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the colegialla, is a painting of her sister, and the social enviroment in this moment in antioquia

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the colegialla, is a painting of her sister, and the social enviroment in this moment in antioquia

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This artwork is a painting made in watercolors and oils

It is titled "La Colegiala"

Which was painted by Debora Arango, an Antioquian artist from the city of Envigado, born in 1900, and only stopped painting a few years before her death in 2005.

This work of art is about a young woman in a school, trying not to attract attention, showing what the social environment was like at that time.

There are not many references to when it was painted, but many suspect that it is a portrait of the painter's sister, the painter is classified for her work as an expressionist, currently this work of art is in the Museum of Modern Art in Medellin.

II- COLOURS AND LIGHTS

This painting, although it uses pastel colors, does not use straight lines, and uses dark colors to show the other participants, as if indicating a somewhat heavy social environment, and the main character does not look directly.

Where white and skin color dominate.

Where white and skin color dominate, it uses white for the place and the main character, but for the secondary characters it uses dark colors.

The colors contrast with the others as if indicating the social environment.

This scene shows natural light, since it is the one perceived in schools, and although the artist uses pastel colors, the painting is not very bright.

III- LINES AND MOVEMENTS

The artist does not use straight lines, she uses only curved lines giving naturalness, but gives almost no lighting.

IV- ARTISTIC TECHNIQUES AND ARTISTIC MOVEMENTS

She uses oil painting, many classify her paintings or brushstrokes as dramatic, but I see that they are more revealing of what the social environment was at that time.

V-DESCRIBING THE SCENE

This scene takes place in a school for women in Antioquia, and shows a student at the school.

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"Homenaje al Pueblo Antioqueño" wall by Pedro Nel Gomez

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"Homenaje al Pueblo Antioqueño" wall by Pedro Nel Gomez

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This artwork is a wall paint, it is entitle "Homenaje al pueblo Antioqueño" - Tribute to the people if Antioquia,

one of the most outstanding works of art in Antioquia

It is was painted by Pedro Nel gomez (4 July 1899 — 6 June 1984) , was a colombia painter, engineer and sculptor, has impact in spiring national artists as Carlos Correoa and Debora Arango

This work of art talks about the history of the Antioquian people, showing many of the common events that show where those who live in Antioquia come from and make us think about where they are going.

It was completed in 1940, This piece of art is currently in the Casa Museo PEdronel Gomez in Medellin

II- COLOURS AND LIGHTS

The use of yellow and thick lines is what stands out most in the mural and represents the natural light of the tropics in which we live.

III- LINES AND MOVEMENTS

For people he uses curved lines but for mountains or things he only uses straight lines, trying to highlight the natural expression of people.

Something interesting is that there is no actor or character who has or stands out with a great physique.

IV- ARTISTIC TECHNIQUES AND ARTISTIC MOVEMENTS

the textureis polished, artistic technique is fresco painting, Artistic mouvements is muralism.

V-DESCRIBING THE SCENE

In general, the mural reflects the life, traditions and culture of the Antioquian people, and to "read" it, you read from left to right, starting with the struggles and the sensuality of the tropics, and from the center to the right as civilization enters and leaves the window as a bright future.

IV- INTERPRETING THE NARRATIVE

VII- EXPRESSING OPINIONS

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IV- INTERPRETING THE NARRATIVE

In his work, the painter tells how the Antioquians began to work in the territory by highlighting nudity (sensuality), fighting and death, and above all the prevalence of yellow throughout the painting, starting on the left and ending on the right with religiosity and people who have worked in the mountains and are already dressed.

V- EXPRESSING OPINIONS

It is good to have a reference of knowing and understanding where or the history of the towns and people to have a perspective that allows you to visualize where you want to go based on what you have learned.

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I- INTRODUCING A PAINTING

This artwork is a painting made in watercolors and oils

It is titled "Las monjas y el cardenal"

II- COLOURS AND LIGHTS

III- LINES AND MOVEMENTS

IV- ARTISTIC TECHNIQUES AND ARTISTIC MOVEMENTS

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II- COLORS AND LIGHT

The use of mostly dark colors and warmer colors on the cardinal and the faces of the nuns and hands, make one think of a secret, something that is being denounced, and how at the same time the cardinal is locked in a cage, shows that the bird is not so free, it is conditioned or protected.

III- LINES AND MOVIMENTS

It is one of the few paintings where the artist uses straight lines, but most of them are curved and uses the She paints in oil, her curved lines are always present in her work, but this is one of the few times she uses straight lines. Her painting style is greatly influenced by her teacher Pedro Nel Gomes.

IV- ARTISTIC TECHNIQUES AND ARTISTIC MOVEMENTS

She was an expressionist and watercolorist in her painting techniques, and like many artists of her time, she was also a social critic of the behavior of Antioquian society at that time.

