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Tybalt shares the same name as the character Tibert/Tybalt the "Prince of Cats" in Reynard the Fox, a point of mockery in the play. Mercutio repeatedly calls Tybalt "Prince of Cats" (perhaps referring not only to Reynard but to the Italian word cazzo as well).

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Shakespeare describes the natural quality of their love by juxtaposing the balcony scene with Mercutio's lewd sexual jokes in the previous scene. Romeo returns to the religious imagery used between the lovers in their sonnets at the feast when he describes Juliet as, "a bright angel" and "dear saint." The recurring use of religious imagery emphasizes the purity of Romeo and Juliet's love — as distinguished from the Nurse and Mercutio's understanding of love that is constituted in the physical, sexual aspects.

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The balcony scene

Romeo stands in the shadows beneath Juliet's bedroom window. Juliet appears on the balcony and thinking she's alone, reveals in a soliloquy her love for Romeo. She despairs over the feud between the two families and the problems the feud presents. Romeo listens and when Juliet calls on him to "doff" his name, he steps from the darkness saying, "call me but love."

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Shakespeare uses light and dark imagery in this scene to describe the blossoming of Romeo and Juliet's romance. As Romeo stands in the shadows, he looks to the balcony and compares Juliet to the sun. He then asks the sun to rise and kill the envious moon. Romeo had always compared Rosaline to the moon, and now, his love for Juliet has outshone the moon.

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FRIAR LAWRENCE and ROMEO enter.

FRIAR LAWRENCE So smile the heavens upon this holy act That after-hours with sorrow chide us not. |

FRIAR LAWRENCE May the heavens be happy with this holy act of marriage, so nothing unfortunate happens later to make us regret it.
ROMEO Amen, amen. But come what sorrow can,It cannot countervail the exchange of joy That one short minute gives me in her sight. Do thou but close our hands with holy words,Then love-devouring death do what he dare;It is enough I may but call her mine. |
ROMEO Amen, amen. But whatever misfortunes occur, they can’t ruin the joy I feel with one look at her. All you have to do is join our hands with holy words, then love-destroying death can do whatever it pleases. It’s enough for me if I can call her mine.

FRIAR LAWRENCE These violent delights have violent endsAnd in their triumph die, like fire and powder,Which, as they kiss, consume. The sweetest honeyIs loathsome in his own deliciousnessAnd in the taste confounds the appetite.Therefore love moderately. Long love doth so.Too swift arrives as tardy as too slow. |
FRIAR LAWRENCE These sudden joys have sudden endings. They burn up in victory like fire and gunpowder. When they meet, as in a kiss, they explode. Too much honey is delicious, but it makes you sick to your stomach. Therefore, love each other in moderation. That is the key to long-lasting love. Too fast is as bad as too slow

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The balcony scene signifies the cementing love between romeo and Juliet. It is where they agree to get married and although Juliet isn't sure at first but in the end she agrees

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Prologue Analysis - The opening lines of the Prologue address the speed with which Romeo and Juliet have fallen in love, while poking fun at the way Romeo has abandoned his pursuit of Rosaline.The Prologue does little to enhance the story and is often omitted when the play is performed. Many critics feel that a different author added the Prologue at some point after the play was originally written. Nonetheless, this introductory material serves to distinguish between Romeo's cold, miserable, unrequited love for Rosaline and his true, intensely mutual love with Juliet.Unlike the first Prologue, this one speaks less of fate; rather, it helps to build suspense. "But passion lends them power, time means, to meet / Temp'ring extremities with extreme sweet." Romeo and Juliet forge onward in pursuit of their love — empowered to dare cross thresholds that have before been barriers.

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Prologue Analysis - The opening lines of the Prologue address the speed with which Romeo and Juliet have fallen in love, while poking fun at the way Romeo has abandoned his pursuit of Rosaline.The Prologue does little to enhance the story and is often omitted when the play is performed. Many critics feel that a different author added the Prologue at some point after the play was originally written. Nonetheless, this introductory material serves to distinguish between Romeo's cold, miserable, unrequited love for Rosaline and his true, intensely mutual love with Juliet.Unlike the first Prologue, this one speaks less of fate; rather, it helps to build suspense. "But passion lends them power, time means, to meet / Temp'ring extremities with extreme sweet." Romeo and Juliet forge onward in pursuit of their love — empowered to dare cross thresholds that have before been barriers.

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Romeo.
Alack, there lies more peril in thine eye
Than twenty of their swords. Look thou but sweet
And I am proof against their enmity.

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In Act 2 Scene 2, the famous balcony scene, Romeo and Juliet reveal their love to each other, and at Juliet's suggestion, they plan to marry.

