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Read the cover in the book. The purpose of the cover is to draw attention to the picture, and the reader can have a sense of interaction with the book. This point needs to be paid attention to when I make the book cover

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The final printed physical item, but I made the inner box separately. In order not to waste the packaging, the high-recycling material acrylic, this packaging can also be reused as a jewelry box.

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Achievements

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3 Key Elements of an Effective Brochure

A compelling copy.

An easy-to-read layout.

A simple yet eye-catching graphic design.

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Streamline your creative process with templates built right inside Photoshop, Illustrator, and InDesign. Start a new project with File > New and search from a variety of high-quality templates created by professional designers. Previews are shown for each template so you can always pick the right one.

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Jumpstart your creativity with templates | Adobe Stock

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Streamline your creative process with templates built right inside Photoshop, Illustrator, and InDesign. Start a new project with File > New and search from a variety of high-quality templates created by professional designers. Previews are shown for each template so you can always pick the right one.

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need to try more
What I learned and used in the following illustrations

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need to try more
What I learned and used in the following illustrations

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His work has a cool tone and his purpose is to encourage people to face problems.
Pink, why choose this color is mainly because the warm color has an encouraging feeling, and the warm red is a bit ostentatious, so choose a warm color with a lower brightness.

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Color wields immense power in branding, influencing how your audience feels and reacts to your message. But are you aware that certain color pairings can magnify this effect? The right color combinations can significantly enhance your brand's impact, making it more memorable and engaging to your target market.

We've curated a list of top color combinations to spark ideas for your next campaign. Before we look at them, let's take a moment to understand the basics of color theory and the color wheel.

Color theory explained

Color theory is the study of how colors interact and influence emotions. It is a valuable resource for brands looking to create a strong visual impact. Color theory enables you to choose a color scheme that resonates with your audience and clearly communicates your brand's identity.

The psychology of color

Now that we've had an introduction to color theory, we should take a quick peek at the psychology of color.

Choosing a color combination is not about choosing the colors you like; it's about choosing the colors that evoke the emotions you seek from your audience. This is important because the colors and hues you choose set the tone for how your customers and clients feel about your website, business cards, and/or office space.

Below is a quick rundown of different hues and the feelings they often elicit:

Red: excitement, danger, energy, courage, strength, anger

Orange: creativity, enthusiasm, health, happiness, encouragement, balance

Yellow: sunshine, hope, optimism, light, positivity, freshness

Green: health, nature, renewal, generosity, freshness, environment

Blue: freedom, trust, expansiveness, dependability, faith, inspiration

Purple: royalty, luxury, power, pride, creativity, mystery

Warm colors usually create energy and excitement and evoke passion, while cool colors calm and relax.

If you're interested in learning more about the psychology of color and how color meanings affect you, read our full post .

The color wheel and its use

The color wheel is a visual representation that outlines the relationships between colors. Designed by Sir Isaac Newton in 1666, it serves as the foundation of color theory.

The color wheel demonstrates how colors mix, complement, and contrast with one another. It begins with the primary colors: red, blue, and yellow. These are the essential components for creating the rest of the color spectrum depicted on the wheel.

When you mix two primary colors, you get a secondary color. For instance:

Mixing red and yellow makes orange.

Mixing blue and red makes purple.

Mixing yellow and blue produces green.

Beyond these, mixing a primary color with its directly adjacent secondary color produces a tertiary color. This process yields shades like yellow-orange, red-violet, and blue-green. Tertiary colors make for a richer and more diverse color palette that brands can draw from to create visually appealing composition.

Types of color combinations

The color wheel provides a foundation for exploring and experimenting with different shades in your campaigns. Some of the popular color combinations to consider include:

Monochrome color combinations

A monochrome color combination consists of varying tints, shades, and tones of the chosen hue. For example: dark blue, slightly lighter blue, and light blue. These combinations are great for simplifying busy designs and creating a harmonious, visually appealing look.

Complementary color combinations

Complementary colors exist directly across from one another on the color wheel. These colors are highly contrasting and can make your design boldly stand out with high contrast. You can find this color pairing in the logos of many well-known brands, such as McDonald's (red and yellow) and FedEx (purple and orange).

An analogous color combination comprises colors that neighbor each other on the color wheel. This arrangement creates a pleasing and coherent visual effect, reminiscent of the color harmonies found in the natural world.

