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Lear unfairly decides to split his kingdom into three unequal parts, the largest portion going to the daughter. While giving up the title of “King” and therefore the responsibilities associated with it, Lear still wants to keep all the power and relevance that came with being King. This shows Lear’s arrogance as he believes that he should get the same amount of respect he had as king even though he has done nothing to deserve it.

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Lear finally realises that money and power have no value in the world that he lives in, and that familial love holds a more dire importance. After encountering the storm which symbolised his descent into inner turmoil and anguish, his meeting with the Fool and Poor Tom, both who enlighten him with newly found wisdom that fails to fuel his inner ego, his realisation of Goneril and Regan’s true interiors and his reunion with Cordelia, Lear learns a very important lesson. He had learned to love, treat everyone with respect, and has become a better version of himself through humility. Although Lear still has many flaws, he has the knowledge and the morality that makes him content even when imprisoned with Cordelia, and when she dies. In conclusion, I believe that the events have led him to redemption, which in turn made him into a better version of himself, thought still riddled with several flaws as a human being.

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When Cordelia refuses to take part in Lear's love test, he impulsively exiles her without thinking through the consequences. He then banishes Kent, his loyal follower, after he voices concerns about Lear’s decision.

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After being kicked out by both of his daughters, Lear’s mental state quickly deteriorates. He loses all logic and begins to go mad. He thinks of Poor Tom as a philosopher and believes the mock trial he holds for his daughters is real. All the characters in the storm have to work together to keep Lear safe in his time of weakness.

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When Lear reunites with Cordelia he is overcome with regret and shame, realising his wrongdoings and does not expect Cordelia to even think about forgiving him. This is further enforced after Cordelia’s death, with Lear showing great remorse. He regrets banishing her and now it is too late. He is now aware that Cordelia was loyal all along and it was really Goneril and Regan who betrayed him.

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Lear foolishly makes rash decisions when Cordelia’s flattery does not impress him, he exiles her, his only truly loving daughter. He then banishes Kent for speaking up on his decision. These foolish acts leave him with no one on his side, unbeknownst to him at the time.

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We see a different side to Lear as he descends into madness, he is depicted more so as a struggling old man in a storm, rather than a powerful, respected King. He begins to open up and become vulnerable with Kent, Gloucester and The Fool, admitting he has not always been fair to the lower class subjects in the kingdom.

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By the end of the play Lear is very uneasy and has experienced a lot of inner turmoil. He finds it hard to believe that Cordelia is willing to forgive him and becomes quite emotional, something an authoritative ruler wouldn’t have been seen to do. Once again after the death of Cordelia we see how fragile his character has become, because he ultimately ends up dying of a broken heart, unable to persevere through the pain.

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Lear’s instability is shown in the first scene of the play by the recklessness and carelessness actions of banishment and violence. He displays this manner in how he deals with Cordelia’s refusal to voice her love for him, in a fit of rage he acts recklessly and makes a permanent decision to disown Cordelia and banish Kent for his involvement. This behaviour shows Lear’s state of mind, unstable even at the start of the play.

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In the beginning of the play, Lears basic flaw is that he values appearances over reality. He desires to be treated as king but isn’t willing to fulfill a king’s obligation of governing for the good of his subjects. He holds no sense of responsibility regarding the state of his kingdom, instead caring more so about his self-absorbed “love test”.

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Lear descends into madness as he roams the storm in disarray. His experiences with manipulation and deception have left him completely vulnerable, as he is stripped of his dignity and power. He falls deeper into his insanity the more time he spends in the extreme weather, evoking a strong sense of pity in the audience.

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There is an extreme contrast between the character of Lear in the beginning of the play and the end. In the end, Lear showcases his new founded empathy and compassion as he desperately seeks forgiveness from his betrayed daughter, Cordelia. He realises the past foolishness of his actions and role as king, and wishes to right these wrongs, although is unsure of how to do so. Lear dies an improved and better man as he received the opportunity to reconcile his broken relationship with Cordelia. Ultimately, his growth as a person does not save him from his cruel fate.

