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Please do add in your website/production page/ project page below or anything else you think others might like to hear about.

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hattie@theatrealibi.co.uk

I'd love to have a conversation about [***].
Or
I'd love to speak to peers about [***] and hear thoughts/ideas.

I've left my contact details here if anyone would like to reach out.

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Contribute your thoughts/questions/ provocations below by clicking the +

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Contribute your thoughts/questions/ provocations below by clicking the +

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If you didn't get a chance to ask your question in the webinar please do ask it below and we can pass this on to Camila and Pedro for you. We will send the responses out in a follow up email to all attendees.

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If you’d like to hear more about events like ‘Getting Through The Cracks – Part Two’ you can sign up to Theatre Alibi’s mailing list specifically for performance makers for young audiences. By signing up you'll receive latest news, be able to register your interest, and receive early-bird offers for all future events Theatre Alibi host for performance makers for young audiences. Click below to join:  https://theatrealibi.us15.list-manage.com/subscribe?u=37cc32fe5fbdb1017646497c0&id=b5888c0948

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https://en.projetogompa.com/

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Projeto GOMPA is an awarded Brazilian collective of artists created in 2014 by the director Camila Bauer in Porto Alegre, Brazil. The group develops dramaturgical and scenic language experimentation and researches possible crossings between theatre, dance and music, emphasizing s the fusion of different forms of art as narrative outsets.The projects are created in collaboration with artists of all sorts of strains, resulting in an hybrid language that expands the limits of what is understood about performing arts for adults and performing arts for the youth.

In 2019, the group performed at the Ibsen Festival in Norway the play Enemies in a Doll's House, awarded in 2017 with the Ibsen Scholarship and premiered in Brazil in 2018..

In 2017 the collective developed the play The Little Red Riding Hood, based on the text by Joël Pommerat, performing it in major national festivals. The play received many national awards, including best performance. The play was selected to perform at FITA Chile (2019) and MIRAI Festival in Japan (2020).

The Adventures of the Little Prince was the first play for children made by the group, in 2014, and since then its was presented more than 250 times in the south of Brazil, with a version for the planetarium, mixing real presence with technology and proposing a particular kind of experience for the youth.

Our latest project is The Frankenstein Project, a dance/theater performance developed in two different versions, one for adults (Frankenstein - 2019) another for children (Little Frankenstein - 2020).

We are now working on The Girl's Grandmother, proposing the encounter between the little red riding hood and her grandma. The plays Amazônia and The Last Black Woman will also be premiered in between 2020 and 2021.

All our performances are still being shown all around the country. Currently, the collective is in an internationalization phase, seeking to take its work to different territories, interacting both with children and adults, bringing light to the art created in South America and, specially, in south Brazil.

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Projeto GOMPA is an awarded Brazilian collective of artists created in 2014 by the director Camila Bauer in Porto Alegre, Brazil.

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If you have a moment, please fill out the feedback form for this GTTC conversation, we'd love to hear your thoughts:

https://www.surveymonkey.co.uk/r/7PCPJ53

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https://en.projetogompa.com/chapeuzinho-vermelho

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THE LITTLE RED RIDING HOOD

Best Play
Director
Actress
Actor
Supporting Actress
Supporting Actor
Set Design
Costume
Soundtrack
Lighting

Supporting Actor

Costume

Best Play

Director

Actress

Actor

Supporting Actress

Supporting Actor

Set Design

Costume

Soundtrack

Lightining

Producer

Best Play

Director

Actor

Costume

Original SoundTrack

RBS Award

Make Up
Graphic Design
Scene photography
Soundtrack
Lightining
Set design
Costume
Supporting Actress
Supporting Actor
Actor
Director
Best play

Director

Supporting Actor

Original Soundtrack

Costume

Set design

Costume

Soundtrack

Lightining

Body preparation

Best Technical quality

Soundtrack

Lightining

Best Technical quality

Lightning

10º Prêmio Olhares da Cena (edição especial)

Make Up

Graphic Design

Scene photography

Soundtrack

Lightining

Set design

Costume

Supporting Actress

Supporting Actor

Actor

Director

Best play

Original Soundtrack

Lightning

PROFEST - TEATRO 2020

Soundtrack

Lightining

Set design

Costume

Supporting Actress

Supporting Actor

Actor

Actress

Director

Best play

Make Up

Soundtrack

Lightining

Set design

Supporting Actress

Supporting Actor

Director

Best play

Body preparation (special prize)

