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Sir Kenneth Charles Branagh (; born 10 December 1960) is a Northern Irish actor, director, producer, and screenwriter. Branagh trained at the Royal Academy of Dramatic Art in London; in 2015 he succeeded Richard Attenborough as its president. He has been nominated for five Academy Awards and five Golden Globe Awards; he has won three BAFTAs and two Emmy Awards. He was appointed a Knight Bachelor in the 2012 Birthday Honours and knighted on 9 November 2012. He was made a Freeman of his native city of Belfast in January 2018. In 2020, he was listed at number 20 on The Irish Times list of Ireland's greatest film actors.

Branagh has both directed and starred in several film adaptations of William Shakespeare's plays, including (1989), Much Ado About Nothing (1993), (1995), (1996), Love's Labour's Lost (2000), and As You Like It (2006). He was nominated for Academy Awards for Best Actor and Best Director for Henry V and for Best Adapted Screenplay for Hamlet.

He has also starred in the television series Fortunes of War (1987), Shackleton (2002), and (2008-2016) and in the films (1998), Wild Wild West (1999), The Road to El Dorado (2000), as SS leader Reinhard Heydrich in Conspiracy (2001), Harry Potter and the Chamber of Secrets (2002), Warm Springs (2005), as Major General Henning von Tresckow in (2008), The Boat That Rocked (2009), and as Sir Laurence Olivier in My Week with Marilyn (2011), (2017), and (2020). He won an International Emmy Award for Wallander and a Primetime Emmy Award for Conspiracy, and was nominated for the Academy Award for Best Supporting Actor for My Week with Marilyn.

Branagh directed and starred in the romantic thriller (1991), the horror film Mary Shelley's Frankenstein (1994), and the action thriller Jack Ryan: Shadow Recruit (2014). He directed and starred as Hercule Poirot in the mystery drama adaptations of Agatha Christie's Murder on the Orient Express (2017) and Death on the Nile (TBA). He also directed such films as (1992), which earned an Academy Award nomination for Best Live Action Short Film, The Magic Flute (2006), (2007), the Marvel superhero film (2011), and the live-action adaptation of Disney's Cinderella (2015),

He narrated numerous documentary series, including (1998), Walking with Dinosaurs (1999), The Ballad of Big Al (2001), Walking with Beasts (2001), Walking with Monsters (2005), and World War 1 in Colour (2005).

Branagh, the middle of three children, was born in Belfast, the son of working class Protestant parents Frances ( née Harper) and William Branagh, a plumber and joiner who ran a company that specialised in fitting partitions and suspended ceilings. He lived in the Tigers Bay area of the city and was educated at Grove Primary School.

At the age of nine, he moved with his family to Reading, Berkshire, England, to escape the Troubles. He was educated at Whiteknights Primary School and Meadway School, a local comprehensive in Tilehurst, where he appeared in school productions such as Toad of Toad Hall and Oh, What a Lovely War!. At school, he acquired Received Pronunciation to avoid bullying. On his identity today he has said, "I feel Irish. I don't think you can take Belfast out of the boy", and he attributes his "love of words" to his Irish heritage.

He attended the amateur Reading Cine & Video Society (now called Reading Film & Video Makers) as a member and was a keen member of Progress Theatre of which he is now the patron. After disappointing A-level results in English, History and Sociology, Branagh went on to train at the Royal Academy of Dramatic Art in London. In 1980, the Principal of RADA, Hugh Cruttwell, asked Branagh to perform a soliloquy from for Queen Elizabeth II, during one of her visits to the academy.

Branagh achieved some early measure of success in his native Northern Ireland for his role as Billy, the title character in the BBC's Play for Today trilogy known as the Billy Plays (1982-84), written by Graham Reid and set in Belfast.

He received acclaim in the UK for his stage performances, first winning the 1982 SWET Award for Best Newcomer, for his role as Judd in Julian Mitchell's Another Country, after leaving RADA. Branagh was part of the 'new wave' of actors to emerge from the Academy. Others included Jonathan Pryce, Juliet Stevenson, Alan Rickman, Anton Lesser, Bruce Payne and Fiona Shaw. In 1984, he appeared in the Royal Shakespeare Company production of , directed by Adrian Noble. The production played to sold-out audiences, especially at the Barbican in the City of London. It was this production that he adapted for the film version of the play in 1989. He and David Parfitt founded the Renaissance Theatre Company in 1987, following success with several productions on the London 'Fringe', including Branagh's full-scale production of Romeo and Juliet at the Lyric Studio, co-starring with Samantha Bond. The first major Renaissance production was Branagh's Christmas 1987 staging of Twelfth Night at Riverside Studios in Hammersmith, starring Richard Briers as Malvolio and Frances Barber as Viola, and with an original score by actor, musician and composer Patrick Doyle, who two years later was to compose the music for Branagh's film adaptation of . This Twelfth Night was later adapted for television.

