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DATHON: Uzani, his army at Lashmir.
PICARD: At Lashmir? Was it like this at Lashmir? A similar situation to the one we’re facing here? DATHON: Uzani, his army with fists open.
PICARD: A strategy? With sts open? DATHON: His army, with fists closed. PICARD: With fists closed. An army, with fists open, to lure the enemy. … with fists closed, to attack? That’s how you communicate, isn’t it? By citing example, by metaphor! (demonstrates that he understands) Uzani’s army, with sts open.
DATHON: Sokath! His eyes uncovered!

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Even with this new structural understanding, without a knowledge of the mythical origins of the figures that comprise the Tamarian language they have little hope of understanding the sense of their speech.

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When we talk about evil in the One of four 14th century Franciscan allegorical frescoes by Giotto, in a vault of the Basilica of San Francesco d'Assisi. This one depicts chastity, locked safely in a castle's keep, where only angels can enter. allegorical sense—the serpent of the Garden of Eden, or Sauron’s eye in Mordor— we do so as a replacement for addressing the more ambiguous, palpable instances of evildoing in the present.

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https://www.youtube.com/watch?v=5brAr51ip_k&ab_channel=OverlySarcasticProductions

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https://www.youtube.com/watch?v=JIUq0pfAskU&ab_channel=OverlySarcasticProductions

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Can be said to be a mytheme of three challenges to be saved.

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A mytheme explaining how no one can best death even if it comes in disguise.

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A mytheme denoting how something impossible is disguised by sophism to be possible.

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https://www.youtube.com/watch?v=o9I5bYOJlvI&ab_channel=OverlySarcasticProductions