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Modern prologue - Now Romeo’s old feelings of desire are dying, and a new                                desire is eager to take their place. Romeo groaned for the beautiful                                Rosaline and said he would die for her, but compared with tender                                Juliet, Rosaline doesn’t seem beautiful now. Now someone                                loves Romeo, and he’s in love again—both of                                them falling for each others' good looks. But he has to                                make his speeches of love to a woman who’s supposed to be                                his enemy. And she’s been hooked by someone she should                                fear. Because he’s an enemy, Romeo has no chance to see                                Juliet and say the things a lover normally says. And                                Juliet’s just as much in love as he, but she has even less                                opportunity to meet her lover. But love gives them power, and time                                gives them the chance to meet, sweetening the extreme danger with                                intense pleasure.

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Modern prologue - Now Romeo’s old feelings of desire are dying, and a new                                desire is eager to take their place. Romeo groaned for the beautiful                                Rosaline and said he would die for her, but compared with tender                                Juliet, Rosaline doesn’t seem beautiful now. Now someone                                loves Romeo, and he’s in love again—both of                                them falling for each others' good looks. But he has to                                make his speeches of love to a woman who’s supposed to be                                his enemy. And she’s been hooked by someone she should                                fear. Because he’s an enemy, Romeo has no chance to see                                Juliet and say the things a lover normally says. And                                Juliet’s just as much in love as he, but she has even less                                opportunity to meet her lover. But love gives them power, and time                                gives them the chance to meet, sweetening the extreme danger with                                intense pleasure.

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But soft, what light through yonder window breaks?
It is the east and Juliet is the sun!
Arise, fair sun, and kill the envious moon,

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Prologue - Now old desire doth in his deathbed lie,And young affection gapes to be his heir.That fair for which love groaned for and would dieWith tender Juliet matched, is now not fair.Now Romeo is beloved and loves again,Alike bewitchèd by the charm of looks,But to his foe supposed he must complain,And she steal love’s sweet bait from fearful hooks.Being held a foe, he may not have accessTo breathe such vows as lovers use to swear.And she as much in love, her means much lessTo meet her new beloved anywhere.But passion lends them power, time means, to meet,Tempering extremities with extreme sweet.

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Prologue - Now old desire doth in his deathbed lie,And young affection gapes to be his heir.That fair for which love groaned for and would dieWith tender Juliet matched, is now not fair.Now Romeo is beloved and loves again,Alike bewitchèd by the charm of looks,But to his foe supposed he must complain,And she steal love’s sweet bait from fearful hooks.Being held a foe, he may not have accessTo breathe such vows as lovers use to swear.And she as much in love, her means much lessTo meet her new beloved anywhere.But passion lends them power, time means, to meet,Tempering extremities with extreme sweet.

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-Mercutio constantly mocks everyone throughout the play. He mocks Romeo for loving love, and Tybalt for loving honour. He sees them both as fools, yet he likes Romeo and hates Tybalt.
-Tybalt is referred to as the "Prince of Cats"
Inside joke/humour between the characters - as he has feline qualities.
-Mercutio compares the Nurse to a prostitute jokingly - shows casual verbal abuse of lower classes/ nobles don't ever truly respect them.
="No hare sir, unless a hare, sir, in a Lenten pie" - that is, something stale and hoar ere it be spent."
-The Nurse threatens Romeo - should he mislead Juliet. (Foreboding, as later the Nurse suddenly dismisses Romeo, and sees Paris as a better match for Juliet.)
-"Now art thou sociable, now art thou Romeo" - Mercutio believes that Romeo is truly himself once more. After falling for Juliet, he has returned to his natural witty self. Juliet essentially cures him of his former heartbreak.
-Close bond is shown between the Nurse and Juliet. The Nurse acts tired before revealing the marriage to Juliet. She's happy for Juliet - which in turn shows that she doesn't care about the feud between the families. Shows that the lower classes don't essentially care about the nobles and their feud. But it also could show that they don't care about Romeo and Juliet's love either - as later on, the Nurse suddenly turns her back and Romeo and urges Juliet to marry Paris instead.

