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I would have wanted this to be in black however brown is the only ink I have
I also printed in reverse colour but I would like to try printing white ink onto black paper

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I found Nigel Henderson when looking through the rate archives he has a collection of Post ww2 photographs of east london the picture I was most interested in was of Margaret gardener and her son I liked the composition of the picture and I could clearly see lots of triangular shapes that I think would be good to turn into simplistic shapes for a woodcut print

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Which I’m yet to print when I have access to ink (attempted to print with oil paint but it didn’t go well)

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Planning for lino print with three layers of X-rayed suitcase

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Diasec is our chosen method of production that gives the x-rays the most impact and detail. Museum quality archival Chromogenic prints are sandwiched between di-bond on the back and polished perspex on the face. The artworks elegantly appear to be floating off the wall in a modern frameless style. Many people think these artworks are back-lit, but it is just the high quality gloss deep black background and detailed x-ray that makes the art 'pop'. This method of production is also known as 'plexi face-mount'.

Scroll below to view all of Nick's current x-ray diasec work. Alternatively you can download the latest catalogue of all available works here

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Diasec page - Nick Veasey's most popular way to show his x-ray work. - Nick Veasey

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Diasec is our chosen method of production that gives the x-rays the most impact and detail. Museum quality archival Chromogenic prints are sandwiched between di-bond on the back and polished perspex on the face. The artworks elegantly appear to be floating off the wall in a modern frameless style. M

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Stencil lying ontop of paper, I would like to continue by doing this piece in white spray paint onto a darker colour so the image will look more like this

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The spray paint piece on its own

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Card cut with a Stanley knife

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Using a different complex image to create a stencil using shapes 

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Using a different complex image to create a stencil using shapes 

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Experimenting with monoprinting

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Experimenting with colours for my woodcut

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My favourite experimental piece, printing the stencil with the excess spray paint from previous prints

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Finished spray paint piece using two templates

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Spray paint has the same processes to it as printmaking and you make a stencil that can produce many identical prints in different colours. I experimented with how I could use the stencil I which made many multiple prints and turn each print into something individual

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Chosen painting