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Title- The True Wheel Artist- Brian Eno Album- Taking Tiger Mountain (By Strategy) Year- 1974 Country- UK

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Some Of My Favorite Quotes From This Chapter

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Some Of My Favorite Quotes From This Chapter

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"When there are long sustained tones, it is possible to better isolate and listen to the harmonics. The harmonics can assume a greater relevance to the fundamental musical material, allowing (the musician) greater opportunity to work with them and to produce other tones which are related to them." - La Monte Young

"The stubborn note, for the listener, is its own phenomenon" - Ben Ratliff

"The difference between this and true repetition is that repetition puts a spell on you. The stubborn note takes a spell off you." - Ben Ratliff

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Ben Ratliff points out the importance of repetition of a single note and how that note can define the artist's work. I definitely agree with Ratliff. Just by simply repeating the note that was already part of the song can really make the musician's piece "catchy" and it can definitely leave a mark or memory of the melody. I never really noticed how often artist's used this technique in order to give the listener some type of reminder of the song. One of my favorite examples that Ratliff uses is the song "The True Wheel" by Brian Eno. When I first started reading the chapter, I primarily thought that Ratliff was going to use some orchestral piece or classical music for the example of this certain technique, but I was amazed at the fact that he used a song from an artist that I look up to. He mentions several songs that I was familiar with which made me more interested on this specific chapter. A personal example that I thought it was very relevant to this chapter is Steve Reich's "Electric Counterpoint: III. Fast".Steve Reich uses repetition quite often on his pieces but this song is my personal favorite.