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Callum

Shakespeare uses foreshadowing a lot throughout Romeo and Juliet and it is used in act two Scene 6 where Romeo in his possible Naivety to the world and in his arrogance refuses to see in anyway how any moment with Juliet can ever turn out bad and that love will always prevail whereas the friar seems to be warning him that not everything is so clear cut and that something bad will happen in which it ultimately does with the deaths of Tybalt, Mercutio, Lady Montague, Romeo And Juliet

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Callum
In Scene 6 Friar Lawrence and Romeo are talking about bad things that could happen (Foreshadowing) when Juliet shows up and greets both Friar Lawrence and embraces Romeo. Romeo then asks Juliet how she imagines happiness in their marriage to be. to which she replies that she imagines more than she can say and that she has more than words on her mind. Friar Lawrence then wishes to wed them quickly and states that he does not think that he should leave them alone together

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http://nfs.sparknotes.com/romeojuliet/page_124.html

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Callum

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Callum

Whilst at first thought scene five may appear to be a completely irrelevant scene upon closer inspection. you realise that it is a bit more important than you may believe. It is the scene within which the nurse delivers the news of Romeo's proposal to Juliet. It is a scene where the nurse could of lied to Juliet and said that Romeo was not interested in her or that he did not wish to marry her but instead it seems that the Nurse realizes just how much Romeo loves Juliet and vice Versa and that her thoughts should not be allowed to get in the way of someone that she see's as her daughter happiness. I believe that this is also the turning point in the play where the nurse truly realizes how much Romeo and Juliet love each other and it is from this point forward that she vows to aid Romeo and Juliet in any way that she possibly can for the rest of the story

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Callum
https://www.google.co.uk/?gfe_rd=cr&ei=jzIJWOmONMnv8AeG-5XgBg&gws_rd=ssl#safe=off&q=define+consummate

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Callum

Juliet Eagerly awaits for the return of her nurse who bears news of Romeo due to Juliet sending her nurse Three hours before however upon her return. The Nurse seems reluctant to discuss with Juliet what exactly Romeo told her and creates issues to try and halt the telling of the news for motives which are certainly unclear although it may be her wondering whether she should tell Juliet the Truth or not due to Romeo being a Montague and Juliet being a Capulet but eventually Juliet's persistence wears down The Nurses barriers and she tells Juliet that Romeo awaits her at Friar Lawrence cell where she will be married to him. The Nurse leaves to wait with a friend of romeo's who carries a ladder which will allow Romeo entrance into Juliet's room so that they can  Consummate their marriage together

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Shakespeare uses light and dark imagery in this scene to describe the blossoming of Romeo and Juliet's romance. As Romeo stands in the shadows, he looks to the balcony and compares Juliet to the sun. He then asks the sun to rise and kill the envious moon. Romeo had always compared Rosaline to the moon, and now, his love for Juliet has outshone the moon. Thus, as Romeo steps from the moonlit darkness into the light from Juliet's balcony, he has left behind his melodramatic woes and moved toward a more genuine, mature understanding of love.

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The balcony scene in Romeo and Juliet is one of the most famous scenes in all of Shakespeare's plays. It follows the meeting of Romeo, a Montague, and Juliet, a Capulet, at a masquerade party in Juliet's home. Romeo and his friends sneak into the party, uninvited, and when Romeo sees Juliet, he is instantly smitten. After the party, Romeo ditches his friends, jumps over the Capulets' garden wall, and searches for Juliet. Romeo hides in the garden and soon observes Juliet walking onto the balcony outside her room. Romeo says, 'But, soft! What yonder light through window breaks? It is the east, and Juliet is the sun.' When Romeo sees Juliet, he feels hope; it is as if the sun is rising. This is important to note, as Romeo has just spent several weeks pining over an unrequited love, Rosaline. When he sees Juliet at the party, Rosaline is instantly forgotten. 

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The balcony scene in Romeo and Juliet is one of the most famous scenes in all of Shakespeare's plays. It follows the meeting of Romeo, a Montague, and Juliet, a Capulet, at a masquerade party in Juliet's home. Romeo and his friends sneak into the party, uninvited, and when Romeo sees Juliet, he is instantly smitten. After the party, Romeo ditches his friends, jumps over the Capulets' garden wall, and searches for Juliet. Romeo hides in the garden and soon observes Juliet walking onto the balcony outside her room. Romeo says, 'But, soft! What yonder light through window breaks? It is the east, and Juliet is the sun.' When Romeo sees Juliet, he feels hope; it is as if the sun is rising. This is important to note, as Romeo has just spent several weeks pining over an unrequited love, Rosaline. When he sees Juliet at the party, Rosaline is instantly forgotten. 

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http://nfs.sparknotes.com/romeojuliet/page_132.html

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Leaping da wall

Romeo hopes to see Juliet again after falling in love with her at first sight during the Capulet masquerade ball. He leaps the orchard wall when he hears Mercutio and Benvolio approaching. His friends are unaware that Romeo has met and fallen in love with Juliet. Mercutio beckons to Romeo by teasing him about Rosaline's seductive beauty. Romeo continues to hide, and Benvolio persuades Mercutio to leave the scene, knowing Romeo's love of solitude.

