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Paul Cezánne;
1894/95;
Oil on canvas;
127 x 196.1 cm;
National Gallery, London.

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Paul Cezánne;
1906;
Oil on canvas;
208 x 251 cm;
Museum of Art, Philadelphia.

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George Seurat;
1884;
Oil on canvas;
201 x 301.5;
National Gallery, London.

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Vincent Van Gogh;
1888;
Canvas;
73.5 x 92.5 cm;
St. Petersburg Hermitage Museum.

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Vincent Van Gogh;
1888;
Oil on canvas;
75 x 93 cm;
Pushkin Museum of Fine Arts, Moscow.

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Where do we come from? Who we are? Where do we go? 

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Where do we come from? Who we are? Where do we go? 

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Paul Gauguin;
1897;
Oil on canvas;
139 x 374,5 cm;
Museum of Fine Art's, Boston.

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Henri de Touluse-Lautrec;
1894/95;
Pastel on paper;
111,5 x 132,5 cm;
Musée Touluse-Lautrec, Albi.

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Henri de Touluse-Lautrec;
1892/95;
Oil on canvas;
123 x 140 cm;
Art Istitute, Chicago.

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Guele de Bois or Portrait of Sezanne Valadon

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Guele de Bois or Portrait of Sezanne Valadon

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Henri de Touluse-Lautrec;
1887/88;
Canvas;
47,1 x 55,5 cm;
Fogg Art Museum, Cambridge.

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Henri de Touluse-Lautrec;
1889;
Oil in cardboard;
67 x 54 cm;
Musée d’Orsay, Paris.

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One of the most characterizing themes of post-impressionism is that of the artist’s “alienation” from contemporary life style.
The shown works, so, try to represent subjects of daily life out of collective imagery, like prostitutes out of working hours and aristocrates in salons like Toulouse-Lautrec used to do, or workers with their families on beaches in Seurat’s and Cazanne’s paintings. Other works, like those of Gauguin and Van Gogh, instead, show life outside the society of Paris, from whom they run away: Gauguin’s works represent life in Tahity and Van Gogh’s paintings show his life in South-France.