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Mathias is about as interesting as a box of saltines. He spends his time putting off things he needs to do in favor of drinking poorly made soft drinks, and drafting designs for buildings he will never build

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[REDACTED] is a bastard.  They spend too much time trying to get Mathias to be something he's not.

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It is boring. It is plain. It is filled with empty cans of lemon lime soda.

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Mathias is talking to someone who is not actually in his apartment.

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Mathias forces the narrator to respond to him.

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The narrator brings up stuff Mathias wouldn't want to think about in order to get him to leave the apartment. Mathias breaks under the weight of these things and begins to, effectively, have a panic attack. The narrator realizes he went much too far.

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The narrator can not simply write "and then Mathias goes to work"  because he had made Mathias too in-depth of a personality.  Once Mathias figures out that someone watches him and that thing wants him to go to work, he wouldn't go to work.

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A bird flies into Mathias's window because the narrator was upset with him, showing he has at least some control over the world.

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Mathias has many ideas for thing he would like to do with is life, and he keeps them around but only looks at them; never tries to bring these ideas to life. This irritates the narrator to no end.

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Mathias is intentionally boring so the narrator has to describe him basically doing nothing. He hopes this will make the narrator give up on him, but it does not work.

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The place where Mathias works is apparently shifting. We never get to see what exactly happens to it, but something subtle keeps pulling Mathias's attention to the building. He still refuses to go to work.

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The narrator alludes to having a motive to get Mathias out of the house. Mathias has given up on himself, but the narrator has not.

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It is explained that the narrator understands what Mathias is going through.

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Mathias makes up his mind.