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The Artist Project, Metropolitan Museum of Art

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The Artist Project, Metropolitan Museum of Art

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Maureen Gallace on Paul Cezanne's still life paintings with apples

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Maureen Gallace on Paul Cézanne's still life paintings with apples | The Artist Project Season 1 | The Metropolitan Museum of Art

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"It's a type of experience that some painters have: a need to ... get at the essence of what painting is, even if it's just using an apple."

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Still Life with Compote, 1879-80, Museum of Modern Art, New York

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Three Bathers, 1879-82, Petit Palais, Paris

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Sea at l'Estaque, 1878-79, purchased in 1940, Musee Picasso, Paris

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Chateau Noir, 1905-05, Musee Picasso, Paris

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Madame Cezanne in a Red Armchair, 1877, Museum of Fine Arts, Boston

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Self Portrait in front of a rose wall, c. 1875, formerly Pellerin Collection, now in private collection

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Still Life with Onions, 1896-98, formerly Pellerin Collection, Musee d'Orsay

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Still Life with Bread and Eggs, 1865, Cincinnati Museum of Art

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Still Life with Apples (Still Life with Blue Blanket), 1893-94, J Paul Getty Museum

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View of l'Estque and the Chateau d'If, 1883-85, private collection

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cezanne_1883-85_view of l'estque and the chateau d'if_privcoll.jpg

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Self Portrait with Pince-Nez, c. 1771 (pastel on paper), The Louvre

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Dejeuner sur l'herbe, 1863, Musee d'Orsay

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summary on Heilbrunn Timeline

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The Met's Heilbrunn Timeline of Art History

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Paul Cézanne (1839-1906) | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

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"Cézanne ignores the laws of classical perspective, allowing each object to be independent within the space of a picture while the relationship of one object to another takes precedence over traditional single-point perspective."

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Excerpts from letters written by Paul Cezanne to various artists and friends

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Rainer Maria Rilke, Letters on Cezanne (1907)

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Rainer Maria Rilke, Letters on Cezanne (1907)

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Excerpts from letters written by the poet Rilke to his wife, the sculptor Clara Westhoff Rilke