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05/07/2020
1. Films
Ex) Martial arts film, Moulin Rouge,
Mulan, The Handmaiden and Godzilla 2 -The King of Monsters.

2. New Media Art

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08/07/2020

Topic: Films

Source
Kraidy, M.M. (2002). Hybridity in Cultural Globalization.Communication Theory, 12 (3), 316-339.

Kwok-Bun, Chan and Peverelli, Peter J.(2010). Cultural Hybridization: A Third Way Between Divergence and Convergence.World Futures, 66: 3, 219 — 242.

Georgette Wang and Emilie Yueh-yu Yeh. (2005). Globalization and Hybridization in Cultural Production: A Tale of Two Films. LEWI Working Paper Series no 36.

Yue Qiu. (2019). Study on Global Cultural Hybridity in International Film Media based on the Film "Godzilla 2- The King of Monsters. Advances in Social Science. Education and Humanities Research, volume 342.

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Referentially,

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The Convergence of Cultures: Shaping Great Cities

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Detail plan :)

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Daya Kishan Thussu. (2006). Media on the Move: Global Flow and Contra-Flow, New York: Routledge, p62.

Georgette Wang and Emilie Yueh-yu Yeh. (2005). Globalization and Hybridization in Cultural Production: A Tale of Two Films. LEWI Working Paper Series no 36.

Kraidy, M.M. (2002). Hybridity in Cultural Globalization. Communication Theory, 12 (3), 316-339.

Kraidy, M.M. (2005). ‘Hybridity, or the cultural logic of globalization’, PA: Temple University Press, pages 163-210

Kwok-Bun, Chan and Peverelli, Peter J. (2010). Cultural Hybridization: A Third Way Between Divergence and Convergence. World Futures, 66: 3, 219 — 242.

Yue Qiu. (2019). Study on Global Cultural Hybridity in International Film Media based on the Film "Godzilla 2- The King of Monsters. Advances in Social Science. Education and Humanities Research, volume 342.

Thussu, D. K. (2007). Mapping global media flow and contra-flow. In D. K. Thussu (Ed.), Media on the move: Global flow and contra-flow (pp. 11-32). London: Routledge

Jianling Wang, 2017, Hybridization as Global Cultural Production Strategy: A Case Study in Disney Animation. Advances in Social Science, Education and Humanities Research, volume 171.

Karan, K and Schaefer, DJ (2010) ‘Problematizing Chindia: Hybridity and Bollywoodization of popular Indian cinema in global film flows’ Global Media and Communication Vol 6: 3, pp. 309-316

Kyunghee Kim. (2018). Cultural Hybridity in the Contemporary Korean Popular Culture through the Practice of Genre Transformation. Electronic Thesis and Dissertation Repository.

Kwok-Bun.G., J. PEVERELLI. PETER, (2010). Cultural Hybridization: A Third Way Between Divergence and Convergence. World Futures, 66: 3, 219 — 242

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The Good, the Bad and the Ugly (1966): Spaghetti Western.
The Good, the Bad the Weird(2008): Korean Movie

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Cox, N. B., & Proffitt, J. M. (2014) Mimicking Bollywood in Slumdog Millionaire: Global Hollywood’s Newest Co-Optation of Culture, Journal of Communication Inquiry, 38(1), 44–61.

Stephens Duncan, R. (2011) Reading Slumdog Millionaire across Cultures, The Journal of Commonwealth Literature, 46(2), 311–326

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1. Cultural Hybridisation
A Culture + B Culture = New
Examples are just small part of essay.
2. More focus Cultural Hybridization
3. Write example's detail and exclude unsuitable examples

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Traditional Indian mythology
Navi; the blue skinned Navi (Hindu culture)
-> India + American

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China+ Ancient Egypt + Ancient Greece
Four Great kings(monster)
: Godzilla, Mosla, Raton and Quidola
-> drawn from the traditional culture of China

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Korea+ Italy + America
Genre Hybridisation
(Hollywood+ Spaghetti westerns + American Westerns)
-> Plot/ Visual Image/ Characters

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British (English director) + Indian drama
: Indian and western culture
-> based on the novel
Hollywood and western film style with Bollywood
- this movie was made to capture Indian life through a westernised  cultural Knowledge. (Stephens Duncan, R. (2011). p.311)

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Adaptation of novel 'Fingersmith'
Korea + Japan
19th England -> 1930s Korea

-> Lack of evidence and relevant

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Too many