Split complementary color combinations

The split complementary combination is a variation of the complementary color scheme. It comprises one main color and two colors symmetrically placed around it. This pairing creates a balanced mix of three hues that work together harmoniously, adding versatility to your color palette.

Triadic color combinations

Triadic color schemes are a variation of the split complementary scheme. The first color in triadic color palettes is the dominant color, and the colors that follow are accent colors. Triadic schemes often convey a sense of vibrancy and enthusiasm.

Tetradic color combinations

Similar to the triadic color scheme, the tetradic color combination involves colors that are equally spaced on the color wheel. However, tetradic combinations take it a step further by incorporating four colors instead of three. This arrangement offers a broad spectrum of colors and can evoke a sense of diversity and versatility in design.

19 trending color combinations to inspire your campaigns

Navy meets cream for a look that combines sophistication with calm. Navy offers strength and reliability. Cream adds lightness and warmth. This pair suits brands aiming to create a premium yet inviting feel.

Hex codes: Navy #000080, Cream #FFFDD0

2. Coral red and pastel yellow

Swapping out classic red for a softer coral and pairing it with a pastel yellow puts a modern twist on a classic favorite. This combination is an ideal choice for brands looking to infuse their identity with a sense of cheerfulness and contemporary flair.

Hex codes: Coral red #F96167, Pastel yellow #F9E795

3. Charcoal and yellow

It's hard to beat this classic pair. Charcoal offers a solid, grounded base, while yellow pops against it, adding a burst of energy and optimism. This combo works well for a wide range of brand assets, including logos, packaging, and marketing materials.

Hex codes: Charcoal #101820, Yellow #FEE715

4. Soft pink and olive green

Soft pink and olive green create a harmonious, earthy palette. The pink is gentle and welcoming. Olive green brings a natural, sophisticated vibe. This pairing suits brands looking for an approachable yet stylish identity.

Hex codes: Soft pink #FADADD, Olive green #808000

5. Lime green and charcoal gray

Lime green pops against a charcoal gray background. The gray offers a solid, professional base. In contrast, lime green brings in a dash of energy and innovation. Brands use this mix for a modern, yet grounded appearance.

Hex codes: Lime green #32CD32, Charcoal gray #36454F

6. Royal blue and pale yellow

Royal blue and pale yellow make a fantastic color combo that's both classy and welcoming. The strong deep blue, along with the cheerful pastel yellow, says "we're solid, dependable, and trustworthy." These colors are a perfect fit for industries like insurance, fintech, and banking.

Hex codes: Royal blue #234E70, Pale yellow #FBF8BE

7. Dusty rose, sage green, and matte black

Dusty rose, sage green, and matte black unite in a palette that mirrors today's design preferences. Dusty rose offers a muted, romantic touch. Sage green adds a natural, calming element. Matte black provides a modern, sleek contrast. This combination is celebrated for its sophisticated yet earthy appeal-perfect for brands that aim to be on-trend and timeless.

Hex codes: Dusty rose #DCAE96, Sage green #9DC88D, Matte black #121212

8. Baby blue and white

Baby blue and white reflect the clarity and trustworthiness of a sunny sky. This serene pair is well-suited for industries like health care and child care, where conveying trust and calm is essential. Brands seeking to embody these qualities in their visual identity can leverage the palette to instill confidence in their audience.

Hex codes: Baby blue #8AAAE5, White #FFFFFF

9. Periwinkle, pink, and lime

Periwinkle, pink, and lime-this is one of the most dynamic color combinations brands can explore. Fashion and creative agencies can use this vibrant mix to make statements in campaigns or branding materials that demand attention.

Hex codes: Periwinkle #678CEC, Pink #D49BAE, Lime #BBCB50

10. Raspberry red and graphite gray

Raspberry red matched with graphite gray presents a bold, luxurious appeal. High-end brands-especially in fashion and automotive industries-can utilize this palette for its powerful and refined allure in marketing materials and product packaging.

Hex codes: Raspberry red #E30B5D, Graphite gray #251F1F

11. Deep purple and mint green

Deep purple meets mint green in a palette that's both regal and refreshing. Deep purple adds depth and mystery, while mint green brings a sense of freshness and vitality. This unique combination is perfect for wellness or beauty brands seeking a balance between luxury and rejuvenation.

Hex codes: Deep purple #673AB7, Mint green #98FF98

12. Dark chocolate and seafoam green

Dark chocolate and seafoam green create a visually appealing contrast. The depth of dark chocolate offers a grounding effect, complemented by the refreshing and vibrant touch of seafoam green. Brands often employ this color combination to craft a look that's both elegant and welcoming.

