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Everything is Borrowed

April 6 — May 18, 2024

Gallery III

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“Bareback Dreamer,” 2023-2024
Oil on polyester
33 ¹⁄₄" x 26" 

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“The Bridge Builder,” 2024
Oil on linen
65 ³⁄₈" x 44"

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“Love is The King,” 2024
Oil on linen
65 ³⁄₈" x 44" 

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“A Young Icarus,” 2023
Oil on polyester
65 ³⁄₈" x 44"

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“A Higher Love,” 2024
Oil on linen
56" x 43 ¹⁄₄"

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“Lost in The Dream,” 2023
Oil on polyester
33 ¹⁄₈" x 26"

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“Crown of Love,” 2023
Oil on linen
32 ³⁄₈" x 24" 

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“On Your Side,” 2024
Oil on panel
24" x 18" x 1 ¹⁄₂"

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“A Reason to Believe,” 2024
Oil on panel
16" x 12" x 1 ¹⁄₂"

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“A Handful of Love,” 2024
Oil on panel
16" x 12" x 1 ¹⁄₂" 

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Now you're a lake

April 6 – May 11, 2024

2245 E Washington Boulevard, Los Angeles

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Elizabeth Glaessner, Under Toe, 2024. Oil on linen, 84 x 74 inches (213.5 x 188 cm.)

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Elizabeth Glaessner, Becoming a Lake, 2024. Oil on linen, 84 x 50 inches (213.5 x 127 cm.)

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Elizabeth Glaessner, Death Mask, 2024. Oil on linen, 58 x 50 inches (147.5 x 127 cm.)

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Elizabeth Glaessner, Grass Play, 2024. Oil on linen, 78 x 100 inches (198 x 254 cm)

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Elizabeth Glaessner, Head in the Water, 2024. Oil on linen, 84 x 66 inches (213.5 x 168 cm.)

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Elizabeth Glaessner, Day into Night, Earth Sucking Sky, 2024. Oil on linen, 78 x 100 inches (198 x 254 cm.)

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Elizabeth Glaessner, Analysis, 2024. Oil on linen, 84 x 64 inches (213.5 x 163 cm.)

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Elizabeth Glaessner, Bodyguard, 2024. Oil on linen, 80 x 65 inches (203 x 165 cm.)

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We’ve Been Expecting YouColumbus Museum of ArtApril 5 - August 18, 2024

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Cold Brew, 2018
oil and acrylic on panel
40 x 30 ins.
101.6 x 76.2 cm

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Swoon at the Water Pump, 2010
oil on canvas
42 x 64 in.
106.68 x 162.56 cm

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Bechdel Yetis, 2020
oil, acrylic and Flashe on canvas
96 x 66 ins.
243.8 x 167.6 cm

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Prom Night Reckoning, 2023
oil and acrylic on canvas
48 x 36 ins.
121.9 x 91.4 cm

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Out Lookers, 2021
oil and acrylic on canvas
60 x 60 ins.
152.4 x 152.4 cm

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Final Girl Exodus, 2021
oil and acrylic on canvas
78 x 144 ins.
198.1 x 365.8 cm

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Robin F. Williams' work is even more profound, mysterious and technically masterful when seen over the course of decades of progress. That is why, even though the artist's solo shows are incredible experiences and there is often a buzz off what new tool Williams will showcase in the paintings, to see this overview of skill makes for the perfect summation of one of the best and most interesting painters of their generation. That is why a museum show, and in this case Robin F. Williams: We've Been Expecting You at the Columbus Museum of Art, the first solo institutional exhibition featuring the work of the Columbus-born, Brooklyn-based artist, seems so long overdue and exhilarating for audiences.

Part of me feels like this is seeing history in the present. With many of the museum shows I go see, or many of the magazines we put together at Juxtapoz, I think about the canon of works and think about the younger artists we cover and what their retrospectives will look like 20, 30 years into the future. Williams, since the first moments I have seen the paintings, was one of the artists. How excited audiences would be to see a full range of these wonderfully singular works, how Williams can shed skin like a chameleon from show to show, with new aesthetics, characters and techniques. I remember Williams saying in the cover story for Juxtapoz over five years ago, when speaking about concepts explored and technical shifts, "That is when I know that a painting is working, when I can feel both of those things linking up." A long overdue overview is now for all of us to see.

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Robin F. Williams: We've Been Expecting You @ Columbus Museum of Art

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P·P·O·W is a contemporary art gallery in New York City.