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Lear's main focus at the start of the play is to hand over his kingdom to those he knows, in this case, his three daughters. However, ironically, Lear still manages to hold onto some "power" in the process, demanding that each daughter submit to his will and give praise to fuel his inner ego. His pride of being king, having a tremendous amount of power over his daughters and subjects, further gives him a sense of false insecurity that he is the best above all, almost "godlike" in virtue. However, when Lear banishes Cordelia for her pure integrity, which he interpreted as disobedience, it becomes clearer to us that his rash decision making and insecure pride is the main cause to his downfall.

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It is no doubt that this is the part of the play where Lear gains a sense of understanding of what the true world holds, and is also where Lear almost gains redemption. In the storm scene, he reveals his true interior, which is completely different to what we had envisioned at the start of the play. He gains the understanding that he cannot trust anyone, and that flattery is merely just a clever guise. His meeting with the Fool and Poor Tom gives us an insight to his new interior, revealing him as someone who supposedly cared for his struggling subjects. The stripping of not only his royal robes, but his power and wealth reveals what evil betrayals could do to a person, make them gain a sense of true understanding of the true world, and expose their inner personality.

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During his madness, Lear develops a more clearer mind about the world around him. This can been seen in his conversation with Gloucester and Edgar He babbles to them speaking both irrationally and with a strange perceptiveness as he comments on the world that they live in. While in his madness Lear lost his arrogance and immaturity and instead became a more wise and perceptive person.

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Lears guilt can be seen very clearly as soon as he reunites with his daughter Cordelia. During his journey Lear learned to be more accepting and forgiving. His treatment of Cordelia is the forefront of his guilt as he realises that she had been the only loyal daughter of his out of the three. When Cordelia dies, Lear follows quickly afterwards due to heartbreak as he feels responsible for her death. Guilt is evident in Lears final moments as his actions had lead to the death of his daughter and because of it he will never have the chance to apologise to her.

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He presents himself as an esteemed and powerful man. His grandeur and presence as he walks on stage is tangible. His first words are an abrupt order to Gloucester. His language bristles with commands and imperious statements. At this early stage of the play, the audience has nothing but contempt for this egocentric individual.

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After being abandoned by his daughters and enduring the tormenting storm Lear gains his greatest insights. Lear begins to gradually become more aware of others. We witness the first signs of change when Lear starts to realise how vulnerable human beings are. He undergoes a moment of realisation that he has not acted rightfully or taken care of his Kingdom. We are now able to see that Lear is slowly moving from pride, egotism and spiritual blindness to understanding, love and insight. However, he is still blaming others for his problems. ‘I am a man more sinned against that sinning.’

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Lear- Personal Development/ Self-Improvement 

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Lear- Personal Development/ Self-Improvement 

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When Lear meets, the now eye-less Gloucester in Dover, he is a transformed man. Despite obvious madness he provides an adept analysis of appearance vs reality. He has penetrated appearance and arrived at reality.

One of the most unambiguous moments of the play where we see Lear’s transfiguration is when Cordelia’s men come looking for him. Lear is too ashamed to face her. He is suffering from guilt, and so is a changed and better man. His values are clearer and his moral vision is restored.

When Lear is reunited with Cordelia his journey reaches its denouement. In sharp contrast to the regal, harsh language with which he disowned her the King now seeks forgiveness. He has taken full responsibility, and he has acknowledged his flaws and follies. By offering to drink poison he shows true repentance.

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Lear displays his egotism by staging the love test—not to make a wise political decision, but to satisfy his own need for flattery and control. His demand—“Which of you shall we say doth love us most?”—reveals a ruler more concerned with ego and vanity than genuine affection or reason. His identity is so tied to power and praise that he cannot tolerate Cordelia’s measured honesty, or Kent’s attempt to correct him, leading to both their banishments. This egotism blinds him to the truth and ultimately isolates him from those who truly care for him.

