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A major shift from this work began to develop in 1966 with his Irregular Polygons, canvases in the shapes of irregular geometric forms and characterized by large unbroken areas of color. As this new vocabulary developed into a more open and color-oriented pictorial language, the works underwent a metamorphosis in size, expressing an affinity with architecture in their monumentality. Most of the paintings’ titles are taken from the names of ancient cities in Asia Minor.

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Frank Stella | Harran II | The Guggenheim Museums and Foundation

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Learn about this artwork by Frank Stella in the Guggenheim's Collection Online.

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Subtle unevenness

"What you see is what you see"

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The Benjamin Moor series: The Benjamin Moore Series makes reference to the type and brand of paint that was used in the creation of the works. The use of store-bought house paints is significant in that it roots his art in the post-war commodity culture. In naming the series after a company, he also explored the rise of advertising and branding. The titles of each individual piece are also important to note – they are all named after historical battles fought during the Civil War. Andy Warhol loved them so much, he bought all of them.

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Frank Stella [title not known] 1967 Tate

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The inky blackness inflects an eerie mood that is underscored by the prints’ evocative titles (he called them “downbeat”), which include references to Nazi slogans, Brooklyn slum neighborhoods, and New York nightclubs.