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A platform that aggregates opportunities, courses, performances, etc.

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Peter Huang

Really it still goes back to proper safe practices. So for us it would be to continue to encourage our fans to continue to wash hands, wear masks, keep 1m apart, don’t shake hands etc etc. things that definitely brings down the stats.
And... DL TraceTogether so we can phase3.
Meantime keep creating as best as we can.

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Think of how we can re-integrate practitioners who had to leave the arts and culture industry but wish to return in the future

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What would a thriving audience look like in this new context?

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What would a thriving audience look like in this new context?

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Audience development, etc. beyond grants and supporting the production of content.

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(as someone who was working in theatre) Rethinking ways of delivering theatrical experiences in a manner that doesn't necessarily require people to bump into the theatre for a one-off occasion
- Ke Weiliang

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More decentralization for independent projects.

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More decentralization for independent projects.

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go international via zoom? dc

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Also my wish is that artistes would be given more opportunities rather than companies managing the artistes so standards can be lifted

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Situation is fluid. Find ways to keep your content adaptive. In terms of planning how much equipment to buy to support your craft, plan in shorter term will lessens your initial outlay.

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might have a shift in audience and patrons. dc

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One that is compatible with caregiving and family responsibilities, and does not glorify being overworked & underpaid :)

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In all honesty I think the new normal also means that practitioners are likely to enter/exit the industry a lot more organically in the past (e.g. have to take a contract role in a non-arts capacity) - which can be useful in helping us rethink our arts practice
- Ke Weiliang

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More collaborations.

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To be able to be adaptive to changes

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Peter Huang

For live music, I think what Taiwan has been able to do has been the best example of successful management. Feel like much can be learned from their situation.
Korea and their blend of socially distanced live audience + streaming hybrid shows is another method we could explore. But there are more tech hurdles involved in this hybrid method.
Other than that, digital solutions have become way more important than ever. And thus the cruciality of digital production education for practitioners and training becomes even more paramount.

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art processes and presentation move forward with a blended model-with video anD digital versions

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Changes in roles/responsibilities in each project

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Changes in roles/responsibilities in each project

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e.g. a stage manager for a performing arts show now becomes Zoom operator for a digital show instead - Ke Weiliang

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A new normal would require us to be comfortable in the new digital or online presentations and my wish is that we cam evolve from this experience to be more effective communicators - Boni

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It required a change in mindset of what we do and how we present

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To learn digital modes of lesson delivery and offer blended learning

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Peter Huang

Fundamental shift in how we function as freelance gigging musicians. Essentially live work has stopped since 26 March. Digitization became the only way to work. So workflow had to be entirely digitized.

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My vision is...

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