Branagh became a major presence in the media and on the British stage when Renaissance collaborated with Birmingham Rep for a 1988 touring season of three Shakespeare plays under the umbrella title of Renaissance Shakespeare on the Road, which also played a repertory season at the Phoenix Theatre in London. It featured directorial debuts for Judi Dench with Much Ado About Nothing (starring Branagh and Samantha Bond as Benedick and Beatrice), Geraldine McEwan with As You Like It, and Derek Jacobi directing Branagh in the title role in , with Sophie Thompson as Ophelia. Critic Milton Shulman of the London Evening Standard wrote: "On the positive side Branagh has the vitality of Olivier, the passion of Gielgud, the assurance of Guinness, to mention but three famous actors who have essayed the role. On the negative side, he has not got the magnetism of Olivier, nor the mellifluous voice quality of Gielgud nor the intelligence of Guinness."

A year later in 1989, Branagh co-starred with Emma Thompson in the Renaissance revival of Look Back in Anger. Judi Dench directed both the theatre and television productions, presented first in Belfast then at the London Coliseum and Lyric Theatre.

In 1990, he wrote his autobiography Beginning, recounting his life and acting career up to that point. In the book's introduction, he admits that the main reason for producing the book was "money" -- "The deal was made, and a handsome advance was paid out. The advance provided the funds to buy accommodation for the Company's offices, this moving Renaissance out of my flat and bringing me a little closer to sanity."

In 2002, Branagh starred at the Crucible Theatre, Sheffield as Richard III. In 2003, he starred in the Royal National Theatre's production of David Mamet's . Branagh directed The Play What I Wrote in England in 2001 and directed a Broadway production in 2003. From September to November 2008, Branagh appeared at Wyndham's Theatre as the title character in the Donmar West End revival of Anton Chekhov's in a new version by Tom Stoppard. His performance was lauded as the "performance of the year" by several critics. It won him the Critics' Circle Theatre Award for Best Male Performance but did not get him a Laurence Olivier Award nomination, to the surprise of critics.

In July 2013, he co-directed at Manchester International Festival with Rob Ashford. With Branagh in the title role, Alex Kingston played Lady Macbeth and Ray Fearon featured as Macduff. The final performance of the completely sold-out run, was broadcast to cinemas on 20 July as part of National Theatre Live. He repeated his performance and directorial duties opposite Ashford and Kingston when the production moved to New York City's Park Avenue Armory in June 2014. The production marked his Broadway stage debut.

In April 2015, Branagh announced his formation of the Kenneth Branagh Theatre Company, in which he would appear as actor-manager. With the company, he announced he would present a season of five shows at London's Garrick Theatre from October 2015 - November 2016. The shows were The Winter's Tale, a double bill of Harlequinade and All On Her Own, , The Painkiller, Romeo and Juliet and The Entertainer. Branagh directed all but The Entertainer, in which he starred. Branagh also starred in The Winter's Tale, Harlequinade and The Painkiller. Kenneth Branagh Theatre Company also includes Judi Dench ( The Winter's Tale), Zoë Wanamaker ( Harlequinade/All On Her Own), Derek Jacobi, Lily James and Richard Madden ( Romeo and Juliet) and Rob Brydon ( The Painkiller). In September 2015, it was announced that The Winter's Tale, Romeo and Juliet, and The Entertainer would be broadcast in cinemas, in partnership with Picturehouse Entertainment.

Branagh is known for his film adaptations of William Shakespeare, beginning with (1989), followed by Much Ado About Nothing (1993), (1996), Love's Labour's Lost (2000) and As You Like It (2006). As You Like It premiered in theatres in Europe, but premiered on television in the U.S., where it aired on HBO in August 2007.

Notable non-Shakespeare films in which Branagh has appeared include (1991) and Mary Shelley's Frankenstein (1994), both of which he also directed, Wild Wild West (1999), provided the voice of Miguel, a con artist in the DreamWorks Animation film The Road to El Dorado (2000), Rabbit-Proof Fence (2002) and as Major General Henning von Tresckow in (2008). He starred as Gilderoy Lockhart in Harry Potter and the Chamber of Secrets (2002). He also played the Minister, Dormandy (a parody of PMG Tony Benn), in the film The Boat That Rocked (2009).

Although he had a notable uncredited role as SS-Sturmbannführer Knopp in director Thomas Carter's 1993 film , between 1989 and 1996 Branagh mostly directed his own films, including Peter's Friends, with a cast including former student friends Emma Thompson, Hugh Laurie, Tony Slattery and Stephen Fry, as well as Imelda Staunton and Rita Rudner; but the commercial and critical failure of Love's Labour's Lost ended his directorial career for a time. In 2006, the same year that Branagh's film version of As You Like It was released, he also directed a film version of Mozart's opera The Magic Flute. Branagh has also directed the thriller (2007), a remake of the 1972 film. At a film promotion for Valkyrie in 2008, Branagh confirmed that he would be directing , a film based on the Marvel superhero. Thor, Branagh's return to big-budget directing, was released on 6 May 2011. In 2011, Branagh portrayed Laurence Olivier in My Week with Marilyn, which nabbed him a Best Supporting Actor nomination at the 84th Academy Awards. Branagh directed Disney's live-action adaptation of Cinderella (2015). Branagh played a Royal Navy Commander in Christopher Nolan's 2017 action-thriller , based on the British military evacuation of the French city of Dunkirk in 1940 during World War II.

Branagh directed and starred in a film adaptation of Agatha Christie's detective novel Murder on the Orient Express (2017) as Hercule Poirot. Production began in London in November 2016. Like Branagh's Hamlet in 1996, it is among the very few to use 65mm film cameras since 1970. In 2018, he directed the film , in which he starred as William Shakespeare. Branagh also directed the fantasy adventure film Artemis Fowl, which was released on Disney+ in June 2020.

