# data[].attributes.body
In Konya, the mosque is located in the northern part of Alaattin (Alaeddin) Hill in the centre of the city. This structure, considered to be one of the most important works of Anatolian Seljuk architecture, has undergone many repairs and changes over time, and has come to our day without any organic architectural integrity. The first form of the building in 1155, the Anatolian Seljuk Sultan I. From the reign of ruknettin mesut to the present day, wooden minbar, which is the work of an artist named Hacı Mengtimberti of Ahlatlı, has come. Two very different sections in the plan of the mosque stand out with its present state. The dome in front of the mihrap and the eyvan section in front of it are the Seljuk Sultan I of the three-aisle section in the West. Izzettin Keykavus period and 1219'da construction began and I. Alaattin keykubat period is considered completed. The construction was continued during the reign of Alaattin keykubat and these sections were completed in 1221 under the supervision of Seljuk viziers Atabek Ayaz, the Son of Şamlı Mimar Mehmet Havan. It is the most important part of the structure in terms of architecture and decoration.

In particular, the tiles of the mihrap and the domed room in front of it are among the most important examples of Seljuk tile. The geometric and vegetative motifs in the mihrap and the high-quality tiles containing rich geometric stars, passes, ramies, palettes, lustre, purple and Navy colors were used. The second large part of the building is the lower-aisled section parallel to the kibble wall, which is thought to have been added to the original structure.

The belt system in six rows sits on numerous tilting columns. There is a large courtyard and two clusters in front of the mosque. The first cluster with ten corners II. The sword belongs to Arslan and is the work of an architect named Abdülgaffar, Son of Yusuf. In 1219, the construction of the second batch remained unfinished and came to our day in a form not covered.

# data[].attributes.body
Karatay Madrasa, Konya in the age of Anatolian Seljuks, 1251 the Seljuk Vizier Celaleddin Karatay built by the Madrasa.

The madrasah at the foot of Alaeddin hill in Konya is famous for its tiles. The Madrasa, which had an important place in cultural life during the Anatolian Seljuk period, was the meeting place of dervishes during the reign of Mevlana Celaleddin Rumi and was the meeting place of the 19th century. at the end of the century, Konya Karatay Medrese was abandoned and repaired in 1954.

The single-storey building is made of sille stone. It is a masterpiece of stone workmanship. Turquoise, black, dark blue tiles were used in the Madrasa walls.

In a cell, there is a mausoleum of Celaleddin Karatay.

Types of madrasah are divided into two. 1) closed courtyard madrasah 2)open courtyard madrasah

Karatay madrasah is a closed-type madrasah.

This madrasah is very intense as mana.It contains a lot of symbolic elements.For example, the pool in the middle symbolizes the floor, square walls symbolize the floor face, the dome above it, the sky (tiles are turquoise), and the other domes from the dome symbolize the arch. In addition, the dome is a verse of the verse of Al-Qur'an, which is embroidered with tiles...He covered the heavens and the earth." } }

# data[].attributes.body
Onya Province, Selçuk District, Alaeddin Hill West.

Seljuk Sultan II. Izzeddin Keykavus period Vizier Sahip ATA Fahreddin Ali, 663 H. to be taught hadith science.(1264 M.) built in.

The architect of the building is Keluk Bin Abdullah. Darü-L Hadith the courtyard of the Seljuk period is in the closed madrasas group. He's the only one.

The taçapi to the East is one of the most beautiful examples of Seljuk stone workmanship. The three small columns and Arch intersections on both sides of the entrance arch are decorated with floral and geometric motifs. This place, which cannot be seen from the front, constitutes symmetry for the main position of the building. The passage to the dome is provided by pandantiffles. "Al-Mulkü'l-Lillah" is written in kufi writing on the dome drum.

It provides the light of the building from the lighthouse in the dome with the rectangular windows and the mazgal. In the opposite side of the entrance there is a low vaulted eyvan with three steps from the courtyard. There is a square-shaped, domed classroom room on both sides of the eyvan. The façade of the monumental building is made of cut stone and the exterior sides of the side walls are made of rubble stone. Brick was used for both static and decorative purposes in interiors. The Masjid to the north remains the only brick-braided mihrab today. The pedestal section of the minaret which gives its name to the structure should be covered with regular cut stones. The body part is completely brick-braided. The minaret is covered with turquoise-coloured white dough bricks. While the original minaret was two cheers, yıldırım, who fell in 1901, destroyed one of the two cheers.

Fine Minaret Medrese XIX. he continued his activities until the end of the century. It was repaired in 1876-1899. After several repair works started in 1936 in the republican era, it was opened as the stone and wooden works Museum in 1956.

