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For my radio show I need to ensure I have a contingency plan in place. This acts as a safety net in case anything form my initial plan goes wrong. It means I have a backup plan already set in place so if anything falls through, production can still go ahead.

The first step I will take in my contingency plan is to ensure I have a backup interviewee. This means that if for some reason my first interviewee can't made it for the production process then I have someone there ready to interview. It is very useful as I then don't have the panic of having to find a last minute interviewee and running the risk of paying to hire a studio with no production taking place. This means that I will have a second day booked in at the studio for this backup interview to take place if needed. I will also have a backup presenter organised for the same reasons.

I will ensure I have a backup studio organised in case anything in the studio is not working or unavailable to use. If this were to happen and I didn't have a contingency studio in place then production wouldn't be able to go ahead and there would be a delay in my whole production schedule.

I will also make sure I have a studio engineer on site in case I have any technical difficulties. Having them there means that if any technical difficulty does happen that I don't know how to deal with then there is someone who can sort it out so production can continue.

I also need to ensure that I have a plan for if I fall behind on my schedule. I will double check that my interviewee is available at a later date as then if I do fall behind, I know I still have a scheduled interview. I will have a second day booked in at the studio at a later date just so I know that I have the space and facilities available to record if I do fall behind. This means that production can still go ahead even if I fall behind.

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Parisienne Walkways is a song by guitarist Gary Moore, written by himself and Irish musician and songwriter, Phil Lynott. The song was released in 1978 and featured on Moore's album Back on the Streets. The vocals featured are provided by co-writer of the song, Phil Lynott. He also played bass guitar on the track, along side fellow band mate (Thin Lizzy) and drummer Brian Downey. Parisienne Walkways was quick to become Moore's signature song, reaching as high as number 8 in the UK singles chart in May 1979.

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Gary Moore - Parisienne Walkways (Best Version)

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The Less I Know the Better was released in November 2015 by Australian rock band, Tame Impala. Written by the bands front man, Kevin Parker, the song acted as the third and final single from their third studio album, Currents. Parker has previously stated that the song originated from his love of disco. He originally thought that the song shouldn't feature on the bands album due to its "dorky, white disco funk". However, it quickly became the most popular track on Currents. The song describes the pain of a man who feels left out of a love triangle.

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Tame Impala - The Less I Know The Better (Official Video)

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Shoop was released in September 1993 by hip-hop girl group Salt-N-Pepa. It became one of the groups most successful singles, reaching number four on the Billboard Hot 100 and topping the Hot Rap Singles chart. The song was produced by Mark Sparks and group member Salt. It also features an uncredited verse by rapper Big Twan. It also features a sample of the Ike Turner hit, "I'm Blue (The Gong Gong Song).

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With Stevie Nicks on the vocals, ‘Dreams’ reached Number 1 on the Billboard Hot 100 Chart in the US, and was the British-American band’s only Number 1 there. The roots of the song arise from all five members of the band going through a divorce, four of which with each other, and the song depicts the sensitivity to which the members were exposed to. The song was written by Nicks in 1976 in ‘around ten minutes’ and was initially not liked by the group, but with much persuasion and a single recording in the studio from Nicks, and drum and bass added after, the track was soon to be a hit.

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This mix of electronic dance with funk and pop by Prince was a worldwide phenomenon, reaching number one in the US and number six in the UK, and was even ranked in the 500 Greatest Songs of All Time by Rolling Stone. The track was initially an acoustic until Prince gave the song to the funk band ‘Mazarati’ to use and alter for their own debut album, however the track was finished and completed by Prince himself. The song is known for being in the musical film ‘Under the Cherry Moon’ and more recently, children's film ‘Happy Feet’.

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Prince and the Revolution - Kiss (Official Music Video)

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The French electronic duo Daft Punk teamed with American vocalist Julian Casablancas, who is part of the band ‘The Strokes’. Daft Punk gave Casablancas with the instrumental mix of the track, to then add the vocals. The title of the track was debated, with Casablancas suggesting ‘Summer Crush’ based on how Daft Punk portrayed the song to him, however on reflection, decided upon ‘Instant Crush’ due to his own anecdotes. In terms of reception, the song reached 58 on Rolling Stone’s best 100 songs of 2013.

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Daft Punk - Instant Crush (Official Video) ft. Julian Casablancas

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A PRS is a licence covers the legal use of copyrighted music in a business, organisation, product or service. In radio, it is vital that you posses a PRS licence if you intend to use copyrighted music in any of the following outlets:

Commercial radio

Community radio

Hospital radio

Long-term radio (student campus, army base or prison)

Short-term radio that is OFCOM-licensed

Radio adverts

The PRS also provide licences for independent radio production companies. You do not need a licence to use royalty free music.

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Having a PRS licence means that I can broadcast copyrighted music on my radio show with due permission. If I were to broadcast this music without a licence, I would be infringing copyright laws. Failure to posses a licence when broadcasting copyrighted music could lead to legal fees and court orders. In my radio show I will be playing clips of various copyrighted music meaning I would need to hold a PRS licence.

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Digi Hour Tasks
For this task I used the BBC website to find out information for each question. This is a reliable source as it is the official website for the BBC and so I can trust that the information they provide will be accurate and thoroughly checked over. All the information I gathered for this task was sourced from this website meaning I can be assured that it is all correct.

Primary Research
For my primary research I conducted a meeting with my interviewee in which I spoke with her abut each of her song choices and why she chose them. We talked through what each song meant to her and the memories they hold. This aided me when writing up the questions for the interview as I was much more knowledgeable on the memories she wished to speak with me about and the nature of them. I then made sure I took the time to conduct some research on the songs she chose so that during the interview I had more of an idea of what she was talking about. I also took her feelings into consideration to ensure I didn't bring up any touchy subjects. Scheduling this meeting before the interview took place meant I could cover these grounds to ensure I didn't touch on any subjects that may upset my interviewee.

Secondary Research
When I researched each song the first page to come up was the songs wikipedia page. Obviously, wikipedia is not a reliable source as anyone can edit the information it provides. Due to this, I ensured the information I gathered from wikipedia on the song choices was backed up from other sources on the internet.