks about people forced to live in extreme conditions. An example of inspiration is Bucharest, where more than 600 people live in the city sewers.

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Interstices Tristan Antoine et Thibaut

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Orale Tristan Thibault Antoine

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Charles Simonds

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Since 1970 Simonds has created Dwelling places for an imaginary civilization of "Little People" who are migrating through the streets of neighborhoods in cities throughout the world; New York, Paris, Shanghai, Berlin, London, Dublin, among others. Each Dwelling is a different time and place in the history of the lives of Little People, a chronology of some of the Dwellings that have been photographed is available below. A listing of the cities Simonds has worked in is located .

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Charles Simonds - Dwellings - Since 1970 Simonds has created Dwelling places for an imaginary civilization of "Little People" who are migrating through the streets of neighborhoods in cities throughout the world; New York, Paris, Shanghai, Berlin, London, Dublin, among others.