The building and repair inscriptions written on stone and marble belonging to Seljuk and Karamanoğlu period, high relief relief belonging to Konya Castle, door and window wings decorated with geometric and herbal motifs made of various wooden materials, wooden ceiling core samples and Tomb witnesses and sarcophagi engraved on Marble are exhibited in the museum. The most beautiful examples of the two-headed eagle and winged Angel figurines, the symbol of the Seljuks, whose capital is Konya, are also exhibited in this museum.

# data[].attributes.body
Located in Istanbul's Sultanahmet district, and Built in the style of a 19th-century Ottoman mansion, the Home Suites & Spa enjoys city views. In the northern part of the mosque, which was constructed with the use of cut stone, there is a late congregation place with six round columns and seven domes. The mentioned columns are connected to each other with arches made of white and red stone. Three gates are entered into the area of worship. The main entrance door of these three doors is made of mukarnas filled and marble. At the same time, there is also an inscription on this entrance gate which is not historical.

At the door on the right side, there is an inscription in the form of a believer who is in the mosque is like a fish in the water. On the door to the left, there is an inscription in the mosque in the sense that it is like a bird. The worship areas are placed on two thick pillars and covered with a very high central dome. The dome is supported by a semicircular dome in front of the altar, while the side is supported by three small domes.

The entrance to the worship area is made by the marble mukarnasli work, which is in the shape of the mihrabi sky blue, on the axis of its door. With the white marble, mimberi is among the most beautiful examples of stone workmanship.

# data[].attributes.body
The architect of the mausoleum of Mevlana is Bedreddin Tabriz. Mevlana Celaleddin rumin mausoleum is a complex with a mosque, semahane, square Sheriff, matbah, Dervish cells, şadırvan, şebi aruz pool and çelebi apartment around it. The main building of the complex consists of the Seljuk period, the grooved body of the Mausoleum, and the entrance corridor, the çelebi tombs, the post Dome, the karamanoğulları period, mescit, semahane, Tombs, Dervish cells, matbah and şadırvan belong to the Ottoman period. The shape of the tomb; on a square plan, three sides are arched and one side is closed. This place covers a 16-slice sharp cone.

There is a high Alem with Mevlevi coins in a crescent on the top of the külahl. The turquoise tiles cover the cone. It's called Külahha Yeşilkubbe. Under the yeşilkubben Mevlana and His Son Sultan velet, made of celestial marble with a bow covered with chest. There is also a "mummy" section of the tomb, the door of this section under the Silver thresholds today's front XVIII. century.it is also known to be woven. In this part, which is thought to be covered by a cross vault, the nacelle was mummified and preserved.

Mevlana Dervish Lodge, which is being used as a museum today, was the Rose Garden of the Seljuk Palace and the garden was presented by Sultan Alaeddin Keykubad to the sultanul-Ulema Bahaeddin Velde, the father of the Mevlana.

Sultanül-Ulema died on January 12, 1231 and was buried in the tomb today. This burial is the first burial to be made in the Rose Garden.

After the death of Sultanul-ulama, the ones who loved Mevlana applied and said they wanted to build a tomb on his father's grave, but Mevlana refused this request by saying, "is it better than the sky Dome?" However, when he died on 17 December 1273, Sultan Veled, Son of Mevlana, accepted the wishes of those who wanted to build a tomb on Mevlana's grave. The mausoleum called "dombe-I Hadra" (Green dome) was built on the four elephant pillars (thick columns) of 130,000 Seljuks dirhemine architecture with Tabriz Bedrettine. After this date, construction activities have never been completed. it continued with additions to the end of the century.

Mevlevi Dervish convent and mausoleum started to serve as a museum in 1926 under the name of "Konya Asar-I Atika Museum".In 1954, the exhibition and arrangement of the museum was revised and the name of the museum was changed to "Mevlana Museum".

While the museum area was 6,500 m2 with the garden, it has reached 18,000 m2 with the sections arranged as Rose Garden.

The courtyard of the museum is entered through the "Dervishan gate". Dervish cells are located along the north and West sides of the courtyard. The southern direction, after the tomb of matbah and Hürrem Pasha, ends with the Hayman (thirsty) gate Opening to the cemetery of the three. In the east of the courtyard, besides Sinan Pasha, Fatma hatun and Hasan Pasha mausoleums, there is a main building with semahane and Masjid sections and graves of Mevlana and family members.

The "şeb-I arus" pool built by Yavuz Sultan Selim in 1512 and the fountain called selsebil, located in the north side of the courtyard, adds a different color.