In May 2019, Branagh was cast in Christopher Nolan's . He is also due to reprise his role as Hercule Poirot in October 2020 in Death on the Nile, a sequel to Murder on the Orient Express.

Branagh has frequently reused actors, including Brian Blessed, Judi Dench, Robin Williams, Derek Jacobi, Nonso Anozie, Nicholas Farrell, Richard Briers, Stellan Skarsgård, Helena Bonham Carter, John Gielgud, Josh Gad, Ian Holm, and Emma Thompson. He also works frequently with composer Patrick Doyle.

Branagh has been involved in several made-for-TV films. Among his most acclaimed portrayals is that of US President Franklin D. Roosevelt in the film Warm Springs (2005), for which he received an Emmy Award nomination. The film received 16 Emmy nominations, winning five (including Outstanding Made for Television Movie); Branagh did not win the award for his portrayal. He received an Emmy for his portrayal of SS leader Reinhard Heydrich in the TV film Conspiracy (2001), a depiction of the Wannsee Conference, where Nazi officials decided on the Final Solution. In 2002, Branagh starred in the two-part television movie Shackleton, a dramatisation of the 1914 Imperial Trans-Antarctic Expedition's battle for survival, for which he was nominated for a BAFTA award and an Emmy. In 1998, he narrated the 24-episode documentary series Cold War. Branagh also narrated the BBC documentaries Walking with Dinosaurs, World War I in Colour, Walking with Beasts and Walking with Monsters, and the BBC miniseries Great Composers.

Branagh is the star of the English-language television series, adaptations of Henning Mankell's best-selling crime novels. Branagh plays the eponymous Inspector Kurt Wallander and also serves as the executive producer of the series. The first series of three episodes was broadcast on BBC One in November and December 2008. Branagh won the award for best actor at the 35th Broadcasting Press Guild Television and Radio Awards (2009). It was his first major television award win in the UK. He received his first BAFTA TV on 26 April 2009 for the British Academy Television Award for Best Drama Series. For his performance in the episode One Step Behind, he was nominated in the Outstanding Actor, Miniseries or Movie category of the 61st Primetime Emmy Awards. The role also gained him a nomination for Best Actor at the 2009 Crime Thriller Awards. The second Wallander series of three episodes aired initially in January 2010 on the BBC, and the third season aired in July 2012. The fourth and final series was shot from October 2014 to January 2015 and premiered on German TV, dubbed into German, in December 2015; it aired in the UK, with its original English soundtrack, in May and June 2016.

Branagh has played the title role in BBC radio broadcasts of Hamlet and Cyrano de Bergerac, and the role of Edmund in King Lear.

Branagh has narrated several audiobooks, such as The Magician's Nephew by C. S. Lewis and Heart of Darkness by Joseph Conrad.

Branagh participated in the 2012 Summer Olympics opening ceremony portraying Isambard Kingdom Brunel during the Industrial Revolution segment "Pandemonium" where he performed one of Caliban's speeches from Shakespeare's The Tempest.

From 1989 to 1995, Branagh was married to actress Emma Thompson. They appeared together in Fortunes of War, Look Back in Anger, Henry V, Much Ado About Nothing, , and Peter's Friends. More recently, they both appeared in The Boat That Rocked, though with no shared scenes. During their marriage, and while directing and co-starring with Helena Bonham Carter in Mary Shelley's Frankenstein, he began an affair with Bonham Carter. After Thompson divorced him, he and Bonham Carter were in a well-publicised relationship until 1999. In 2003, he married film art director Lindsay Brunnock, whom he met during the shooting of Shackleton.

Branagh has said he became "much more religious" after listening to Sir Laurence Olivier's dramatic reading of the Bible every morning, in preparation for his role as Olivier in My Week With Marilyn.

He is a fan of English football club Tottenham Hotspur, the Northern Irish football club Linfield, and Scottish football club Rangers.

Branagh has been nominated for five Academy Awards, the first man to be nominated for five different categories. His first two nominations were for (one each for directing and acting). He also received similar BAFTA Award nominations for his film work, winning one for his direction. His first BAFTA TV award came in April 2009, for Best Drama Series ( Wallander). Branagh's two other Academy Award nominations were for the 1992 film short subject Swan Song and for his work on the screenplay of Hamlet in 1996. His most recent is for his portrayal of Lord Laurence Olivier in My Week With Marilyn in 2012.

He is Honorary President of NICVA (the Northern Ireland Council for Voluntary Action). He received an honorary Doctorate in Literature from Queen's University of Belfast in 1990. He is also a patron for the charity Over The Wall.

Branagh was the youngest actor to receive the Golden Quill (also known as the Gielgud Award) in 2000. In 2001, he was appointed an honorary Doctor of Literature at the Shakespeare Institute of The University of Birmingham; the Shakespeare Institute Library keeps the archive of his Renaissance Theatre Company and Renaissance Films.

On 10 July 2009, Branagh was presented with the Lifetime Achievement Award at the RomaFictionFest.

He was appointed a Knight Bachelor in the 2012 Birthday Honours for services to drama and to the community in Northern Ireland. He received the accolade at Buckingham Palace on 9 November 2012; afterwards, Branagh told a BBC reporter that he was "humble, elated, and incredibly lucky" to be knighted.

