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Evidence from "Advice:"

"[Mickey] She's keeping me awake. / She's haunting me, Jill" alludes to a sense of lingering guilt.

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In Consent, we find almost an accusatory tone in the repetition in the first lines of each couplet. Though it is not to accuse Mickey of not being assaulted but perhaps it is a way to pull out all the facts of truth through intimidation.

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"Advice" - mind reading - "You know I'm psychic"
"Steve" - foreshadowing - " 'Jill' he says 'you've got to leave this one alone' "

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pg. 135, Terrific Day, Very sexually charged with lines 1 & 5-6, 'You're a great fuck.' 'her other playing in my lap

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"they stop my heart. they close my eyes"- Sex/sexual desire is used as a ploy to distract the detective.

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Evidence from "Steve:"

Steve says its "It's a woman," which counters Jill's claim of "Bill McDonald."

However, Steve is also trying to warn her away from the case in this poem, and the reader must determine whether the killer being a woman is true evidence or a false lead.

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"This smart woman needs the money" hint of a motivation

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Ryan : Repetition on The power of them, lines go I'm finished I'm finished, all gone wrong all gone wrong, she broke me, she broke me, this erratic behavior gives a sense of a breakdown

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Ryan : Repetition on The power of them, lines go I'm finished I'm finished, all gone wrong all gone wrong, she broke me, she broke me, this erratic behavior gives a sense of a breakdown

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Evidence from "Her office:"

"Nick's got company. / Diana and Mickey"

In the photos, Nick is with Diana and Mickey, so he knew of Mickey and had some relationship with her.

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this poem is loaded with implications, one of them is an ex-cop and the other is a young leftie lawyer, and this third party had some reason to believe they would get along

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"Bit of a waste of a smart woman's time" ideas based off of biased perception

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"What it's like" - "Diana put her hands around my throat. 'Wanna see what it was like?'" She is reenacting the murder of Mickey through her body language and actions.

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" 'Weren't you too short?'/Diana winks/and sips her gin & tonic // she's showing me up. " this poem shows themes and aspects of vanity & stereotyping.

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"I wait for you not with a trembling heart but with a trembling mind you walk in the and the room hushes like you were a mysterious goddess" (pg 123)

"Did you show it to your girlfriend?
She says it's a red herring. We're looking for a boy." (pg 123)

Mickey's writing is demonstrating her infatuation and interest in Diana and is practically saying who killed her. Diana is meanwhile misleading the narrator.

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'Her Office" pg. 206

Depicts search for evidence through Diana's possessions in her office. Lists of objects found within, including Mickey's diary. Reads as a stream of thoughts, constantly getting sidetracked by random objects that offer little value as evidence before finding diary and photos.

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the clue they have is the hair, and one of their suspects is bald "this couldn't be bill mcdonald- he's going bald" and the whole poem revolved around hair whether it's the smoke going over the curly hair etc

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"I want to drown in your beautiful hair / I want to stuff it in my pillow case" unnerving obsession with the hair and wanting to keep it close

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"infatuation is blind" - leading, bold statement

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There is a hyperfixation on hair, not only as a possible clue and ruling over suspect but as an obsession. "I want to stuff it in my pillowcase."

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Not only does it feel like there may be two poems in one, but the consistency of the form is rooted in complete inconsistency, almost as if it wants to mimic an LSD hallucination

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"This close she's hard not soft...this close she's hurting me." (pg 94)
This could be evidence for Diana having a more violent nature in bed and enjoying hurting others during sex, possibly leading to Mickey's death.

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"Do you want it in italics?" further example of obsession, unnerving tone

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the evidence in this poem are phrases like man of god and boy poet. the themes of obsession are strengthened with the description of the writing

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"I don't need coffee to stay awake all night / thinking about you and what I can do" another unnerving obsession with an individual

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Again seeing themes of hyperfixation but also a need to be seen as beyond just one aspect of themselves. Like they can be more or better or worth more than how they are seen. "I'm not just a hole for your prick"

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"it's Nick" - hyperawareness of other's and their traits/behaviors

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The implication of this section to me is that they were looking for someone based on a description and when they found that person it turns out to be this Nick they are already familiar with and that it's incriminating

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This one is different they are themes of happy isolation while two characters are connecting on an intimate level with each other. "a silver breasted boy / rippling on his feet / dances on his own"

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"we both love this game" further evidence of recognition and awareness of someone's behaviors

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Cont. information on the dancer previously, themes of awareness of not only who Nick is but of each other. Though it is implied they were looking for him in the first place, similar to cat & mouse: "I smaller her perfume / and turn around // 'My two crusders'"