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adam saw curly flopping like a fish on a line pg 64

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adam saw curly flopping like a fish on a line pg 64

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Steinbeck uses clear descriptions, hints of future events, and symbols in Chapter 3 to set the mood and reveal characters' feelings. His writing helps paint a vivid picture.

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"...and his closed fist was lost in Lennie's big hand."

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"...and his closed fist was lost in Lennie's big hand."

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emphasising size of Lennie's hand

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godlike eyes fastended on him

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“Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don’t belong no place.”

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showing through the windows of the bunkhouse, inside it was dusk. Through the open door came thuds and and occasional clangs of a horseshoe game.

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"George stacked the scattered cards and began to lay out his solitaire hand. The shoes thudded on the ground outside. At the windows the light of the evening still made the windows square bright."

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"George stacked the scattered cards and began to lay out his solitaire hand. The shoes thudded on the ground outside. At the windows the light of the evening still made the windows square bright."

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Page 41 - Imagery

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“Curley was flopping like a fish on a line,” pg 63

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“Curley was flopping like a fish on a line,” pg 63

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Steinbeck uses literary techniques multiple times, an example of this is "Lennie covered his face with his huge paws and bleated with terror". Another example is "You're yella as a frog belly".

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He slashed at Lennie with his left and then smashed down his nose with a right

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1. “Lennie covered his face with his huge paws and bleated with

terror.”

2. Footsteps and then silence expressing tension before the death of a dog. “His voice trailed off. It was silent outside.

3.  He rippled the edge of the deck nervously, and the little snapping noise drew.”

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metaphor "The curls, tiny little sausages," describing Curley's wife's hair

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"The sun threw a bright dust-laden bar through one of the side windows, and in and out of the beam flies shot like rushing stars."

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giving the leaves human-like qualities and creating a sense of intimacy with nature

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examples of descriptive and literary techniques throughout Chapter 3.

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examples of descriptive and literary techniques throughout Chapter 3.

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example 1: turned on the tin-shaded electric light. Instantly the table was brilliant with light, and the cone of the shade threw its brightness straight downward, leaving the corners of the bunk house still in dusk.

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On the sandy bank under the trees, the leaves lie deep and so crisp that a lizard makes a great skittering if he runs among them.

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"Lennie covered his face with his huge paws and bleated with terror."

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"Lennie covered his face with his huge paws and bleated with terror."

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Page 64

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In Chapter 3 of Of Mice and Men, Steinbeck uses vivid imagery and similes, like Lennie "bleated with terror," to convey emotion. The description of the bunkhouse sets a stark, orderly tone, while the shooting of Candy's dog foreshadows the inevitable fate of weaker characters.

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In Chapter 3 of Of Mice and Men, Steinbeck uses vivid imagery and similes, like Lennie "bleated with terror," to convey emotion. The description of the bunkhouse sets a stark, orderly tone, while the shooting of Candy's dog foreshadows the inevitable fate of weaker characters.