In October 2015, it was announced that Branagh would be the new President of the Royal Academy of Dramatic Art (RADA), succeeding the late Lord Attenborough. As the President of RADA and one of the highest profile actors and filmmakers in contemporary British popular culture, Branagh appeared on Debrett's 2017 list of the most influential people in the UK.

In October 2017, it was announced that Branagh would be conferred with the Freedom of the City of Belfast. The honour was officially conferred on him by the Lord Mayor of Belfast, Councillor Nuala McAllister, at a ceremony in the Ulster Hall, Belfast, on 30 January 2018.

Branagh frequently collaborates with certain actors on multiple films, most notably Brian Blessed, the late Richard Briers, Patrick Doyle, Derek Jacobi, Emma Thompson, and Jimmy Yuill.

¹Although Doyle has composed music for many of Branagh's films, he is listed in the above table for his appearances as an actor.
² Although Yuill has composed music for many of Branagh's films, he is listed in the above table for his appearances as an actor.

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Sir Kenneth Charles Branagh (; born 10 December 1960) is a Northern Irish actor, director, producer, and screenwriter. Branagh trained at the Royal Academy of Dramatic Art in London; in 2015 he succeeded Richard Attenborough as its president. He has been nominated for five Academy Awards and five Golden Globe Awards; he has won three BAFTAs and two Emmy Awards.

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the famous soliloquy in Hamlet

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To be or not to be - Kenneth Branagh  HD  (HAMLET)

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On the eve of the Battle, Henry's speech to his fellow soldiers

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Henry V - Speech - Eve of Saint Crispin's Day - HD

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Love Labour's lost ...a musical

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la première rencontre Emma Thompson et Kenneth Branagh dans cette délicieuse scène

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Henry V (1989)- Kenneth Branagh-Emma Thompson

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"All Is True"... Branagh becomes Shakespeare in 2019

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ALL IS TRUE Trailer (2018) Kenneth Branagh Shakespeare Movie

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Branagh's projects in 2020

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Kenneth Branagh Wants to Make an Animated Shakespeare Movie

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Camera Angles

Camera Shot Angle Overview

It's not enough to just understand shot size. Camera angles, and degree of those angles, can totally change the meaning of a shot. As you prepare your shot list, it helps to remember all the options. We're going to build a shot list using StudioBinder to highlight the various camera angles. Here's a quick video on how a shot list is created.

Here is a shot list with the different types of camera shot angles. We used some of the most iconic camera angles from films like , Do the Right Thing, and Pulp Fiction as a sort of cheatsheet. Can you guess what movies are represented here? Follow the image link to see the fully populated shot list, which you can also download and use for reference.

Now that's we've reviewed all the different types of camera angles in film, let's take a closer look at them one at a time.

Eye Level Shot Example

Eye Level Shot

Our first camera angle is the eye level shot, and this is when your subject is at eye-level. An eye level shot can result in a neutral perspective (not superior or inferior). This mimics how we see people in real life - our eye line connecting with theirs, and it can break down boundaries.

Here's an example of the eye level camera angle:

Eye Level Shot Example * Game of Thrones

Eye level shots are actually much less standard than one might initially think, because directors often prefer to place the camera at shoulder level to attain a much more cinematic look.

Low Angle SHOT Example

Low Angle Shot

A low angle shot shot frames the subject from below a their eyeline. These camera shots most often emphasize power dynamics between characters - a low angle shot on one character is often paired with a high angle shot on the other character.

Here's an example of the low angle camera angle:

Low Angle Shot * The Matrix

Low angle camera shots are a perfect camera angle for signaling superiority or to elicit feelings of fear and dread. Here's a video that dives deeper into the various low angle shot examples and how they have been used by filmmakers like Wes Anderson, Orson Welles, and Spike Jonze.

In your next shot list, when you've got a character who is powerful (or at least feeling powerful), consider the low angle shot. It will bring that extra bit of meaning to your shot.

High Angle Shot Example

High Angle Shot

In a high angle shot, the camera points down at your subject. It usually creates a feeling of inferiority, or "looking down" on your subject. But, again, with every other camera angle, there are many applications.

Here's an example of the high angle camera angle:

High Angle Shot Example * Avengers

Here is our video on how you can use high angle shots in your film. But, as the video below shows, there are the standard and more creative expressions of the high angle shot.

The high angle shot is a versatile shot that can be used in many situations. The most common usage is to make a character seem vulnerable and powerless but there are always exceptions to the rule.

Hip Level Shot Example

The Cowboy Shot or Hip Level Shot

A Cowboy shot is when your camera is roughly waist-high. Hip level shots are often useful when one subject is seated while the other stands.

Hip level shots can also be extremely useful camera angles for when you have action that occurs near the hip, like weapons being drawn, or someone reaching into their pocket. That's why it's also known as a "cowboy shot" - we can't think of hip level shots without seeing a gun, holster, and the enemy ahead in the distance.

Here's an example of the hip level camera angle:

Hip Level Shot Example * Punch-Drunk Love

The further away you get from the subject, like in this moment from Punch-Drunk Love, to keep the subject framed with proper head room, a hip level shot will get the job done.

