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of or relating to present and recent time; not ancient or remote

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characteristic of present and recent time; contemporary; not antiquated or obsolete

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modern. Dictionary.com. Dictionary.com Unabridged. Random House, Inc. http://www.dictionary.com/browse/modern(accessed: August 31, 2017).

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Defines modernism through a timeline of its history. It describes the way in which the modernist artists linked themselves toward past time while still trying to create something entirely new.
"Modernism." Grove Art Online. Oxford Art Online. Oxford University Press, accessed September 5, 2017, http://www.oxfordartonline.com/subscriber/article/grove/art/T058785.

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Paradoxy of Modernism, Robert Scholes (Book)

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Paradoxy of Modernism, Robert Scholes (Book)

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Offers a variety of critiques written about modern art. The critiques, when compared with one another, point out the similar traits that the artists share in regards to their art and mindset.
Scholes, Robert E. Paradoxy of Modernism. N.p.: Yale U, 2006. Print.

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Modernism at the Barricades, Stephen Eric Bronner (Book)

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Modernism at the Barricades, Stephen Eric Bronner (Book)

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Gave a look into the mind of Modernist artists and explained what they believed the art would do for themselves as well as those who viewed it.
Bronner, Stephen Eric. Modernism at the Barricades: Aesthetics, Politics, Utopia. N.p.: Columbia UP, 2012. Print.

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Modernism and Landscape Architecture, 1890-1940, Therese O'Malley and Joachim Wolschke-Bulmahn (Book)

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Modernism and Landscape Architecture, 1890-1940, Therese O'Malley and Joachim Wolschke-Bulmahn (Book)

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Gives traits of modernism that are evident in landscape to help form clear thoughts about what modernism traits in landscape overlap with art.
O'Malley, Therese, and Joachim Wolschke-Bulmahn. Modernism and Landscape Architecture: 1890-1940. N.p.: National Gallery of Art, 2015. Print.

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A Brief Survey of Modern Painting (Other Source: book pdf)

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A Brief Survey of Modern Painting (Other Source: book pdf)

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Offered a brief biography of multitudes of artist that contributed to the modernst movement. Alongside the biographies were descriptions of the movments within modernism (cubism, expressionism, etc.) and an explaination of what the artists thoughts were in regard to the movements.
Barr, Alfred Hamilton, Jr. A Brief Survey of Modern Painting. N.p.: Museum of Modern Art New York, 1934. Print.

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1. Padlet wall set up: 10/10
2. Professor/TA are able to post comments on wall: 5/5
3. 3 printed books or journals, Decker Library in bibliography: 30/30
4. 1 article from Oxford Art Online in bibliography: 10/10
5. 1 appropriate resource of choice in bibliography: 10/10
6. 5 well-written, helpful, brief annotations: 25/25
Total points: 100/100

Unexcused lateness: 2 per day (24 hrs from time due), no maximum, until assignment is complete
Failure to use correct Chicago Manual Style format in bibliography: 2 per incorrect entry
Total deductions: 0
Total points for assignment: 100/100

Comments:
Good job with the first assignment, cheers!

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A strong focus on design factors such as line, color, and texture rather than the realistic depiction of the subject itself.

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Georgia O'Keefe

American (1887-1986)

André Derain

French (1880-1954)

Paul Cezanne

French (1839-1906)

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Georgia O'Keefe
Music, Pink and Blue No. 2
oil on canvas (1918)

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A different interpretation of the figure/subject matter that may not be recognized at a first glance

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André Derain
Bend in Road
oil on canvas (1906)

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The purpose of the image has not been announced therefore Allowing the viewer/audience to generate their own interpretation for meaning

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Piet Mondrian

Dutch (1872-1944)

Ad Reinhardt

American (1913-1967)

Mark Rothko

American (1903-1970)

Jackson Pollock

American (1912-1956)

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Pablo Picasso

Spanish (1881-1973)

Georges Braque

French (1882-1963)

Egon Schiele

Austrian (1890-1918)

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Piet Mondrian
Composition A with Red & Blue.
Oil on canvas (1932)

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Ad Reinhardt
blue-green painting
oil on canvas (1948)

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Pablo Picasso
Les Demoiselles d'Avignon
oil on canvas (1907)

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Mark Rothko

No.61 (Rust and Blue)

oil on canvas (1953)

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Jackson Pollock
Number 1
Enamel paint on canvas (1949)

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Georges Braque
Man with a Guitar
oil on canvas (1911)

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Paul Cezanne
The Brook
oil on canvas (1898-1900)

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Egon Schiele

Mother and Two Children

Oil on canvas (1915)

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Using aspects/techniques from the past and showcasing it with a new purpose

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Work that not only shows that the artist put emotion into it but also evokes a feeling

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Marcel Duchamp

American (1887 - 1968)

Andy Warhol

American (1928-1987)

Robert Rauschenberg

American (1925-2008)

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Vincent Van Gogh

Dutch (1853–1890)

Pablo Picasso

Spanish (1881-1973)

Jean -Michel Basquiat

American (1960-1988)

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Pablo Picasso
The Old Guitarist
Oil on Canvas (1904)

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Vincent Van Gogh
Self Portrait
Oil on Canvas (1889)

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Jean -Michel Basquiat
Untitled (Fallen Angel)
Acrylic and oil stick on canvas (1981)

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Marcel Duchamp
Fountain Signed by R. Mutt
Ready made fountain (1917)

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Andy Warhol
Liz 3
Silkscreen (1963)

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Robert Rauschenberg
Rabbit Chow
Screen print (1977)

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This is looking excellent. Might qeury "appropriation." While your definition is correct, I would challenge your illustrations. Duchamp was a member of the Abbaye de Creteil group and in 1911-12 was exploring cubism and pushing beyond cubism's boundaries. This is not so much appropriation as it is an engagement with the subject of the nude, cubist technique, and proto-dadaesque satire of modernism.
The Shinn and Henri paintings are lovely and I commend your finding them. But they are not really "appropriating" the work of an earlier artist; it is more that they are 2nd or 3rd generation practitioners of a style.
Appropriation tends to be more obvious and more overt. I am attaching a short exhibition review that explores the idea a little. See what you think.

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I like this. Push further on ambiguity. Do you think the Symbolists were ambiguous in meaning? What about the Surrealists? Are you saying that modernism in general removes "message," a kind of didactic instruction, from art in favor of a personal a variable response from the viewer?