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Aquesta baralla de cartes presenta 52 exercicis creatius per ajudar a desbloquejar la creativitat, superar el bloqueig creatiu i perfeccionar projectes. Cada targeta ofereix activitats lúdiques o desafiants que impulsen el pensament visual i les decisions de disseny, aportant inspiració i claredat per a qualsevol creatiu. En l'enllaç, en trobareu 6.

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A Few Minutes of Design - DesignObserver

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A series of deceptively simple—and fun—exercises.

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"La Grande Pagina Bianca", d'Ivan Tresoldi [vídeo]

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"La Grande Pagina Bianca", d'Ivan Tresoldi [vídeo]

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LongLake Festival 2023 - Ivan Tresoldi | La Grande Pagina Bianca

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"La Grande Pagina Bianca", happening per la salut mental

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"La Grande Pagina Bianca", happening per la salut mental

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“La Grande Pagina Bianca” és un happening de poesia de carrer creat per Ivan, que viatja arreu del món des del 2009, amb 49 edicions italianes i 10 internacionals. Una producció d'ivan en col·laboració amb l'Associació FarexBene i Artkademy Officina.

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Associazione C'è Da Fare ETS | A sostegno dei giovani

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La grande pagina bianca - Associazione C'è Da Fare ETS | A sostegno dei giovani

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La Grande Pagina Bianca e gli eventi della M4MH Una settimana di incontri, dibattiti, eventi sul tema della salute mentale La Grande Pagina Bianca e gli eventi della M4MH Una settimana di incontri, dibattiti, eventi sul tema della salute mentale In occasione della Milano4MentalHealth l'Associazione C'è Da Fare presiederà Piazza Duomo a Milano con un grande e significativo evento: La Grande Pagina Bianca, happening di poesia di strada ideato dell'artista Ivan Tresoldi, in collaborazione con Fare X Bene ETS.

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Oscar Murillo, "The Flooded Garden" [vídeo]

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Oscar Murillo, "The Flooded Garden" [vídeo]

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OSCAR MURILLO, THE FLOODED GARDEN - Tate modern July - August 2024

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Aquest estiu, l'artista Oscar Murillo va transformar la Sala de les Turbines en un enorme jardí de pintura. Oscar convida a tothom a unir-se a ell per crear una obra vibrant de proporcions èpiques. Agafa un pinzell i marca amb traços semblants a onades per inundar un llenç gegant. Un cop les teles s'inundin amb pintura, s'exposaran sobre bastides a la sala de

torberes.

El jardí inundat s'inspira en les pintures de Claude Monet del seu jardí de flors a Giverny, França, i es basa en la pròpia sèrie d'obres de "Surge "d'Oscar. .

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This summer, artist Oscar Murillo will transform the Turbine Hall into an enormous painting garden. Oscar invites everyone to take part in creating a vibrant work of epic proportions. Pick up a paintbrush and make your mark using wave-like strokes to flood a giant canvas.

The flooded garden is inspired by Claude Monet's paintings of his flower garden in Giverny, France, and builds upon Oscar's own series of Surge works. For inspiration, works from this series will be on display in the South Tank, featuring expressive oil paint flowing across their surfaces, like water. Like the artist, we'll be using deep hues of blue, bright yellows and pinks to create this collaborative piece of art.

Oscar often paints over words, etchings, and debris from his studio, covering them with his own marks. We'll do the same, painting over thousands of drawings, marks and words contributed by people of all ages from around the world and local community groups at Tate Modern.
This activity involves messy materials - please wear suitable clothing.

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Oscar Murillo, The flooded garden | Tate Modern

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This summer, artist Oscar Murillo will transform the Turbine Hall into an enormous painting garden. Oscar invites everyone to take part in creating a vibrant work of epic proportions. Pick up a paintbrush and make your mark using wave-like strokes to flood a giant canvas.

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Del 8 de setembre al 24 de novembre, se celebra Manifesta 15, bienal d'art i cultura que té lloc a diferents localitats catalanes. En les pròximes setmanes tindran lloc tot un seguit de xerrades, esdeveniments i projectes artístics sobre diferents temàtiques, entre elles sobre educació.

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Manifesta, la biennal nòmada europea, arribarà a Barcelona i la seva àrea metropolitana per celebrar la seva 15a edició el 2024.

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Compte d'Instagram de Judith Méndez, historiadora de l'art i mediadora cultural. Ofereix formacions a professorat des d'educació infantil a secundària sobre com entendre l'art i les seves potencialitat pedagògiques a l'escola.