Knee Level Shot Example

Knee Level Shot

This is when your camera height is about as low as your subject's knees. They can emphasize a character's superiority if paired with a low angle. It's not as extreme as a ground level shot but it gets the same feeling across. These are ideal when you want to focus on characters walking, or in this case from , creeping.

Here's an example of the knee level camera angle:

Knee Level Shot * Home Alone

Ground Level Shot Example

Ground Level Shot

A ground level shot is when your camera's height is on ground level with your subject. This camera angle is used a lot to feature a character walking without revealing their face, but it can help to make the viewer more active and use the actor's performance to build an idea.

Here's an example of the ground level camera angle:

Ground Level Shot Example * Burn After Reading

Shoulder Level Shot Example

Shoulder Level Shot

A shoulder level shot is a camera angle that is as high as your subject's shoulders. Shoulder level shots are actually much more standard than an eye level shot, which can make your actor seem shorter than reality.

Here's an example of the shoulder level camera angle:

Shoulder Level Shot * Black Panther

Because the camera is aligned with the shoulder, it allows the actor's head to reach the top of the frame (reducing head room). It also places the actor's eye-line slightly above the camera, and, in turn, the illusion of a slightly lower angle.

Dutch Angle Example

Dutch Angle or Dutch Tilt Shot

For a Dutch angle (Dutch tilt), the camera is slanted to one side. With the horizon lines tilted in this way, you can create a sense of disorientation, a de-stabilized mental state, or increase the tension.

Here's an example of the Dutch angle camera angle:

Dutch Angle Camera Angle * StudioBinder

Here's a video example of the Dutch angle camera angle focusing on the precise moment to use one. Watch as the scene begins with "level" and "normal" shots before switching to Dutch angles for maximum impact.

Think of the Dutch angle as "emphasis" for any tense or subjective moment. It's a great way to amplify whatever emotion, mental state, or suspense you're bringing to the scene.

Overhead Shot Example

Overhead Shot or Bird's Eye View

An overhead shot is from above, looking down on your subject. These are typically shot from 90 degrees above - anything less might be considered a high angle shot instead.

An overhead shot doesn't need to be super high, but it can be. Here's an example of the overhead shot camera angle:

Overhead Shot Camera Angle * StudioBinder

Overhead shots are great for providing perspective on a scene - but not just any perspective. It's often used as either a "neutral" or sometimes "divine" point of view.

Aerial Shot Example

Aerial Shot

An aerial shot, whether taken from a helicopter or drone, is captured from way up high. It establishes a large expanse of scenery. Many of the helicopter shots in Black Hawk Down are aerial shots.

Here's an example of the aerial shot camera angle:

Aerial Shot Example * Black Hawk Down

Affordable drones have made aerial photography more accessible to filmmakers. Once considered a big-budget luxury or stock-footage mainstay, original aerial photography is now within reach of almost any production, all thanks to the "rise" of drones (and Sky-net).

UP NEXT

The Complete Guide to Camera Shots

Camera angles are very important in visual storytelling but they are just the beginning of the options available. When you find yourself prepping a shot list, remember shot size, framing, focus, and camera movement. When filmmakers can combine these elements into a single shot for the right reasons, that's when iconic moments in film are born. If you'd like to see our entire list of camera shots in film, make sure to continue onto the next post.

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Watch: Every Camera Angle Explained [Video Essay]

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A complete list of the different types of camera angles in film. We also provide you with camera shot angle examples and a shot list for download.

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Blow Up, l'actualité du cinéma (ou presque) - ARTE

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Les Mouvements de caméra au cinéma - Blow up - ARTE

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15 Essential Camera Shots, Angles and Movements in Filmmaking

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Branagh's allusion to the Monty Python's scene on horseback

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Branagh's allusion to the Monty Python's scene on horseback

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Branagh and the 400th anniversary of Shkp's death

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Branagh and the 400th anniversary of Shkp's death

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his tribute to Shkp

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Kenneth Branagh Interview - BFI Shakespeare On Film

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Branagh's projects in 2020

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Kenneth Branagh Wants to Make an Animated Shakespeare Movie

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Why MAAN and 'Expression de soi, initiation et apprentissage'? 

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Why MAAN and 'Expression de soi, initiation et apprentissage'? 

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Norman Rockwell - Girl with the black eye

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Norman Rockwell - Girl with the black eye

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Gender and Education > Initiation et apprentissage

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countryside romance

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A Midsummer Night's Dream (1999) Trailer

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King Lear in Medieval Japan

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RAN - Official Trailer - Directed by Akira Kurosawa

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A Fascist transposition

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Richard III - Ian McKellen - Original Trailer  by Film&Clips

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Japanese medieval Macbeth

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Le Château de l'araignée ( bande annonce VOST )

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Hollywood romance, funny trailer

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French actress Marion Cotillard as Lady MacBeth in a bloddy warfare

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MACBETH Bande Annonce (Marion Cotillard - Michael Fassbender - 2015)

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series adaptation of Henry V

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The King - Timothée Chalamet, Robert Pattinson | Final Trailer | Netflix Film

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A 20th revisiting of the romantic tragedy in gang warfare L.A

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In India...

