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Sacha Wace is an artist who is based in Falmouth, Cornwall. She creates her paintings using colourful pigments, connecting the canvas to the land we see in front of our eyes. Wace explores a footsteps imprint that is left behind by ancestors and all past family members, how one place can mean more to you that another can. Wace creates her work based on the land in both Cornwall and Norfolk(Where she grew up)The difference between these two places are significant and each painting which is shown in all of them. Having just finished her Fine art degree at Falmouth University she is now a full time artist with exhibitions all over the UK.

Through out my practice Im exploring the print in the land that you leave behind. From ancestors to decades all the way back to you. The simple shapes the land forms and crumbles as the sea engulfs it.

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Exploring with different materials and colour to create the Christmassy feel through out 3 small paintings. The colours contribute to the sunsets of each day leading up to the day Jesus was born. The day that one baby started out on a life time of gold.

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Footsteps, the pressure in that ground as your weight stays there until you lift your foot up. That foot print stays for year and years connecting you to your carbon footprint. From year to year still there. Through out my practice Im exploring the print in the land that you leave behind. From ancestors to decades all the way back to you. The simple shapes the land forms and crumbles as the sea engulfs it. The search for my families lives and steps they took to build up the land 100s of years ago. Starting in Pencalenick, St Clements and Camborne. searching through the mines and shafts of Cornwall to figure out where they once were. My main inspiration comes from the shapes of the land in front of me. Im an artists based in Cornwall but also Norfolk, To completely different land types. One with hills and one completely flat, this is shown within my paintings and mini sculptures. I work with mix media, involving all types of materials all into one place. Painting is my main medium that I work with, combining both colour, lines and structures within the canvas.

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Oil Sticks and Acrylic on canvas. Framed 

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Exploring land and sea landscapes with high winds

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"I tend to approach each panting with an open mind and a loose idea of the feeling or atmosphere I hope to capture. For me, too much premeditation can hinder the outcome. the process is a conversation, with each mark and shape being a response to the last"

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100x100cm - Acrylic, Oil and charcoal on canvas.

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Clouds, rivers and the evolvement of the land.

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Clouds, rivers and the evolvement of the land.

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Exploring family history in a series of footsteps.

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Sacha Wace, Dissertation The Instability of home.

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Thoughts, memory and colour, All things that Im exploring through my paintings. A story that is told through the use of the different shades and pigments of the one simple colour. The stories of my childhood, the events in my life that has shaped me. Whilst I create my paintings its a stress relief and an almost flash back to the time spending it with family and friends. Exploring new parts of my very quirky village, from climbing up church towers to playing within the old bunkers left over from the war. I play around with layering, unpicking and straight lines. The straight lines within my paintings resemble roads, and paths of direction of past and future events. Mainly focusing on large unstreached canvas which allows me to create the story across a large surface area.

Cut, Ripped and measured, the canvas is on the wall ready to start with my story preparing my pallet, the different colours representing a sense of smell, object or day. The first stroke and mark placed on the the material, one line in and already leaving part of my soul on the canvas for all of you to see. The use of eyes which I have used in every painting that I have done, maybe not as obvious in some of them. Im particularly interested in the different layers of eyes, the colours that make up what you see in front of you. We see colour with our brains which is mostly known as we see colour with our eyes. However scientists have proven that its our brains that see it and then send the signal through to the eyes, the slight delay happens but for us we think it's the real time. You as the viewer are looking at my paintings making your own story with it, but you are seeing it with your brain instead of the eyes.

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Slowly cutting down to simple shapes and painting with a more simpler point of view.

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150x150cm - Oil, and acrylic on canvas - Maude the donkey.

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1.5 x 1 m

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84x45cm - Acrylic on wood. - The big blue circle.

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Oil sticks on canvass - The great big sieve 

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Connecting my practice up with the process it takes me to write down a sentence. Disabilities holding back the way we learn and process the information that is given to you.
- Recently learning that I have dyspraxia and not just clumsy. This made me explore the actions and creativity within hidden disability's.