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Cave of Altamira and Paleolithic Cave Art of Northern Spain 35,000 to 11,000 B.C.E.

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Has slight shading that gives a clear impression of the dimensions of the animals. Vibrant red colors that help it stand out. lack of fine details or background that make it seem primitive.

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Strange wide eyed expression looking in two directions. blocky promotions and lack of details expect for around the face.

motive offering or a physical a prayer

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Imago Mundi or Mappa mundi 6th century B.C.E.,

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intricate details carved into its surface with writing all along the top. it has a beautiful but also chaotic feeling to it. the sun in the center is clearly the most important element333.

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Gypsum wall-panel depicting the Battle of Til-Tuba 660–650 BCE

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Extremely large stone carving of a battle with overlapping solders and animals. only given enough depth to indicate the forms on the flat background

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The spirit of a wealthy woman about 300 B.C.E.–350 C.E.

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black stone carving of a half bird with a regal expression. abstract proportions with an emphasis on its chest and face. the head being extremely large compared to the body.

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cartoonish drawings. uneven handles at the top

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Closed yeses and peaceful happy expression. might be dead?

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Mono black designs. Flat but but detailed depictions of men with ideal proportions. strange wild eyed expressions.

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flat cramped features large eyes small mouth.

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incredible precision in texture and proportions. movement and expressions are clear and believable

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bronze cast of a boy with the most exaggerated skinny frame. legs and arms are basically sticks and the head by comparison is tiny.

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Portrait of Roman Citizen, early 1st century CE

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imperfections and obvious expressions, looks almost real. probably true to the subject.

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The Colossus of ConstantineEarly 4th century AD

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large eyes huge proportions, gives and feeling of an obnoxious ego

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elegant but somehow emotionless. the figure in the middle is much larger then the rest and everyone is looking towards her.

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simplistic but full of emotion

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golden colors and extravagant clothing

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creative use of bird wings as eyebrows and nose, fine details that tell some kind of story.

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really good details on his clothing but has simplistic hands and feet the dove is holding a book, must represent something important

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beautiful golden pillars

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very pointy spire and flying buttresses

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huge structure with arches and large class windows

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very pointy and full of flying buttresses

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extremely large depiction of marry making the crucifixion and people below seem unimportant

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similar to early french architecture with lots of points and spires

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paint is a mixture of vegetables and minerals.

profile and frontal views. composite pose

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Houses and agriculture but no written language

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a fresco is a mural that involves water based paints

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monolith= one stone

uses post and lintel

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qunafrom writing system

first historical record

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battered walls, meaning slanted

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monumental sculpture=life sized

life like. had glass eyes

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box made of lapis lazuli and shells

hierarchy of scale, composite pose

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instrument found in queens tomb.

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Bronze portraiture=the subject of portraite

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Stele=stone that stands upright

the stars represent the the gods. icons

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Mesopotamian Mesopotamian - Victory stele of Naram-Sin King of Akkad over the mountain-d - (MeisterDrucke-556358)

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made after the re establishment of the Sumerians over the Akkadians

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a list of laws and legal codes of Hammurabi. he holds measuring rods showing that the laws are just

depicts the sun god conversing with Hammurabi

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city in ninava. known for violence

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a winged loin with a human face.

lions are a simbol of power

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shows violence of the ninavin people

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built up high on a mountain. getting closer to the heavens.

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had cartoosh or circles around specific words that lead to translating the Egyptian language

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a depiction of the first pharo uniting the two kingdoms lower and upper.

iconography: on one side he wears the crown of upper Egypt on the other lower Egypt, symbolizing his rule of both.

the bull is Narmer himself and shows his strength.

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funrnural marker slowly became the pyramids.

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Imhotep is the architect

more of a grave marker

monumentality=large important structures

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columnar entrance= columns

palm columns= curved tops, symbolized creation and death

engaged or semi columns =half in the wall

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King Menkaure (Mycerinus) and queen 2490–2472 B.C.E. 

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Incredibly smooth and regal looking. There are almost no sharp lines in the sculpture. Both right feet are slightly forward like they are walking but they still remain firmly straight-backed in an unnatural way. the faces are identical and have no imperfections removing any kind of personalty

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grandfather son and grandson. each smaller then the last.

mortuary=where they would be mummified

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corval vaulting or corbleing= lageo stack of stones for an arch

ten is simbollic of perfection

had air shafts that point to constellations of the underwood. the ka=the soul or life essence, may have exited through it.

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stariometric, almsot symmetrical

thick ankles is usually old kingdom

upper an lower Egypt symbolized on the sides

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senmut mortuary temple of queen hatshepsut

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senmut mortuary temple of queen hatshepsut

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she wanted to be seen as good as a pahro

would have been a garden

hyposyle hall, is the kind of structure with all the pillars

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has a pilon,=a wall that is larger than the structure behind it

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hyposyle hall

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fowling scene , painting from tomb of Nebamun

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fowling scene , painting from tomb of Nebamun

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naturalistic animals and perspectives but stays with the style of human figure

fresco seco.=paint on dry paper

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musicians and dancers, paintings form tomb f nebamun

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musicians and dancers, paintings form tomb f nebamun

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different style

unclothed is a symbol of slavery

overlapping people and objets.

frontal faces

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rained during the armana period.

changes to a monotheistic belief system. the one god was worshipped in the form of a disc.

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the wife of king akantan

used as a reference pice

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springtime fresco landscape with birds fresco from akrotiri

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springtime fresco landscape with birds fresco from akrotiri

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true fresco

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recreation

tapered collum represents the earth

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pinched wastes

fresco seco=dry

lighter values means the figure is a woman

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carved put of stone

curvilinear shape

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monumental scale structures.

post and lental

corbling

cyclopean macenry, the legend of the cyclops. large stones

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a tomb

post and lental

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tholos =circular structure

dress macenry= very fine

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maze God

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jade carvings

celts are the tall stones in the back

artists were Holly and so was the art they made

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Slender Doric Columns

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Nike the godiss of victory

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wet drapery

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right as you leave the propaya you see this structure as the artist intended.

largest temple in the classical period.

8 pillars on the short side means its a octistile and a periceral. also adoric.

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two rooms

caryatid=female figure who acts as a column

asymmetrical.

bareal place of a roman genreal.

connected to the creation mith. posiden zuz and athna

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concrete and vaulting allows large internal rooms

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idealized proportions and stoic visuals.

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looks roman but is Christian.

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made by emperor vaspaisen. benefit the patrons.

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time period determined by the hair style, changes with each decade

women were shown at their best while when were showsn in the veristic style.

verism=true to life.

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triumphal arch. were put up after a victory 

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titus squashes the jewish revolt

grand imposing, shows that God is on their side. depicts niki

they would have a parade through the arch

atich is the top part

spanderals are the curved parts of the arch

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first hints of breaking down classism

proportions are not naturalistic

changes in perspective for legibility .

continus narative = a story contiused through different carvings

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gnereal of teh armies

first time we see an emperor wearing a beard. this symbolized his interest in phiolipshy

aslo amateur architect, has no symbols of war in any of his structures. wants peace not war.

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poanthon means all the gods.

used as a way to legitimize his raign.

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portrait of septimius severus and his family

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portrait of septimius severus and his family