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How Shakespeare has inspired Indian cinema

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Top 5 Shakespeare's Novels Inspired Bollywood Movies [Bollywood Cafe]

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Top 10 Best Shakespeare Movies Subscribe: http://www.youtube.com/c/MsMojo?sub_confirmation=1 For this list, we're looking at the best film adaptations of Shakespeare's works, basing our picks on popularity and critical acclaim! We've included movies such as Romeo and Juliet, Much Ado About Nothing, Macbeth, Julius Caesar, Coriolanus, Julius Caesar, Titus, Hamlet and Richard III!

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Après lecture de la page wikipedia

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Take the Quiz: Kenneth Branagh. I know I am not the only fan of this great British actor. I was surprised to find there were no quizzes about him here, so I made my own. Hope you enjoy it!

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British Council

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Kenneth Branagh  / Shakespeare on Film / Oscars 1997

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David Hockney, Self Portrait with Charlie

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David Hockney, Self Portrait with Charlie

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William Hogarth, self portrait with Pug-dog

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William Hogarth, self portrait with Pug-dog

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Little Women (1994) Trailer #1 | Movieclips Classic Trailers

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The Breakfast Club (1985) - Modern Trailer

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The Wizard of Oz (1939) Original Trailer - Judy Garland Movie

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The Karate Kid (1984) Trailer #1 | Movieclips Classic Trailers

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The Truman Show (1998) Trailer #1 | Movieclips Classic Trailers

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La Fureur de Vivre - Bande Annonce Officielle (VOST) - James Dean

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COME AS YOU ARE Bande Annonce (2018) Chloë Grace Moretz, Romance

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Captain Fantastic Official Trailer 1 (2016) - Viggo Mortensen, Frank Langella Movie HD

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Into the Wild (2007) Trailer #1 | Movieclips Classic Trailers

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Un lien utile, interactif avec des conseils et des vidéos

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Un lien utile, interactif avec des conseils et des vidéos

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3 -QUels critères seront évalués?

4 - comment s'y préparer ?

1 - C'est quoi le grand oral ?

2 - Comment cela se déroule le jour j ?

5 - Un challenge À votre PORTÉE?

Cécile Ragot - Formatrice académique - Référent Oral - cecile.ragot@ac-versailles.fr

C'est quoi le grand oral ?

Wac

le but

lE JURY

L'essentiel

le contenu

Epreuve qui fait partie des 5 épreuves finales du bacNote sur 20Coefficient 1020 min de préparation20 min d'oral

Vous serez face à2 professeurs :- un professeur de l'une de vos spécialités- un professeur de l'autre spécialité,un professeur du tronc commun ou un professeur documentaliste

Le jury va évaluer si vous êtes capable :- d'utiliser vos connaissances pour créer un argumentaire avec un esprit critique- d'avoir un propos clair et une expression précise- de vous engager physiquement et dans votre parole pour les convaincre- de montrer que ces questions et vos connaissances sont essentielles pour votre projet de parcours d'études ou projet professionnel.

Vous présenterez 2 questionsque vous aurez travaillées pendant l'année (avec vos professeurs et même des camarades).Ces questions devront porter sur une partie des programmes de vos 2 spécialités (prises isolément ou non)- NB : en voie générale, vous pouvez même ajouter des éléments issus des autres matières-ATTENTION, le jour de l'oral, le jury ne choisira qu'une seule des 2 questions

Comment cela se passera-t-il le jour J ?

2 - Préparation

1 - choix du jury

5- troisième partie de l'oral

4 - deuxième partie de l'oral

3 - première partie de l'oral

Au début de l'épreuve, vous présentez au jury, les 2 questions (avec le cachet de l'établissement). Le Jury en choisit une des 2.ATTENTION : Les membres du jury n'ont pas connaissance, en amont, de vos questions. Ils les découvrent au début de l'épreuve seulement.

Vous avez ensuite 20 minutes de préparation pour mettre en ordre vos idées et créer un support (une carte, un graphique, un schéma, une carte mentale, un calcul...) à donner au jury.Rassurez-vous, ce support n'est pas évalué et n'est pas obligatoire.TRES IMPORTANT :Votre oral se fait sans note, vous ne pourrez pas lire ce que vous avez écrit

Vous présentez la question (5 minutes)VOUS ETES DEBOUT, SANS NOTEL'épreuve orale commence.Vous devez :- Expliquerpourquoi vous avez choisi de préparer cette question- Vous répondez à la question avec une argumentation rigoureuse mais accessible à des non spécialistesLe jury évalue votre argumentation et vos qualités oratoires.

Vous échangez avec le jury (10 minutes)VOUS POUVEZ CHOISIR DE RESTER DEBOUT OU DE VOUS ASSOIRVous pouvez exploiter votre support - écrire au tableauPar la suite, le jury vous interroge sur votre question :=> pour avoir plus de précisions=> pour vous demander d'approfondir votre pensée.Ce temps d'échange permet surtout de mettre en valeur :- vosconnaissances liées au programme des spécialités suivies en première et terminale,- vos capacités d'écoute, de reformulation -votreesprit critique.

