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"In the 2020s, platforms like TikTok have propelled new voices like Ice Spice and Doechii into the spotlight. The anthology Music in Black American Life, 1945–2020 (University of Illinois Press) captures the evolution of Black music into the present, emphasizing its role in shaping American culture and global soundscapes. Afrobeats, drill, and trap dominate charts, while artists continue to blend genres and challenge norms in an era defined by digital virality and cultural hybridity."

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"The 2010s were marked by protest music and multimedia storytelling. Kendrick Lamar’s To Pimp a Butterfly and Beyoncé’s Lemonade exemplified how Black artists used music to address systemic racism and celebrate cultural heritage. The Black Music Research Journal and Project MUSE documented these shifts, highlighting the role of streaming platforms and visual media in reshaping music consumption and activism."

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"In the 2000s, Black music adapted to the digital age, with artists like Beyoncé, Kanye West, and OutKast blending hip-hop, soul, and electronic sounds. Tiffany Mitchell Patterson and Christine McWhorter’s study on Critical Race Media Literacy shows how media platforms began amplifying underrepresented Black histories through music. The University of Illinois Press continued publishing groundbreaking work on Black music’s global influence, including studies on gospel, jazz, and rap traditions."

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"The 1990s saw rap diversify into gangsta, conscious, and commercial subgenres, with Tupac Shakur and Lauryn Hill offering powerful narratives of Black life. Mark Anthony Neal’s essay in the Gilder Lehrman Institute explores how artists like Ice Cube and Queen Latifah navigated mainstream success while maintaining cultural authenticity. The decade also saw the expansion of Black music scholarship, with journals like Callaloo and The Black Scholar examining intersections of music, identity, and politics."

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"The 1970s saw funk and disco dominate, with artists like Parliament-Funkadelic and Donna Summer reshaping dance music. Eileen Southern’s The Black Perspective in Music journal, launched in 1973, became a key scholarly outlet for analyzing Black musical innovation. The decade also witnessed the rise of Black feminist critique, as explored in Rhythms of Resistance by the University of Maryland, which documents how artists like Aretha Franklin and the Combahee River Collective challenged both racial and gender oppression through music."

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"The 1960s were defined by the rise of soul music and the influence of Motown Records, which brought Black artists into mainstream pop culture. According to Samuel A. Floyd Jr., the era’s music reflected both the triumphs and tragedies of the Civil Rights Movement, including the March on Washington and the assassinations of Malcolm X and Martin Luther King Jr.. Portia Maultsby’s bibliography highlights how the Black Power movement spurred scholarly interest in Black music aesthetics, leading to more nuanced studies of gospel, soul, and rhythm & blues."

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"In the 1950s, rhythm and blues laid the groundwork for rock and roll, with artists like Ray Charles and Little Richard fusing gospel, blues, and boogie-woogie into electrifying new sounds. Jacqueline Cogdell DjeDje emphasizes the overlooked role of rural blues and Black fiddling traditions, while Luis Alvarez documents how Black musicians in Los Angeles fostered interracial music scenes that defied segregation. This decade also saw the rise of cool jazz and hard bop, as Samuel A. Floyd Jr. notes in The Power of Black Music, reflecting both musical innovation and the sociopolitical tensions of postwar America."

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Pick your artist!

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Pick your artist!

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Pick your artist!

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Pick your artist!

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Pick your artist!

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Pick your artist!

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Pick your artist!

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Now class, express your final thoughts on this presentation. Comment:

One decade you learned the most today about and something you learned.

Favorite decade and why?

The most important take away from this presentation.

Favorite artist and their impact.

Extra Comment: Favorite song played today.

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"Hip-hop emerged as a dominant cultural force in the 1980s, with Grandmaster Flash, Run-D.M.C., and Public Enemy using music to critique urban inequality. The Black Music Research Journal, founded in 1980, provided a scholarly platform for analyzing these developments. Doris Evans McGinty emphasizes how Black composers and performers continued to shape American music, even as MTV initially resisted airing videos by Black artists—a barrier shattered by Michael Jackson’s Thriller."

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Pick your artist!

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Floyd Jr., S. A. (1995). The power of Black music: Interpreting its history from Africa to the United States. Oxford University Press. https://global.oup.com/academic/product/the-power-of-black-music-9780195089764

Mitchell Patterson, T., & McWhorter, C. (2021). Critical race media literacy: Black youth, hip-hop, and digital resistance. Journal of Media Literacy Education, 13(1), 28–40. https://digitalcommons.uri.edu/jmle/vol13/iss1/4/

Neal, M. A. (2004). Songs in the key of Black life: A rhythm and blues nation. Routledge. https://www.routledge.com/Songs-in-the-Key-of-Black-Life-A-Rhythm-and-Blues-Nation/Neal/p/book/9780415960807

Southern, E. (1973). The Black perspective in music. The Black Perspective in Music, 1(1), 3–10. https://www.jstor.org/stable/1214459UUniversity of Illinois Press. (2020). Music in Black American life, 1945–2020. https://www.press.uillinois.edu/books/catalog/88wkp4rg9780252043611.html