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The color of an object is affected by the lighting conditions under which it is viewed. Our eyes and our brain compensate for different types of light—that's why a white object appears white to us whether it's viewed in sunlight, under overcast skies or indoors under incandescent or fluorescent light. But digital cameras need help to emulate this process, to compensate for different types of lighting and render a white object white.

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is free and open source but developing it has taken thousands of hours of my time and a large part of my sanity. If you feel like dropping me a few precious pounds (there’s no obligation) it would go a great way to ensuring that I can afford to take the time to continue to improve the library.

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Once the sensitivity to light of the recording surface (either film or sensor) is set in numbers expressed in "ISOs" (ex: 200 ISO, 400 ISO), the light emitted by the scene photographed can be controlled through aperture and shutter-speed to match the film or sensor sensitivity to light. This will achieve a good exposure when all the details of the scene are legible on the photograph

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ften abbreviated OIS, IS, or OS, is a mechanism used in a still camera or video camera that stabilizes the recorded image by varying the optical path to the sensor. This technology is implemented in the lens itself, as distinct from in-body image stabilization, which operates by moving the sensor as the final element in the optical path. The key element of all optical stabilization systems is that they stabilize the image projected on the sensor before the sensor converts the image into digital information.

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The advantage of electronic viewfinders is you get to see exactly what the camera's sensor sees and your view of a scene is never obstructed when taking a photo (your view is momentarily blocked when taking photos on DSLR cameras). Some cameras also augment the EVF display in various ways, such as by highlighting areas in focus ('peaking' autofocus), simulating the motion blur you'll see if you take a photo and automatically boosting brightness when shooting very dark scenes.

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As technology advances, so do lenses. In the past, they were made exclusively of glass. Today, most are made of high-tech plastics. These new ones are lighter, don’t break as easily as glass, and can be treated with a filter to shield your eyes from damaging ultraviolet (UV) light.

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IMAGE PROCESSOR
LENS TYPE
VIEWFINDER TYPE
IMAGE STABILIZATION TYPE
SHUTTER SPEED
WHITE BALANCE