Vous échangez avec le jury sur votre projet d'orientation (5 minutes)VOUS POUVEZ CHOISIR DE RESTER DEBOUT OU DE VOUS ASSOIR- Vous pouvez expliquer en quoi la question traitée est utile pour votre projet d'orientation (études ou professionnel). ATTENTION, vous n'êtes pas pénalisé si votre question n'a pas de lien avec avec projet d'orientation.- Vous parlez desdifférentes étapes qui vous ont permis d'avancer dans votre projet (rencontres, engagements, stages, mobilité internationale, intérêt pour les enseignements communs, choix des spécialités, etc.) et de ce que vous en ferez après le bac.Le jury fait attention ici à votre manière d'exprimer une réflexion personnelle et à vos motivations. Il peut vous interrompre et vous poser des questions.À noter : pour la voie générale, si votre question concerne la spécialité " Langues, littératures et cultures étrangères et régionales ", vous pouvez passer les deux premiers temps du Grand oral en langue vivante.

Mais, c'est quoi un bon "oral" ?

Identifiez, chez les orateurs de la vidéo, les différents points qui les rendent convaincants.Dans la vidéo, le son est parfois coupé afin de mieux observer la gestuelle.

Vous pouvez compléter ce tableau afin d'organiser les différents critères

Cécile Ragot - Formatrice académique - Référent Oral - cecile.ragot@ac-versailles.fr - inspiré du travail de Simon Tournerie

Les critères de l'évaluation

Connaissances

Cécile Ragot - Formatrice académique - Référent Oral - cecile.ragot@ac-versailles.fr - inspiré du travail de Simon Tournerie

Connaissances

Argumentation

Les critères de l'évaluation

Cécile Ragot - Formatrice académique - Référent Oral - cecile.ragot@ac-versailles.fr - inspiré du travail de Simon Tournerie

Connaissances

Argumentation

Lien avec l'auditoireOral élaboré

Les critères de l'évaluation

Cécile Ragot - Formatrice académique - Référent Oral - cecile.ragot@ac-versailles.fr - inspiré du travail de Simon Tournerie

Connaissances

Argumentation

Lien avec l'auditoireOral élaboré

Lien avec l'auditoireOral Spontané

Les critères de l'évaluation

Cécile Ragot - Formatrice académique - Référent Oral - cecile.ragot@ac-versailles.fr - inspiré du travail de Simon Tournerie

Connaissances

Argumentation

Le corps et la voix

Lien avec l'auditoireOral élaboré

Lien avec l'auditoireOral Spontané

Les critères de l'évaluation

Un exemple de grille à compléter avec les élèves

Une proposition de grille

Comment s'y préparer ?

1 - trouver un sujet

2 - DU sujet à laQUESTION

3 - Faire les recherches

4 - organiser / structurer

6- Se préparer aux questions du jury

5- s'entraîner encore et encore

Comment s'y préparer ?

1 - trouver un sujet

2 - DU sujet à laQUESTION

3 - Faire les recherches

4 - organiser / structurer

5- s'entraîner encore et encore

6- Se préparer aux questions du jury

Construire un retroplanning

Comment les relier à des notionsdesprogrammes demesspécialités ?

03

Quels sont mes projets post bac ou mon projet professionnel ?

01

02

Quels sont mes centres d'intérêts ?

Etape 1 : Trouver un sujet

Surtout ne vous limitez pas, cela peut être la musique, le sport , le cinéma ...

Je peux feuilleter les manuels scolaires de mes spécialités (niveaux première et terminale)Je peux consulter mes enseignants si j'ai trop de difficultés à trouver des élémentsPlusieurs possibilités pour les spécialités A et B

01

C'est à vous de formuler la question à laquelle votre exposé devra répondre.

04

EXERCEZ-VOUS à en parler à vos proches, vos camarades....

02

Votre questiondevra annoncer à la fois ce dont vous allez parler et ce que vous allez chercher à démontrer.

03

Ne vous inquiétez pas si au debut vous avez du mal à cerner votre question. Elle évoluera tout au long de votre travail de recherche.

En cette période de changement climatique, l'économie d'énergieest de mise.Des solutions novatricesPERMETTENT DE RÉDUIRE ce besoin en en énergie.Ainsi, grâce à mes connaissancesacquises en SVT et PC, je vais pouvoir vous expliquercomment ...Le travail de recherche autourde cette problématique devrait m'apporter des cles pourmon projet ...

Etape 2 : Du sujet à la question

ATTENTION, elle doit être explicite et claire et doit permettre démontrer que vous vous êtes appropriés des connaissances de vos spécialités

Expliquez-leurs quel est votre projet, les quelques idées importantes que vous souhaitez défendre et pourquoi vous avez choisi ce sujet.Plus vous vous serez impliqué dans ce sujet, mieux vous réussirez à le résumer et à le partager

Votre réponse ne sera pas OUI ou NONMais plutôt où vos recherches vous ont menées.

Penser à téléphoner au chercheur pour lui poser les questionsRegarder l'émission sur arteConférence à l'amphithéâtre de CuvierPernser à regarder la conférence en ligne

Penser à poser les questions à la prof de physique !Lire l'article de la revue scientifiqueécouter l'émission radio

Etape 3 : Les reherches

Je consulte des sites internet fiables

Je prends des notes :- lorsque j'assiste à une conférence- lorsque je me rends dans un musée- lorsque je trouve les coordonnées d'un chercheur travaillant sur mon sujet- lorsque je regarde une émission- pour résumer un article- ...

J'emprunte des livres ou des revues au CDI ou à la médiathèque

J'appelle des chercheurs spécialisés dans mon sujet.Je dois bien préparer mes questions en amont!