Hex codes: Dark chocolate #4E342E, Seafoam green #93E9BE

13. Dark chocolate, caramel, and cream

Dark chocolate, caramel, and cream combine to create a rich, inviting palette. Dark chocolate lays a strong foundation with its deep, indulgent feel. Caramel swirls in warmth and sweetness, balancing the darkness. Cream adds a smooth, light finish, tying everything together seamlessly. Ideal for luxury brands or intimate settings, this combination promises elegance and warmth.

Hex codes: Dark chocolate #4E342E, Caramel #A67C52, Cream #FFFDD0

14. Pastel pink, seafoam green, golden yellow, and coral

Inspired by the serene beauty of a summer dawn, this palette combines the gentle touch of pastel pink with the vibrant golden yellow of a rising sun. Seafoam green and coral add a refreshing balance, mixing warm and cool colors in a harmonious blend. This playful mix is perfect for crafting youthful, cheerful vibes.

Hex codes: Pastel pink: #EECCD3, Seafoam green #80C4B7, Golden yellow #EEC95C, Coral #E3856B

15. Neon coral, olive mustard, blush pink, and wine red

Channeling the ambiance of a vintage shop with a modern twist, this palette mixes rustic hues with a pop of neon coral for an eye-catching look. Olive mustard and wine red provide a cozy, traditional base, complemented by the softness of blush pink. It's a unique choice for rustic home décor, vintage-inspired posters, and distinctive product packaging.

Hex codes: Neon coral #B6818B, Olive mustard #57BBBC, Blush pink #B8912E, Wine red #802621

16. Electric blue and lemon yellow

Electric blue and lemon yellow spark a lively, futuristic feel-without overwhelming the senses. This vibrant yet balanced mix is perfect for cutting-edge brands, digital interfaces, sportswear, and programmatic advertising.

Hex codes: Electric blue #7DF9FF, Lemon yellow #FFF44F

17. Bubblegum pink and stale gray

Bubblegum pink and slate gray form a fresh, contemporary duo. The playful, soft hue of bubblegum pink pairs beautifully with the sophisticated, neutral tone of slate gray. This combination balances fun and seriousness, making it ideal for a wide range of campaigns.

Hex codes: Bubblegum pink #F7C5CC, Slate gray #708090

18. Raspberry and shades of blue

Raspberry and shades of blue create a futuristic, sophisticated look. Raspberry adds warmth, while blue brings a cool contrast. This color scheme is a luxurious, mature choice for brands that wish to give a modern, forward-looking vibe.

Hex codes: Raspberry #8A307F, Blues #79A7D3 & #6883BC

19. Sunset orange, cinnamon, and apricot

Sunset orange, cinnamon, and apricot weave together a palette that feels like a warm embrace. These shades are ideal for creating inviting spaces or brands that evoke warmth and comfort. Brands dealing in home décor, wellness, or gourmet foods will find this palette especially appealing.

Hex codes: Sunset orange: #FD5E53, Cinnamon: #8A3324, Apricot: #F1AC88

Experimentation is key

Picking the right color combinations can be tough if you're not into art and design. You really won't know how your colors work out until you try them.

That's why playing around with different hues, tones, tints, and shades is key. It helps you land on the perfect color mix for what you need and what you want to say. And it's how you get your design to send the right vibe.

Ready to see what works for you? Get your hands dirty and find the palette that tells your story best.

Have any colorful tips or tricks of your own? We'd love to hear them. Let us know in the comments!

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19 Color Combinations To Use In Your Campaigns

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Find 19 color combinations that pop and engage. Boost your brand's appeal with these vibrant selections.

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I refuted her comments. I used warm colors to hedge against some of the colors of her works. I just wanted to show the purpose of his works to make people face it bravely, so I always choose warm colors for design. make people feel brave

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amulet, also called Talisman, an object, either natural or man-made, believed to be endowed with special powers to protect or bring good fortune. Amulets are carried on the person or kept in the place that is the desired sphere of influence

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amulet, also called Talisman, an object, either natural or man-made, believed to be endowed with special powers to protect or bring good fortune. Amulets are carried on the person or kept in the place that is the desired sphere of influence—e.g., on a roof or in a field. The terms amulet and talis…

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Mrs O'Lantern was quite worried. Her baby looks NOTHING like her husband Jack

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This mini book opens like petals to reveal a bouquet of brilliant colors... an extraordinary print and fold, the brainchild of artist Julie Safirstein

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Ce minilivre s'ouvre comme des pétales révélant des bouquets aux superbes couleurs... Un remarquable travail d'impression et de pliage à partir d'une idée de l'artiste Julie Safirstein, coloriste hors pair qui signe aussi poésies dessinées, tableaux, vitrines...

