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Critical Evaluation Remote and Clickbait

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Critical Evaluation Remote and Clickbait

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Critical evaluation Natasha Brooke video project

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Pregnancy books: Emma has been learning how to be a mother in the dream sequence. These are more on show here. In opposition to this in reality- Emma wants to ignore her pregnancy. Therefore, her friends may have sent her congratulation cards which she has been ignoring- they are thrown on the ground in the dark.

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Symbolising the deterioration of their marriage.

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The decision is that lasagne will be for the dinner and the utensils will be coordinated.  This will be shown to symbolize and order in their lives in comparison to Jamie and Emma's- one that is mundane and inescapable.
Beer for Allan, wine for Jamie as they live within their basic gender roles.

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To be placed on the counter of Alan and Lilly's dining room, Jamie and Emma's bedroom and the office.

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PRE PRODUCTION: Creation of files for the office. 

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PRE PRODUCTION: Creation of files for the office. 

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Myself and Sotie worked on creating the files for Jamie's office. We wanted to bring attention to detail the changes overtime to Jamie's mental state throughout the film and dependence on the game. At the beginning, his files are small warnings about paying bills. Towards the end, they become more serious.

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Communication with the director over the need for their to be a lack of pattern in the real world. The colour palette needed to be dull pastel colours. The dullness of the pastel could represent a bleakness in their lives. In the office scenes- detail could include a possible attempt of livliness in there but a complete lacking. Due to Jamie's need to be on the game to escape this, the props in the office scenes could almost be used to mock him.

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Throughout the pre-production process myself and Sotie Lawson who I worked as a team with, discussed how we would source the props and composed a list of what we were to find. We quickly discovered that this script- primarily the first scene- requires a lot of props. Due to having to source and buy everything from different places- the process had to be done early to ensure everything is organised and prepared for the production week.

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After coming home with notes from the meeting with the group, I decided to look into intricate movie sets to gain some inspiration. Due to the plot jumping between worlds a movie that came to mind was 'Inception'. During this movie, the spinner is the only indicator that they are in a dream. I then decided to create a mood board with a colour scheme and the details i'd include to have symbolic effect.

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Meeting with group discussing the script and pictures to focus on in order to construct a colour scheme/ begin to think of ideas for props.
Communication into detail and deeper analysis into the colour and symbolism of the set with director is key to communicate the premise of the film effectively:

The importance of set design in a complex world is key: display the virtual side in contrast to reality needs to be through finer details. Once asking the director- Amy- more on this, small objects in the background and their subtle change is encouraged. Too much difference in the virtual world from the dull reality could lead to the audience understanding the twist too early so this had to be cleverly thought through.