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U Dove
Cam Brown dancing an experience feeling emotion etc
Kyle Ab Same as the above

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1. Teach NAJA’S solo
2. While kahly and rose do jig saw puzzle
3. Naja and JT can manipulate najas solo

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Rose? All?

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I thought you'd like this Board on Pinterest...

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Choreo view points final

Kahly rose

Naja , JT

Audience makes a narrow line for dance

1. The man wrecks her literally (KR) I told rose oil and water

2. Expectations disillusion (KR)

3. Momentum building (JN)

What are you trying to do with your choreography in the Moment? (E)

4. Using layered music same choreo on different part of music!!!

You can remain in an interest/concept

Controlled chaos (the arm swing move I did with rose hair swing for everyone.)

5. Avoid the front - it gives work more dimension (JN) and (E)

!!!Effort is better than perfection!!!

Using own personal story (narrative)

6. Intentionally never leaves front

!!!We can do something overwhelming if it’s our intention

In a sentimental mood

7. When you set the mood!

Not performance not internal but expressive (a conversation) (E)

8. Some stories are a cycle!!!

Exodus

Lazarus

Transitions can come from anywhere

Maybe they don’t need to be fully seen

Ballet top house bottom

Ronald k brown

9. Be specific one rehearsal be general next rehearsal try other options

10. Try some things only on them!!!

11. Try working on yourself first to be able to explain it

!!!!Every lesson doesn’t have to be taught by you!!!

World building

How are you fellowshiping with your story

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12. Slow movement in unison

Going back to that move throughout the phrase

13. A diagonal or a line breaking through a stable group

generative?

Passive is a waist of time

14. Do it with confidence do it with energy excited

Generating not performance

15. Be thoughtful

16. Give ideas

17. You can walk away

!!!!Keep everything archived

!!!!It’s all about opportunity when others are in the space with you

18. Be willing to break the phrase

!!!!How do we allow material to develop

3 take always from partner

3 take aways from other duets

Like walking and one person initiating the others movement

19. I also like the idea of looking for moments of Assistance or connection

20. Taking time to witness each other

Looking for moments to see each other even if it’s in a crowd of people

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Juel D. Lanes - three moments of exiting to re-enter

Ulysses- Four moments of stillness in a gesture that means something to you

William Forsythe - take movement that is moving forward and change it to move to the back.