Article de Xavier de Jarcy paru dans Télérama N°3750 du mois de novembre 2020.

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Le livre-bouquet Bloom - Éditions du livre

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Ce minilivre s'ouvre comme des pétales révélant des bouquets aux superbes couleurs... Un remarquable travail d'impression et de pliage à partir d'une idée de l'artiste Julie Safirstein, coloriste hors pair qui signe aussi poésies dessinées, tableaux, vitrines... Article de Xavier de Jarcy paru dans Télérama N°3750 du mois de novembre 2020.

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Warsaw-based artist Bozena Rydlewska aka Bozka creates vivid 3D pop-ups that wow us by their beauty and detail.

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Hand-Crafted Pop-Up Works by Bozka Rydlewska - IGNANT

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Warsaw-based artist Bozena Rydlewska aka Bozka creates vivid 3D pop-ups that wow us by their beauty and detail. She started the series after finishing her work ‘New Botany’ that made her curious how her illus­tra­tions would look like in three-dimensional form. She was tired of working on the comput…

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Japanese graphic designer and architect Yusuke Oono (previously) released a trio of new laser-cut storybooks including depictions of ‘Jack in the Beanstalk’ and Mount Fuji. The books are comprised 40 images bound into a book that can be fanned out at 360° creating a narrative that can be explored from multiple angles.

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Japanese graphic designer and architect Yusuke Oono ( previously) released a trio of new laser-cut storybooks including depictions of 'Jack in the Beanstalk' and Mount Fuji. The books are comprised 40 images bound into a book that can be fanned out at 360° creating a narrative that can be explored from multiple angles.

Oono's books are now available in the Colossal Shop.

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New 360° Laser-Cut Paper Story Books by Yusuke Oono

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Japanese graphic designer and architect Yusuke Oono (previously) released a trio of new laser-cut storybooks including depictions of 'Jack in the Beanstalk' and Mount Fuji. The books are comprised 40 images bound into a book that can be fanned out at 360° creating a narrative that can be explored fr

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https://www.bestpopupbooks.com/interview-shawn-sheehy/
018 is an exciting year for Artist and Paper Engineer Shawn Sheehy.

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2018 is an exciting year for Artist and Paper Engineer Shawn Sheehy. His upcoming pop-up book Beyond the Sixth Extinction will be released on October 9th and he recently followed up Ann Montanaro Staples as the new director of the Movable Book Society. We did a full review of Beyond the Sixth Extinction and had the opportunity to ask Shawn some questions about his new book and about his role as director of the MBS.
BPUB - Congratulations! We have heard that you've followed up Ann Montanaro Staples as the new Director of the Movable Book Society.

SS - I'm proud, delighted (and a bit intimidated) to be following Ann as the next MBS director. We've been transitioning for a couple of months, so it's going smoothly. Ann has positioned us well for this moment!

BPUB - Can you tell us what your role as an MBS Director is about?

SS - My first job is to divide the labor. Ann was a tireless leader who shouldered many of the responsibilities. The future of the organization will depend on getting others involved in the operations. I'll continue to serve as conference chair (or maybe co-chair). I'll oversee the board and the various positions, such as membership, treasury, and newsletter editor.

BPUB - How did you get involved in the MBS and what was your first introduction?

SS - My first meeting was in Milwaukee in 2002. I believe I was asked to join the board in 2012, and if I remember correctly the board's primary interest was including someone who made pop-up artist books.
Pop-up "MUDMOP" from Beyond the Sixth Extinction
BPUB - Can we consider you a pop-up book collector or creator? Or maybe both?

SS - I'm definitely more of a creator. I have a study/teaching collection of about 150 titles, and they are well-worn.

BPUB - We have noticed that over the last decades, Paper Engineering has developed really fast and many new talents have joined this profession. Are there any highlights you would like to share that you believe are part of this development?

SS - It seems reasonable to think that-especially in the U.S., where I am most familiar-the DIY movement (together with increased availability of book arts instruction) is partly responsible. Crowdsourcing also has had a big impact. So has improved networking through the internet and social media. All of these factors help to draw in, draw together, and support individuals who might otherwise not get traction in commercial publishing.