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Welcome back to Instagram. Sign in to check out what your friends, family & interests have been capturing & sharing around the world.

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Formació impulsada per la Fundació Joan Brossa per a docents i artistes. ‘Càpsules indisciplinades. Apunts per a la recerca i la creació contemporània’ és un espai d’intercanvi i experimentació d’eines, tècniques i processos per abordar la creació des d’una mirada multidisciplinària.

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Xerrada de Luis Camnitzer sobre art i educació

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Xerrada de Luis Camnitzer sobre art i educació

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LUIS CAMNITZER con Miguel Braceli: Arte y educación se enriquecen si asumen responsabilidades

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Lectura "El arte de educar creativamente: Sobre una educació artística contemporánea"

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Lectura "El arte de educar creativamente: Sobre una educació artística contemporánea"

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Clara Megías, formadora de docents en art+educació. El seu compte d'IG és un mirall de múltiples experiències inspiradores en el camp de l'educació en les arts. Molt recomanable!

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Welcome back to Instagram. Sign in to check out what your friends, family & interests have been capturing & sharing around the world.

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"Antibiografia col·lectiva", al MAC Mataró

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"Antibiografia col·lectiva", al MAC Mataró

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En el marc de l'exposició "Antibiografia", a cura d'Alexandra Laudo, el servei de mediació ha engegat la peça Antibiografia col·lectiva, a càrrec dels infants i joves que visiten l'exposició. Durant el taller, infants i joves escriuen un llistat d'objectes importants a la seva vida: objectes que pensen que els defineix i els han conformat. D'aquest llistat, deixen petja en una moneda de fang.

https://www.mataroartcontemporani.cat/posts_exposicions/antibiografia/

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"Antibiografia col·lectiva", al MAC Mataró

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"Antibiografia col·lectiva", al MAC Mataró

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En el marc de l'exposició "Antibiografia", a cura d'Alexandra Laudo, el servei de mediació ha engegat la peça Antibiografia col·lectiva, a càrrec dels infants i joves que visiten l'exposició. Durant el taller, infants i joves escriuen un llistat d'objectes importants a la seva vida: objectes que pensen que els defineix i els han conformat. D'aquest llistat, deixen petja en una moneda de fang.

https://www.mataroartcontemporani.cat/posts_exposicions/antibiografia/

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Projecte "Mestres que es mouen", dintre del programa Interstice (Artist, children, teachers)

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Projecte "Mestres que es mouen", dintre del programa Interstice (Artist, children, teachers)

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Interstice | Reportatge Mestres que es mouen_laSala elPetit (UE-Erasmus+)

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"Antibiografia col·lectiva", al MAC Mataró

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"Antibiografia col·lectiva", al MAC Mataró

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En el marc de l'exposició "Antibiografia", a cura d'Alexandra Laudo, el servei de mediació ha engegat la peça Antibiografia col·lectiva, a càrrec dels infants i joves que visiten l'exposició. Durant el taller, infants i joves escriuen un llistat d'objectes importants a la seva vida: objectes que pensen que els defineix i els han conformat. D'aquest llistat, deixen petja en una moneda de fang.

https://www.mataroartcontemporani.cat/posts_exposicions/antibiografia/

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Enllaç a l'Ateneu de Fabricació de Les Corts, des d'on poder fer experiments i prototips amb tècniques com el taller làser de forma gratuïta i oberta a la ciutadania.

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Ateneu de Les Corts | Ateneus de fabricació | Ajuntament de Barcelona

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L'especialitat de la Biblioteca va canviar l'any passat de cultura maker a ciència-ficció. A més, desenvolupem projectes plegades només per dates específiques com la Festa Major de les Corts. Abans sí que hi havia una programació conjunta.

Aquest equipament públic està emmarcat en un districte molt conscienciat amb la inclusió social des del seu vessant més ampli i, contemplat específicament dins el marc del Pla d'Actuació Municipal del districte. Des de l'Ateneu es fomenta la implicació dels projectes que es corresponen amb aquest rol temàtic, es prioritza treballar l'accessibilitat en aquests d'una manera transversal.

S'han desenvolupat projectes per a cobrir necessitats de persones i comunitats amb capacitats funcionals diverses, i amb persones en situació de risc d'exclusió social. Es treballa de la mà amb col·lectius específics en l'àmbit de la inclusió social, com és el cas d'IMPD, ONCE, Associació de Discapacitats Visuals de les Corts, entitats de Salut Mental i rehabilitació, etc.