IV- INTERPRETING THE NARRATIVE

Initially, if a person looks at the painting carelessly, they only see a red bird in a cage being admired and cared for by several nuns on a night or in the dark, but contextualizing the painting in the time is more of a denunciation, where it was seen or indicated how the nuns controlled or cared for the cardinal of the church at that time, and in discretion, in the dark, or that he could have relationships or favorites, with which he could be manipulated, locked up or controlled by the nuns to their superior boss, and it is done this way because of the social pressure of the moment, it is a way of doing things in front of everyone and that few realize the message.

VI- EXPRESSING OPINIONS

Debora Arango in this work could initially be dark and at the same time beautiful, a painting that many would put in the light on some wall of a room, where the message would go unnoticed, but when you look closely and the context is a way of shedding light and alerting of the relationships that she knew or that she was informed about within the church, which she expressed with smells and leftovers and animals, being indirect and also indicating what was happening.

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I. INTRODUCING PAINTING

This artwork is a picture (mural).

It is entitled “Tierra, mar y aire”.

It was painted by Alejandro Obregon in 1958.

This work of art is about the environment.

It was completed in 1958.

This piece of art (mural) is currently displayed in Barranquilla.

II. COLOURS AND LIGHTS

1. Colours and hues

The picture is painted in many colours. The artist used the primary colours and your mix

2. Light.

There is many sources of light coming from top lit.

III. LINES AND MOVEMENTS

The painting is composed of three mains parts.

The composition and shape is not symmetrical

IV. ARTISTIC TECHNIQUES AND ARTISTIC MOVEMENTS

1. Texture

This artwork is a mural on the wall.

2. Artistic technique

This artwork is a mural

3. Artistic mouvements

This mouvements is modern art.

V. DESCRIBING THE SCENE

The scene takes place in a wall I Barranquilla, Colombia.

The artwork is about three places: “tierra, mar y aire” (Land, sea and air).

At the top we can see the land`s representation.

In the middle we can see the sea`s representation

At the bottom we can see the air`s representation.

VI. INTERPRETING THE NARRATIVE

The artist wants to express a way to see and understand the environment with many colors

VII. EXPRESSING OPINIONS

I think that the artwork is a way to see a way to see and understand the environment

I like this work because I love the color.

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I. Intro

This work is called The Ambassadors by the painter Hans Holbein, it is believed to have been painted in 1533, it is in the National Gallery of the United Kingdom, where it deals with and represents two ambassadors, one from France and another from the United Kingdom.

II- COLOURS AND LIGHTS

Like most paintings of that time, they tried to be as similar as possible to their actors, where they used light and dark colors at the same time, highlighting the particularities of interest with light colors and the ambassadors, mostly dressed in dark suits of the time, mainly dark colors.

III- LINES AND MOVEMENTS

The artist uses all the lines, both straight and curved, because the artist was primarily a portraitist of his time, but he had certain beginnings or peculiarities that he wanted to reflect and hide from everyone's sight. As is the case of the skull in front of everyone and at the same time hidden.

IV- INTERPRETING THE NARRATIVE

The painting shows the meeting of two ambassadors from two kingdoms in a study (because of the careless things on the desk or table) setting boundaries, calculating positions, music and other things. But when you look more deeply and with perspective, you start to see many objects that were intended to be hidden from everyone.With sizes, position of the objects, and where the characters are located.

IV- INTERPRETING THE NARRATIVE

The painting only celebrates the meeting of two ambassadors from two kingdoms (France and England at that time), in a studio, at first glance more in detail as if it hides things that can only be seen with a good analysis. Because this is the case: it is not known if it was requested from the artist or if he knew something.

V-DESCRIBING THE SCENE

The painting shows the meeting of two ambassadors from two kingdoms in a study (because of what is carelessly seen on the desk or table) setting limits calculating positions music and other things. But when you look deeply and with perspective you begin to see many objects that were wanted to hide in front of everyone.

With sizes position of the objects, and where the characters are located. The object that welcomes the hidden story is a human skull that is hidden in perspective in the middle of the painting in the lower part hidden with perspective. There are other elements such as the hidden position of the crucifix, as if wanting to indicate leaving aside religion, the points on the map where they point to Africa, as the guitar marks the lower tropics of the earth, and how the table setting is made pointing to two stars, apparently they knew something about the secrets or enigma of the Dogon and certain capabilities that for someone who understood they knew or gave. The position of the hands as if between the lines showing the unfinished pyramid, is a message of Freemasonry, but the painting does not clearly indicate the lodge, because of the colors it would seem that they belonged to the Illuminati, predecessors of the Illuminati of Bavaria, whose most distinctive colors are green, red, white and brown.

VI- EXPRESSING OPINIONS

It is interesting to see how knowledge was hidden in front of everyone at that time, how, it is not known if by request or not, places on tropical maps are indicated between two people, and the knowledge of the Masons of that time is shown since apparently both characters were members, and the artist was asked to show them and camouflage them in front of everyone. The painting apparently shows or tells the knowledge of the Dogon people with an entity that apparently is not from this planet and how to find these people, and go for their knowledge.

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Objetos de deslumbran by Carlos Jacanamijoy 

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Objetos de deslumbran by Carlos Jacanamijoy 