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This particular scene mirrors the wrongful segregation that Filipinos felt under American colonization, with American settlers banning Filipinos from entering places such as bathrooms, stores, or even theaters, with them putting signs like the one in the photo.

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ALAMAT's "Kasmala" music video confronts anti-Filipino prejudice head-on, using powerful imagery like a "NO FILIPINOS ALLOWED" sign and historical references to deliver a poignant message.

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This scene depicts the a reversal of Darwinian evolutionary theory in which the Filipino is seen as devolved species in comparison to the übermensch.

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It is depicted clearly by the scene that Filipinos are excluded, because other countries have this preconceived notion that they are better than us, which reminds fellow Filipino people that beyond a shadow of a doubt, we have always been subject to hate, discrimination, and prejudice throughout the history, up until the present time.

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In the disturbing sequences of "Kasmala," members of a tribe are not only handcuffed but also made fun of by being compared to monkey evolution, highlighting the extremely unpleasant content, and a sign of the growing discrimination against Filipinos.

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This moment shows the idea of foreigners paying native people to showcase their culture for their amusement. Only giving money to experience "authenticity".

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This scene depicts how other ethnicities throw hate at the Filipinos in a way that is an act of prejudice as they are viewed negatively by others because of their distinct features and culture, resulting in Filipinos being discriminated against by foreign lands because of their differences.

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This clip portrays how foreigners use them as entertainment, referring to them as the "dog eating tribe" and feeding them dogs for profit.

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This scene illustrates the preparation of Filipinos by men in white suits for display at the fair, including activities like cleaning, highlighting the dehumanizing nature of their portrayal.

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Discrimination can be observed throughout a lot of scenes in the Music Video of Boy Group Alamat in their old song, “KASMALA” Particularly in Time 0:51, the guy is seemed to be pushed while being thrown money. To me, it kind of tells the story of the OFWs’ specifically the discrimination and the abuse they experience to which they ignore for the money to give to their families in the Philippines.

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KASMALA- Discrimination towards the Filipino Natives

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KASMALA- Discrimination towards the Filipino Natives

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In this particular scene, we can easily notice and identify the discrimination towards the filipino natives. KASMALA’s concept was basically rooted from the 1904 St. Louis’ world fair wherein hundreds of Filipino natives were transported internationally to show other people that these kinds of culture and tribes are existing. We can clearly see on this particular scene the symbolism of Filipino Natives getting paid for entertainment purposes.

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Throughout the start of the 21st century, an increasing trend of Filipino diaspora communities have been working their lives in America, Europe, etc. With this in mind, this particular scene in Kasmala showcases how, despite our intentions to work for our families, the sad reality is that most overseas workers are often deprived of fundamental human rights and are being taken advantage of.

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In the first chorus of the music video, discrimination against Filipinos was depicted in this manner as the boy band was trapped inside a circle and deemed as animals that are inferior to the Western race.

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In a scene from the music video "Kasmala," set at the St. Louis World Fair in 1904, Filipinos are depicted facing discrimination through segregation or marginalization within the fairgrounds, reflecting historical racial prejudices of the time.

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This one scene in the music video, which I observed, depicts discrimination against Filipinos by illustrating various stereotypes related to Filipino physical features such as facial shapes, skin color, and cultural attributes.

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This picture depicted how American colonizers began sending hundreds of American teachers to the Philippines in 1901, known as the Thomasites, and how the curriculum they developed was designed to monopolize people's minds rather than provide a meaningful educational experience.

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This scene shows the discrimination against Filipinos that was done during the American colonization.  - Nathaniel Panimbatan

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This scene is a stereotype of Filipinos by the colonizers. These colonizers saw Filipinos as pushovers and easy targets, which is represented clearly by this particular clip. There is also a minor detail wherein the guy was holding a hoe that signifies that there is a stereotype that Filipinos are "just farmers." This is why I think it is essential to learn our history because I believe the best way of learning is by learning from our previous mistakes.

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This image depicts how Filipinos have been discriminated because of their skin color, implying that it is unclean and requires thorough washing. The video also reveals that a long time ago Americans used to call Filipinos "Little Brown Monkeys" which is a racial slur that fosters discrimination.

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This particular scenario demonstrates how people of other races perceive Filipinos as inferior to them and undeserving of life's great experiences.

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This scene portrays a poster of a human being, a Filipino, who was labeled as wild people. They became a sport for other people where people spend money for their entertainment. This shows that Filipinos for foreigners are just toys for them to enjoy in the past.

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This scene shows how people of different ethnic backgrounds despise and act prejudicedly toward Filipinos because of their unique traits and culture. As a result, foreign countries discriminate against Filipinos due to their uniqueness.

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This scene shows how Filipinos are being devalued and discriminated against by foreigners because of the prejudices they have made about them.

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The scene that depicts discrimination against Filipinos is when the foreigners are taking pictures and treating them like animals. The scene highlighted the issue of prejudice and racism faced by Filipinos both in their nation and abroad.

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This scene portrays discrimination against Filipinos because a man in a white suit is seen “scrubbing” the skin of the tan-skinned subject, which is a classic depiction of colorism, as tan skin is often negatively associated with being unclean.