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during the storm on the heath, Lear is physically and emotionally broken down. Stripped of his power and betrayed by Goneril and Regan, he is tormented by feelings of betrayal, guilt, and confusion. The chaos of the storm reflects his inner turmoil, and his speech—“Blow, winds, and crack your cheeks!”—shows how he rages not just at the elements, but at his own loss of identity and control. His torment marks the beginning of self-awareness, as he starts to understand the suffering of others. This shift shows that Lear’s suffering is forcing him to confront his flaws and grow as a human being.

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In act 5, after enduring immense suffering and loss, Lear emerges as a redeemed figure—not in the sense of escaping tragedy, but in gaining moral clarity and emotional depth. When he reunites with Cordelia, he humbly says, “I am a very foolish fond old man,” acknowledging his past mistakes. By the final scene, his love for Cordelia is genuine and free of pride, and his grief at her death is deeply human and raw. Cradling her body, he cries, “Howl, howl, howl!”—a huge contrast to the ego minded, arrogant king we met at the start. Though broken, Lear dies having rediscovered compassion and truth, making his emotional transformation complete and tragically moving.

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King Lear is portrayed as extremely naive and easily influenced by his pride. This is shown through the quick change we observe in his attitude towards Cordelia as soon as she refuses to make a speech declaring her love for her father. Cordelia says "I cannot heave my heart into my mouth..." and Lear's response to his daughter was banishment from the kingdom. "Here I disclaim all my paternal care... And as a stranger to my heart and me..." This shows how quickly Lear is to be influenced by his assumptions and pride. Even though Cordelia said she loved him as a daughter may love a father he simply misjudged her intentions and reasonings, consequently leading to her exile.

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After Lear is neglected by both his daughters Regan and Goneril, he is left with nowhere to go. His loyal servant Kent follows him around through the chaotic storm which symbolises Lear's fragile state of mind to comfort him and care for him. Lear who has misjudged his youngest daughter Cordelia and most loyal servant Kent now spends his time regretting his decisions which eventually drives him into madness and brings his downfall upon him. "If you have poison for me, I will drink it." The helplessness showcased in Lear's statement to Cordelia shows us how his guilt is overwhelming him and emotionally draining his energy. Lear is seen at his most fragile and vulnerable stage as he is left with nowhere power, land or wealth. However he has Kent who is still under disguise and Cordelia his youngest daughter by his side.

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In the final scene of the play we witness a massive death spree of several characters in the play including Goneril and Regan. However, Cordelia's arrest leading to her death was the most traumatic for Lear as his already fragile state of mind couldn't bear the weight of the loss of his only loyal daughter. He begins spiralling into instability as he talks about Cordelia, "Her voice was ever soft, gentle and low...". This quickly turns into grief and despair as he yearningly asks "Why should a dog, a horse, a rat, have life, And thou no breath at all?" Soon after this Lear dies from a broken heart leaving us with yet another death. This highlights the amount of suffering Lear had been in as his very last moments before his death were emotionally devastating and tragic.

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Lear deiced for himself that he would live between Gonerils and Regan's castles. He did not ask for permission or input, he does not ask if there is a way he should behave in their castles. We see in Goneril's castle that Lear and his men are making a pigsty of the dinning hall. Lear as no regard for the staff or Goneril. He calls Oswald names while asking "where is my fool". He only care about his wants which has pushed his children away, resulting in two hating him

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Lears power has been leased since his two eldest daughters has expressed their distaste for him. He is less imposing but still has men fall to his whims like his nights did in the dinning hall. Gloucester, Kent and the Fool still have Lear as the leading figure in their life. Lear now has a weak mind, he has been turned around and does not know what is real and what to think. He only knows he hates his eldest daughters