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a medium tone, one that is neither very dark nor very light.

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a category of artistic composition

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a film gauge used in filmmaking, and the film standard

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a type of camera with two objective lenses of the same focal length

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a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole

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the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography

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a keeper or custodian of a museum or other collection

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair

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a room or building for the display or sale of works of art

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a building in which objects of historical, scientific, artistic, or cultural interest are stored and exhibited

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often a business owned and represented by one or more photographers who create and sell their own and sometimes others’ photographs

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A straight or curved geometric element that is generated by a moving point and that has extension only along the path of the point

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spatial form or contour

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a phenomenon of light or visual perception that enables one to differentiate otherwise identical objects

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the shape and structure of something as distinguished from its material

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the distances or areas around, between, and within components of a piece

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the visual or tactile surface characteristics and appearance of something

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how light or dark a given color or hue can be

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even distribution of weight

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the quality or state of being different or diverse

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a repeated design

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a part, share, or number considered in comparative relation to a whole

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refers to the way in which the eyes look at an image

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the simultaneous combination of shapes, tones or textures, especially when blended into a composition pleasing to the eye

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an area or object that draws attention and becomes a ​focal point

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symmetry around a central axis, as in a starfish or a tulip flower

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the quality of being made up of exactly similar parts facing each other

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lack of equality or equivalence between parts or aspects of something

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the fact of two things being seen or placed close together with contrasting effect

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a means of depicting a visual image that does not have an immediate association with the object world

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cool colors include green, blue, and purple, and variations of those three colors

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yellow, red, orange and different shades of these colors are warm colors

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muted shades that appear to lack color but often have underlying hues that change with different lighting

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opposite colors

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all the varieties of a single hue - the tints, shades, and tones

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a directional change in the intensity or color in an image

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providing constructive feedback, supported by specific examples, to help you improve in some area

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taking someone else's work or ideas and passing them off as one's own

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relating to moral principles

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Objective: facts
Subjective: opinions

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Copyright: protects the rights of people who create intellectual works
Trademarks: protect the use of a company's name and its product names, brand identity (like logos) and slogans

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a composition guideline

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where human-made or natural lines lead the viewer's eyes through a photograph to the subject or the heart of the image

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a ratio that creates a pleasing aesthetic through balance and harmony

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the empty space around and between the subject(s) of an image

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the subject or areas of interest in an artwork

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illuminating the subject from the back

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a soft light with neither the intensity nor the glare of direct light

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a soft light that is reflected off the ceiling

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use of strong contrasts between light and dark

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the outline of an object seen or as if seen against the light

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a work of art consisting of two separate works put together

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a work of art consisting of 3 separate works put together

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a way of representing a 3D object by using several 2D views of the object

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a type of distortion wherein lines that are straight in real life appear to curve inwards

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causes straight lines to curve outwards from the center of the image

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a camera's sensitivity to light

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an arbitrary rating of film speed

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a sensor that detects and conveys information used to make an image

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the visible silver crystals in a film negative's emulsion

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random variation of brightness or color information in images

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a space through which light passes

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the ratio of the focal length of the lens to the diameter of the aperture

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the distance between the center of a lens and its focus

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the distance between the nearest and the furthest objects that give an image judged to be in focus in a camera

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the visual quality of the out-of-focus areas of a photographic image

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the camera will automatically adjust all settings for you

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the camera selects and sets both the shutter speed and the aperture

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gives you complete control over your camera settings

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allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure

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the photographer selects a specific aperture value and the camera autoselects the proper shutter speed based on how much light it detects

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the time for which a shutter is open at a given setting

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an exposure setting that is used when seeking to use a shutter speed of more than 30 seconds. Generally, this would be used in extremely low light situations, such as taking photos of the night sky.

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the apparent streaking of moving objects in a photograph or a sequence of frames

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tripod: a three-legged stand for supporting a camera or other apparatus.
monopod: a one-legged support for a camera

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the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images

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involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements

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a technique in which the frequency at which film frames are captured is much lower than the frequency used to view the sequence

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moving a light source while taking a long-exposure photograph

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swivelling a still or video camera horizontally from a fixed position

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a shooting mode in still cameras where several photos are captured in quick succession by either pressing the shutter button or holding it down

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the camera takes a measurement from a single point or spot

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covers only the centre 6.2% of the frame in the viewfinder, thus providing precise metering only for the subject

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evaluates the light in the middle of the frame and its surroundings and ignores the corners

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the default metering mode on most cameras. It ensures that the camera will automatically adjust to the right exposure setting even when the ambient lighting shows greater contrast.

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halfway between black and white. It is the average in terms of scene brightness and has for many years been the one constant thing that photographers use on which to base their exposures on.

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the darkest parts of an image

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the lightest elements in an image

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a darker border - sometimes as a blur or a shadow - at the periphery of photos

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sepia-toned photos use a reddish-brown tone to create highlights and shadows

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a specific part of the frame where the camera is able to focus on something

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technique where a photographer takes shots of the same image using different camera settings

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indicates the level of light reaching the sensor

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helps you override automatic exposure adjustments your camera makes in situations with uneven light distribution, filters, non-standard processing, or underexposure or overexposure

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helps you adjust the white balance and exposure settings of images by providing a reference point

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go up to the Window menu, choose Workspace, and then choose New Workspace

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a horizontal menu that, by default, is on the left side of the screen

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is located at the very top of your Photoshop window just below your Menu

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is used to open and save files, adjust the canvas size, access some of the editing tools, open and close various windows, and more

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is right underneath the menu bar