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Introduction to the Unit and Study area

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Resources for students to help with their art process and folio design

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Assessment criteria and resources

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Resources for students and teachers to help with learning activities

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Art and design blogs

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George Condo: The Way I Think | Louisiana Channel

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guggenheim collection: 1940s to now ngv international

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Students are firstly encouraged to respond personally to the work of art and after visiting the exhibition to present a creative response to their class with a partner if they wish. In this way students become an expert on one work, but gain knowledge about the other artists represented in the exhibition.

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INSPIRATION FOR EXHIBITION AND GALLERY WALKS

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INSPIRATION FOR EXHIBITION AND GALLERY WALKS

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Look for the plus icon next to videos throughout the site to add them here.

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Descriptive audio version available here. The artists in "Friends & Strangers" are connectors, building upon and supporting the existing groups they participate in and searching for ways to create ever more inclusive forms of community. Featuring Linda Goode Bryant, Miranda July, Christine Sun Kim, and Cannupa Hanska Luger, this hour follows the four artists as [...]

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The World Is Yours

The World Is Yours

A playlist featuring artists who engage with environmental concerns to uncover opportunities to see the world through a new lens. From tracking natural phenomena to evaluating the impact of personal consumption, these artists position their work as jumping off points to reflect on our entanglement in these networks and society at large.

The World Is Yours

by Art21 April 22, 2019 12 videos * 1:26:17 total runtime

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Art21 is a nonprofit organization dedicated to inspiring a more creative world through the works and words of contemporary artists. In addition to its flagship television series, "Art in the Twenty-First Century," Art21 produces two digital series, "New York Close Up" and "Extended Play."

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Each symbol in Tanavoli's Poets, Locks, Cages at the Vancouver Art Gallery holds a special meaning in Sufism, which has inspired his work.

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A forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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A Contemporary Art Magazine with a Focus on the Los Angeles Art Scene

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Culture: High & Low with Carolina A. Miranda - Los Angeles Times

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Los Angeles Times' Carolina A. Miranda covers culture from high to low: museums to murals, art books to comics, documentaries to GIFs.

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This summer, Daily Serving is shining a light on some arts publications that we regularly read and love. Wrapping up our week with C&today we bring you the final selection from editor-in-chief Yvette Mutumba: an excerpt from an interview with artist Kemang Wa Lehulere about his exhibition Bird Song, which at the time was on view at Deutsche Bank KunstHalle in Berlin. This text was originally published on March 31, 2017.
C&: What do you think of this whole idea revolving around decolonizing knowledge?
Kemang Wa Lehulere: Decolonizing is basically about dismantling this system of power. One piece at a time. I believe the education system is the most important aspect to begin with because it is where people are shaped. At the moment and for a long time the educational system has not produced people that think critically, but rather people who fit in the system. There is a new generation of people acting against this, coming from the Black consciousness movement or Pan-Africanism. There is a resurgence of political philosophy that aims to break down the system, including the education system. Not only is it about changing the curriculum, but also about accessibility to that educational space. This is something I have always been concerned with. For instance, I could not afford to go to university. As a result, I had to do projects here and there in order to get the funds for my studies. And this took away the time I needed to study.

To bring it back to the show here, the materials I worked with are old school desks. I have always been interested in pedagogy. In school I complained to my English teacher because the curriculum was concerned only with English and American perspectives. This same teacher developed a special curriculum outside of the official one for me and a friend of mine. So, while she showed us carefully selected books by writers from African contexts, we would sit and discuss this material during lunchtime. At the end of the day you have to ask yourself where you fit into the normative body of knowledge, then to demand visibility, and at the same time to dismantle symbols of power in how they remain colonial and carry Western White patriarchal elements.
C&: So for this show Bird Song in Berlin, you used deconstructed school desks. What does the idea of installation mean to you? Why did you choose this format, these materials, jazz music, and other media?
KWL: I always try to search for the materials first. For me it is like a journey. It has been only two years that I have been working with the materials the way I do now. In the beginning it was wood and then the metal components of the desk came in. Aside from that I am currently developing pieces that can be mobile. They would operate as sculptures within performances. In addition, the exhibition catalog includes a pamphlet as a supplement, i.e. a publication in a publication. It is a correspondence with an architect I have been working with. This is going to be the second edition of the pamphlet series. I also had the idea of including some jazz music in the show that a friend of mine, a jazz musician, composed specifically for this project.
Read the full interview here.

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This summer, Daily Serving is shining a light on some arts publications that we regularly read and love. Wrapping up our week with C& today we bring you the final selection from editor-in-chief Yvette Mutumba: an excerpt from an interview with artist Kemang Wa Lehulere about his exhibition Bird Song, which at the time was on view at Deutsche Bank KunstHalle in Berlin.

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1. Jurassic Warp May 8, 7:30-9:30pm Ground Level Platform With KT Duffy and María Luisa Sanín Peña 2. Samantha Cabrera-Friend: Artist Talk May 8, 3-4pm LATITUDE 3. OTVReruns x 6018 North: Border'd, United States of Aliens, FOBia May 8, 8-10pm 6018North With...

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Bad at Sports | Contemporay art talk without the ego

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1. Jurassic Warp May 8, 7:30-9:30pm Ground Level Platform With KT Duffy and María Luisa Sanín Peña 2. Samantha Cabrera-Friend: Artist Talk May 8, 3-4pm LATITUDE 3. OTVReruns x 6018 North: Border'd, United States of Aliens, FOBia May 8, 8-10pm 6018North With...

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A global arts & culture platform fostering a community of tomorrow's talent.

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Artists in the Black : Cultural Protocols

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Artists in the Black : Cultural Protocols : Artists in the Black (AITB) is a legal service for Indigenous artists