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Ateneu de Les Corts | Ateneus de fabricació | Ajuntament de Barcelona

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L'especialitat de la Biblioteca va canviar l'any passat de cultura maker a ciència-ficció. A més, desenvolupem projectes plegades només per dates específiques com la Festa Major de les Corts. Abans sí que hi havia una programació conjunta.

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WePresent és una pàgina dedicada a les arts digitals i editorials. En la cerca de "collage", apareixen diferents autores actual que empren aquesta tècnica i ressonen amb la pràctica de Teresa Rubio.

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"Remix artist" Ian Woods takes the faces of the celebrities we're so familiar with and chops and changes them by hand, making them somewhat unfamiliar, encouraging us to look closer and potentially prompting us to change the way we see them. He tells writer Alia Wilhelm how he gets his work seen, how accepting mistakes is vital to his process, and why commercial work can actually be easier than his personal passion projects.

Ian Woods describes himself as a remix artist. His collages feature athletes, actors, models and musicians. The art is layered in more ways than one, revealing as much as it conceals. Swirls of Kali Uchis' face obscure fragments of her body. Reclaimed Stüssy ads are cut into artful loops. Lauryn Hill's face is split in two.

"I've always liked pop culture," Woods says. His mother kept People magazine in their bathroom when he was a kid, and together they would watch shows on MTV and VH1, like"Oprah"and "The Fabulous Life. "It's important, Woods explains, that we don't view the celebrities in his work as mere objects. Though his collages don't comment on pop culture, they do prompt us to stop and look, then look once more. We do a double-take because the familiar has been torn up then put back together again.

Woods' subjects tend to be modern-day celebrities, but his collages have a nostalgic feel to them. He cites the holy trinity of Warhol, Haring and Basquiat as inspiration and mainly uses analogue photos. "I like refurbished things, second-hand clothes, stuff with feeling," he says. "It's the same with imagery. I go after the emotion." This is reflected in his subjects' poses, too, which aren't always cheery. One of his collages features a photograph of Zendaya, originally published in Vogue Italia, where the actress gazes off-screen in near biblical woe.

The emotional valence of Woods' imagery appears to appeal to a wide Instagram audience, and most of his clients find him through social media, he says. It helps that he's prolific, often sharing four or five new collages with his followers in one week. Currently, he's creating artwork for a Spotify campaign, and a book cover he designed, his first ever, was recently selected by The New York Times as one of the best covers of 2022. "I find commercial work less stressful than my personal projects," he says, since clients often pick out the source material in advance. "They know what they want. They provide the photos," he explains.

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What he now describes as his signature style is more refined than his earlier work. Back in 2015, when he was first starting out, Woods focused on objects and logos, practicing on an iPad in his spare time while he worked night-shifts as a dishwasher. Soon he was adding in swooshes of pastel, staples and stickers, then using materials like duct tape and sandpaper to distress the imagery. Even now, it's clear his newer works are made by hand, and tangibility is part of the point. "The digital stuff loses feeling. It doesn't feed my soul," he says. "Physical work is authentic, raw."

To achieve his distinctive look, Woods layers two images on top of each other. At his glass desk, a table lamp illuminates the top image, while a floor lamp shines through the bottom image from under the glass table-top. After trying out different ideas, he sketches a pattern onto the top image, so he knows what shapes to cut out with his X-Acto knife. Since the images are printer-paper-sized, carving them out with a blade is tricky, but Woods says this is what sets his work apart from others'. "People try to mimic my style on Photoshop, but it's not the same. A lot goes into it when it's hand-carved," he explains. "That separates me from other people."

Once the images have been pasted on top of each other, the work is scanned and small blemishes are removed in Photoshop, but this is as far as it goes in terms of digital correction, or any kind of editing. Woods embraces imperfection, and he is delighted when something unintended turns out well. "Most things I create do contain some type of mistake," he says. "I go in wanting to do a specific pattern but eventually when I'm done with it, it's not what I planned at all." He gives the example of a collage of basketball player Allen Iverson, which ended up including less of the top image that he had planned.

"Mistakes lead me to other parts of myself, or my art, that I didn't know existed," Woods says, and this is the reason he sells original hard copies of his work, or "one-of-ones." They go for $55, listed from time to time on his website. "Some people say I should charge more, but I like people having access to my art. You get to see where I messed up, which is what I love about Basquiat, too," he says. "You never know what part of it was intended and what part of it was a mistake."

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WePresent | How Ian Woods embraces mistakes in his hand-carved collages

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How Ian Woods embraces mistakes as he hand-carves his pop culture collages