Je tiens un carnet de bord

Je lis des articles

01

Vous faites une introduction :- entrée en matière- annonce du sujet- fil directeur

04

03

02

05

Vous devez parler des limites de votre sujet, faire preuve d'esprit critique.

Vous développez les arguments qui permettent de répondre à la problématique

Vous concluez . Vous devez remémorer à l'auditoire les points clés de votre argumentation.

Vous expliquez comment vous avez travaillé, vous pouvez citer des anecdotes

Etape 4 : Organiser - structurer - rédiger

Vos premières paroles, votre assurance, votre regard vont créer le climat.L'auditoire se fixe souvent sur sa première impression.

Donner un exemple précis avec le vocabulaire adaptéSi votre sujet est scientifique, votre argumentation doit être du type :Les résultats (décris dans telle revue ou observés en classe lors de TP) et les connaissances suivantes permettent de conclure ....

C'est la partie la plus délicate!Vous devez être capable dedétruire à l'avance toutes les objections que vous pouvez prévoir

Lors de la conclusion, vous pouvez appeler aux sentiments de l'auditoire... comme une plaidoirie.

Exemples de fils directeurs:(inspiré des travaux de Cyril Delhay)- "hier, aujourd'hui demain"- "storytelling" un protagoniste qui a un objectif à atteindre et des obstacles à surmonter pour l'atteindre- "du plus petit au plus grand"- "rapport d'étonnement" : on part d'un a priori favorable et petit à petit on s'étonne des différents contre-arguments- "débat" ou "procès"- "nous, vous, ils " : par exemple , nous les élèves, vous les citoyens, ils les politiques... nous les patients, vous les médecins, ils les chercheurs ...

Il faut faire votre présentation à des personnes différentes :- vos proches- vos amis- vos camarades de classe ...N'hésitez pas à adapter votre présentation en fonction de la réaction de chacun et du niveau de compréhension. N'oubliez pas que votre présentation doit être comprise par des non spécialistes .C'est l'occasion de commencer à préparer le support pour le jury. Ce support peut êtreun élément de précision permettant une meilleure compréhension pour le non spécialiste,une vision globale sous forme de schéma fonctionnel, une carte mentale, une frise, votre fil directeur ... (ce support n'est pas obligatoire)Grâce à cela, vous maîtriserez de mieux en mieux votresujet et vous le ferez évoluer jusqu'à ce qu'il ne resteque" la substantifique moelle "

Etape 5 : L'entrainement

Vous devez vous entraîner afin que cela devienne aussi simple que de faire du vélo

À force d'entrainement, votre discours "évoluera"

Finale INTERNATIONALE

Ma thèse en 180 sec : Noémie Mermet

Finale NATIONALE

Ce genre d'apprentissage ne peut pas être "récité par coeur", mais votre cerveau enregistre ce que vous devez faire grâce à votre mémoire PROCÉDURALE ! Cela devient en quelques semaines des AUTOMATISMES.BONNE NOUVELLE : Cette mémoire est peu affectée par le stress!

Lors de la seconde partie

Lors de la troisième partie

Etape 6 : Se préparer aux questions du jury

Ces oraux sont "spontanés" et en interaction avec le jury. Vous ne devez pas connaître par coeur le contenu mais juste avoir réfléchi, en amont, aux questions possibles.

JE n'arriverai jamais à résumer le travail d'une année entière en seulement 5 min, c 'est impossible!Je n'arriverai Jamaisa être a l'aise à l'oral!

01

Visionnez ces chercheurs qui présentent leur thèse en 180 secondes, et vous comprendrez que tout est possible

02

Visionnez ces vidéos de personnalités, avant et après. Il suffit de s'entraîner, c'est un sport!

avantaprès

Un challengeà votre portée ?

Vos premiers essais seront beaucoup plus longs que les 5 min imparties, c'est normal.Vous recommencerez plusieurs fois afin d'aller seulement à l'essentiel.

Il est plus facile d'apprendre à parler que d'apprendre à nager

Vous trouverez ici, des ateliers à tester avec vos camarades

Grâce à eux vous pourrez vous entrainer :

- à rester connecté à l'auditoire- à vous appuyer sur des silences- à éviter les mots parasites- à gérer votre stress- à travailler votre souffle- à travailler votre voix- à avoir un engagement physique- à adresser votre regard

Et si vous vous demandez pourquoi tous ces ateliers sont essentiels ...Testez ce petit escape game...

A Vous de jouer maintenantet surtout pensez à prendre du plaisir

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Le grand oral du baccalauréat by cecile_ragot on Genially

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3 -QUels critères seront évalués? 4 - comment s'y préparer ? 1 - C'est quoi le grand oral ? 2 - Comment cela se déroule le jour j ? 5 - Un challenge À votre PORTÉE? Cécile Ragot - Formatrice académique - Référent Oral - cecile.ragot@ac-versailles.fr C'est quoi le grand oral ?

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CE - Dead Poet Society - Chapter  - Worksheet

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Extrait Dead Poet Society - Todd's poetry scene (chapter 8 in the book)

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Dead Poets Society - Todd's poetry scene

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questions de cours

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Why Watch 'Much Ado About Nothing': Tom Hiddleston

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scene 2: introduction

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Shakespeare Summarized: Much Ado About Nothing

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The title page from the first quarto edition of Much Adoe About Nothing, printed in 1600

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