# data[].attributes.body
Theatre director holds auditions to select the acting cast members.
They collaborate with the technical crew, they may consist of lighting, sound, set and costume designers.
They also have a the responsibility for the practical and creative interpretation of a dramatic script or musical score.
Some theatre directors act as an administrator or producer, depending on the staffing structure and size of the theatre. You may also work alongside an executive administrator or general manager who heads the theatre, or an artistic director who selects the plays and determines the programming.

# data[].attributes.body
One of the most influential of practitoners. The main thing to remember is that he takes the approach that actors should really inhabit the role that they are playing. So the actor shouldn't only know the lines and motivation for lines, but also every detail of that character's life offstage as well on stage. In this way we can establish stanislavski as a director and practitioner whose productions are naturalistic

# data[].attributes.attachment_link.description
Constantin Stanislavski was a Russian stage actor and director who developed the naturalistic performance technique known as the "Stanislavsky method," or method acting. Born in 1863 in Moscow, Russia, Constantin Stanislavski started working in theater as a teen, going on to ...

# data[].attributes.body
A playwright is the person responsible for writing dramatic material for the purposes of performance within the theatre. The script is the blueprint for creating a dramatic production. &nbsp; A script for a play is the road map to creating successful and complete theatrical production.

# data[].attributes.body
Emotional memory is when the actor finds a real past experience where they felt a similar emotion to that demanded by the role they are playing. They then ‘borrow’ those feelings to bring the role to life.

# data[].attributes.body
Stanislavski believed actors needed to take emotion to the stage and call upon it when playing their character. ... Otherwise known as emotional memory, it is often used by making the actors completely relax so that they recall the memory better.

# data[].attributes.headline
How did Stanislavski use Emotional Memory in rehearsal 

# data[].attributes.subject
How did Stanislavski use Emotional Memory in rehearsal 

# data[].attributes.body
Stanislavski suggests that the actor selects the “most absorbing memory” of feelings and sensations, and weaves the life of the character from them. He recognised the danger in trying to force feelings too directly. Emotions can be indirectly evoked from use of other areas of the system like physical action

# data[].attributes.body
A strong grasp English and grammar is requisite. A good analytical mind helps the playwright dissect the dramatic work of other writers. A good understanding of storytelling and dramatic arrangement are crucial in putting together a strong script which in marketable

# data[].attributes.body
An applicant must usually have hands-on experience working as a theater director or other relevant theater role. This kind of experience in a theater provides necessary skills to fulfill expected duties. For example, a theater director who previously worked as an actor would have experience reading and interpreting a script. A director who previously worked as a stage manager would have experience understanding and directing the many different people who work on a production. A theater director might also gain relevant experience as a choreographer, crew member or assistant director.

# data[].attributes.body
The Independant Theatre Council (ITC) and UK Theatre negotiate minimum rates of pay with appropriate entertainment unions on behalf of their members.

The agreed weekly fee for assistant directors is around £440.

A theatre director of a full-length play should receive a minimum preparatory fee of £1,498 and weekly rehearsal payments of £458.

Freelance directors in a commercial repertory theatre can command a minimum fee of around £2,450, with a weekly fee of approximately £450 to £550.

# data[].attributes.body
They can work in movies, television, commercials, theater, theme parks and clubs. While working as an actor, they perform for entertainment and informational purposes. Actors can play main characters or supporting roles, and they must audition for casting directors to land a part.

# data[].attributes.body
After securing a role, the actor studies the script to learn about the character and memorize the speaking parts. Sometimes scripts change during rehearsals, and actors may find themselves memorizing new lines. ... Actors work under the director who advises them on how to portray the characters.

# data[].attributes.body
Good stage, screen or vocal presence.

The ability to enter into another character and engage with an audience.

The ability to memorise lines.

Good understanding of dramatic techniques.

Having the confidence, energy and dedication to perform.

Creative insight.

# data[].attributes.body
As an actor, Stanislavski starred in many well known plays. His most recognised stage performances, such as Othello in the Shakespeare's 'Othello', and as Gayev in Chekhov's 'The Cherry ', were loved by critics and by the public.

# data[].attributes.body
The company was founded in 1898 by Stanislavski and Vladimir Danchenko

# data[].attributes.body
Frantic Assembly creates thrilling, energetic and unforgettable theatre. They attract new and young audiences with work that reflects all culture. Frantic Assembly's unique physical style combines movement, design, music and text. Frantic Assembly is led by Artistic Director Scott Graham. They also use contemporary dance to create a story.

# data[].attributes.body
physical theatre is an dramatic genre that uses physical movement to create a story.

# data[].attributes.body
Frantic assembly is a theatre production company. They've worked in over 30 different countries and are widely

# data[].attributes.body
the unreturning is based in a british northern coastal town about three young men coming home from war. Their stories, set at different time over the last 100 years

# data[].attributes.body
given circumstances is when the actors are given subject. Then actors have to adapt to that situation using memory.

# data[].attributes.body
In rehearsal, the actor searches for inner motives to justify action and the definition of what the character seeks to achieve at any given moment.

# data[].attributes.headline
Goodnight mr tom? Reharsals and your own character?

# data[].attributes.subject
Goodnight mr tom? Reharsals and your own character?

# data[].attributes.body
For Goodnight Mr Tom i played  the role of Zack, a friend of William. Zack is a very energetic kid other than William, who is very awkward and shy due to him experiencing child abuse.