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Paris pullin

Paris, a relative of the prince, asks Capulet for his daughter Juliet's hand in marriage. Capulet is initially reluctant to give his consent because Juliet is so young. Finally, however, he agrees to the match if Paris can gain Juliet's consent.

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Rosaline

Romeo crashes the Capulet party to see Rosaline, but he ends up meeting someone else.

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Get lost mum!

Lady Capulet questions Juliet regarding her feelings about marriage and then informs Juliet of Paris' proposal. When her mother mentions that Paris will attend the feast that evening, Juliet reacts with dutiful reserve, whereas her nurse, recalling incidents from Juliet's childhood, volunteers a bawdier response.

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Love
tragedy
death
religion
family
light
dark

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JULIETIf they do see thee they will murder thee. | JULIETIf they see you, they’ll murder you.

| ROMEOAlack, there lies more peril in thine eyeThan twenty of their swords. Look thou but sweet,And I am proof against their enmity. | ROMEOAlas, one angry look from you would be worse than twenty of your relatives with swords. Just look at me kindly, and I’m invincible against their hatred.

| JULIETI would not for the world they saw thee here. | JULIETI’d give anything to keep them from seeing you here.

75

| ROMEOI have night’s cloak to hide me from their eyes,And but thou love me, let them find me here.My life were better ended by their hateThan death proroguèd, wanting of thy love. | ROMEOThe darkness will hide me from them. And if you don’t love me, let them find me here. I’d rather they killed me than have to live without your love.

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http://nfs.sparknotes.com/romeojuliet/page_82.html

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Titles and names are a strong theme throughout the whole play but especialy in this scene. 

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Titles and names are a strong theme throughout the whole play but especialy in this scene. 

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This scene talks about how it doesn't matter who the other is or what their name is.

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JULIET                                                 (not knowing ROMEO                                 hears her) Oh, Romeo, Romeo, why do                                you have to be Romeo? Forget about your father and change your name.                                Or else, if you won’t change your name, just swear you love                                me and I’ll stop being a Capulet.                                                                                                                                                                                                                                                                                 ROMEO                                                 (to himself) Should I listen for                                more, or should I speak now?.                                                                                                                                                                                                                                                                                                       JULIET                                                 (still not knowing ROMEO                                 hears her) It’s only your                                name that’s my enemy. You’d still be yourself even                                if you stopped being a Montague. What’s a Montague anyway?                                It isn’t a hand, a foot, an arm, a face, or any other part                                of a man. Oh, be some other name! What does a name mean? The thing                                we call a rose would smell just as sweet if we called it by any                                other name. Romeo would be just as perfect even if he                                wasn’t called Romeo. Romeo, lose your name. Trade in your                                name—which really has nothing to do with                                you—and take all of me in exchange.

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JULIET                                                 (not knowing ROMEO                                 hears her) Oh, Romeo, Romeo, why do                                you have to be Romeo? Forget about your father and change your name.                                Or else, if you won’t change your name, just swear you love                                me and I’ll stop being a Capulet.                                                                                                                                                                                                                                                                                 ROMEO                                                 (to himself) Should I listen for                                more, or should I speak now?.                                                                                                                                                                                                                                                                                                       JULIET                                                 (still not knowing ROMEO                                 hears her) It’s only your                                name that’s my enemy. You’d still be yourself even                                if you stopped being a Montague. What’s a Montague anyway?                                It isn’t a hand, a foot, an arm, a face, or any other part                                of a man. Oh, be some other name! What does a name mean? The thing                                we call a rose would smell just as sweet if we called it by any                                other name. Romeo would be just as perfect even if he                                wasn’t called Romeo. Romeo, lose your name. Trade in your                                name—which really has nothing to do with                                you—and take all of me in exchange.

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Juliet.

O Romeo, Romeo! wherefore art thou Romeo?

Deny thy father and refuse thy name;

Or, if thou wilt not, be but sworn my love,

And I'll no longer be a Capulet.

Romeo.
[Aside.] Shall I hear more, or shall I speak at this?

Juliet.

'Tis but thy name that is my enemy: (40)

Thou art thyself, though not a Montague.

What's Montague? It is nor hand, nor foot,

Nor arm, nor face, nor any other part

Belonging to a man. O, be some other name.

What's in a name? That which we call a rose

By any other name would smell as sweet;

So Romeo would, were he not Romeo call'd,

Retain that dear perfection which he owes

Without that title. Romeo, doff thy name,

And for that name, which is no part of thee, (50)

Take all myself.