Fabiane Severo

Guilherme Ferrêra

Henrique Gonçalves

Laura Hickmann

Institucional Support: Aliança Francesa e Consulado Geral da França em São Paulo

FESTIVALE - São José dos Campos (2019)
Inclusão em Cena - Porto Alegre (2019)

IV Mostra Glênio Peres - Porto Alegre/RS (2018)

Mostra Pirlimpimpim de Teatro - Porto Alegre/RS (2018)

Mostra Espetacular - Curitiba/PR (2018)

- Cuiabá e Rondonópolis/MT (2018)

Porto Verão Alegre/RS (2020)

PROFESTEATRO/MG (2020) #AtHomeEdition

Porto Alegre/RS (2017)

Recife/PE - CAIXA Cultural Recife (2019)

Porto Alegre (RS), Canoas (RS), Gravataí (RS), Passo Fundo (RS), Florianópolis (SC), Itajaí (SC), Brusque (SC), Londrina (PR), Cuiabá (MT), Rondonópolis (MT), São José do Rio Preto (SP), Caxias do Sul (RS), Presidente Prudente (SP), Belo Horizonte (MG), Curitiba (PR), Manaus (AM), Chapecó (SC), São Paulo (SP), São José dos Campos (SP), Recife (PE).

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Read here.

Read here.

Read here.

"The group from Porto Alegre made this material a night fable, with a beautiful plas-tic and sonorous appeal and with enough opening to not render the scene to dead ends. (...) The impact is the result of what actors create in the verb and what light and sound underline. The show is unusually dark for a scene designed for children and this is good news. Light, set design and soundtrack are articulated in the play as if to place us within a dreamlike landscape in which the senses are not fully given: one has to go back to see what lies between the chiaroscuro."

"Children's plays do not usually cater to all audiences and tastes, even by the way they tend to be clear and specific to meet children. Contrary to this idea, the play of the Gompa Theater Company brought a retelling of the tale capable of surprising all ages - Really! [...] The adopted language manages to contemplate the public in a non-inva-sive way, where the examples given meet the perception of each one, without imposing an adult to feel infantilized, or a child to approach thematic early. Better than that, it sets precedents for little ones to better understand a more artistic language and to grow culturally. Bravo!"
Read here.

"Gompa Project brilliantly stars in one of the early versions of the Little Red Riding Hood tale. Creating a performance that permeates various layers of the story, while still having the courage to bring a version closer to the original to the public eye. With this, stirring the imagination of the public and still exploring sensations that are marked in the memory of all."
Read here.

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THE LITTLE RED RIDING HOOD Best Play Director Actress Actor Supporting Actress Supporting Actor Set Design Costume Soundtrack Lighting Supporting Actor Costume Best Play Director Actress Actor Supporting Actress Supporting Actor Set Design Costume Soundtrack Lightining Producer Best Play Director Actor Costume Original SoundTrack RBS Award Make Up Graphic Design

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https://vimeo.com/467264165

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LITTLE RED RIDING HOOD - Projeto Gompa, Brazil

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FITA CHILE 2019 OFFICIAL SHOWCASE SELECTION
FITA CHILE@IPAY 2020 OFFICIAL SELECTION

The performance proposes the encounter of the child to the risk of facing the unknown, dealing with topics such as fear, the fascination of the passage from the childish universe to the adult one, the solitude and family relations. There are on stage three generations of women: the daughter, the mother and the grandmother.  Theater is a safe place in which these experiences can occur, once the children are protected by the fictional and playful terrain that the theater engineers.

The Little Red Riding Hood is a play written by the French playwright Joël Pommerat and it’s performed for the first time in Brazil by the GOMPA Project. The performance has toured inside Brazil, making part in the main theater festivals and events for the youth.

Age Range: 8+
Running Time: 50 minutes
Audience Size: up to 600

“Little Red Riding Hood escapes all these stereotypes and makes the necessary con-frontation to treat the childlike look with respect and intelligence. The direction, the performances, the costumes, the minimal scenario (...) are organized with such mas-tery to compose the fairy and terrible universe proposed by the performance. (...) Little Red Riding Hood is a work that fills us with aesthetic beauty and bites us with its critical vocation. It is necessary and imperious, in these disastrous, dark and ominous times, the construction of artistic events in this greatness. (MARCO VASQUES – CAIXA DE PONTO JORNAL BRASILEIRO DE TEATRO)

https://en.projetogompa.com/chapeuzinho-vermelho