BPUB - With the past in mind, how could the future look like for pop-ups and paper engineering? Any thoughts about that?

SS - Sam Ita asked me this question in an interview last week. My immediate response was "France!" Today, my immediate response is "Women!," especially after last week's conference. I loved seeing the work of up-and-coming engineers like Vanessa Yusuf and Amy Nayve (both from Southeast Asia.) This once-male profession has definitely integrated-if you consider paper engineers for both limited editions and trade editions, we had nearly twice as many female engineers in attendance at the conference as male (of 42 total).

BPUB - Talking about looking into the future, we would like to know more about your latest book: Beyond the Sixth Extinction: A Post-Apocalyptic Pop-Up. It's beautiful! You must be really proud of the result?

SS - Very proud. Chris Paul (Candlewick creative director) and Andrea Tompa (Candlewick senior editor) were phenomenal.

BPUB - How did you come up with the idea to create a pop-up book about this subject?

SS - Somewhere around 2005, I stumbled on The Sixth Extinction: Patterns of Life and the Future of Humankind by Richard Leakey and Roger Lewin. For those who know my other books-including my artist books-they all have an ecological bent. I easily feel distressed about losing ecological diversity. That feeling is augmented by recognizing all that we don't know about the many unnamed species we are losing. I was deeply inspired to explore this topic; and especially to think through to the other end of the extinction event, when species diversity will be restored. It gives me hope to consider that even if humans kinda mess this up in the present, the ecosystem knows how to correct itself in the future.

BPUB - The artwork by Jordi Solano looks gorgeous! Based on what criterium did you select an artist for the artwork?

SS - Jordi was hired by Chris Paul. She found him through an agency and gave me the opportunity to offer an opinion. We were pretty lucky to have him on board. His illustrations are just right.

BPUB - It's a fictional book but what logic did you use to develop the creatures in this pop-up? In your opinion, how realistic would it be for animals to survive and emerge into your designs?

SS - All of the creatures in the book are based on something that currently exists. Many of these creatures are comfortable around humans, and thrive in human-made environments. Most are omnivorous, and therefore possess a certain level of intelligence. (Omnivores have to be smart enough to not eat something deadly.) Nearly all of the adaptations were inspired by looking at the characteristics of other varied creatures. For example; the rotrap was once a house mouse, and I was influenced by the anatomy of a sea anemone when I evolved it forward. I leaned heavily on science to invent the creatures-ecologically, it made sense to make pigeons larger, fiercer, and with brood pouches-but it's still fiction. Who knows? Many things could be evolutionarily possible, given enough time.
Pop-ups from Beyond the Sixth Extinction
BPUB - You also did all the writing. Did your profession help in any way to write about this subject?

SS - I have written a fair amount academically, and that probably shows in the style of this fiction-written-as-a-field-guide. But I also write all of my artist books. I like to write. It's an integral part of the concepting of a project, and it's probably my favorite part.

BPUB - From an engineering perspective, what was the biggest challenge and the hardest pop-up to design?

SS - No question: the clam fungus required the most revising to get the mechanism to work smoothly and consistently. But I really love it-it's so satisfying.

BPUB - It looks like you've found a style that fits you? We recognize it from Welcome to the Neighborwood!

SS - For sure! All of my artists books are created in cut paper, and I brought that style over to the trade books. It's one of the reasons (I am told) that Candlewick got interested in my work. They liked the handmade paper out of which everything was made.

BPUB - Do you have any plans for a new pop-up book that you would like to share with us?

SS - My most immediate next big thing is my next artist book. But it's far too shapeless to discuss yet...

BPUB - Thank you Shawn for this interview! We can't wait to see what your next pop-up book will be about!

SS - Thanks for the interview, and thanks for featuring the book on your site! You two do great work!

Our full (video) review of Beyond the Sixth Extinction: Click here

Order at Amazon: Beyond the Sixth Extinction: A Post-Apocalyptic Pop-Up

Website Shawn Sheehy: www.shawnsheehy.com
Website Jordi Solano (illustrator): www.jordisolano.com

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Interview Shawn Sheehy - Paper Engineer and Artist

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2018 is an exciting year for Artist and Paper Engineer Shawn Sheehy. His upcoming pop-up book Beyond the Sixth Extinction will be released on October 9th and he recently followed up Ann Montanaro Staples as the new director of the Movable Book Society.

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learn his technique to display my work

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Find a company to help me print, print out the physical