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Rimsky Korsakov - Flight of the Bumblebee

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Linking and exclusivity is an important musical element across all kinds of music because it allows music to be evaluated combined. Music is combined with so many aspects of musical elements like tone and rhythm or opposite emotions. I think what is important to take format this is that linking suc together is what allows you to experience more of the music in different meanings and emotions. Exclusivity is important because keeping certain elements within a song and not others creates the different barriers in songs. It is about having different perspectives and using that to create a whole prescriptive in the end. I do agree with Ratliff's arguments on this musical elements because it makes sense to combine and exclude different or similar elements in order to achieve success in what your goal the song is.

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Why we love repetition in music - Elizabeth Hellmuth Margulis

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Ratliff talks about sound, repetition and building emotion and how songs go in circles in different ways it reminded me of the song "colors of the wind". Because this song has a lot of emotion to sadness, happy and a feeling on want. As well as, the repetition and that constant feeling and demonstration of going in circles in music. 

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Ratliff talks about sound, repetition and building emotion and how songs go in circles in different ways it reminded me of the song "colors of the wind". Because this song has a lot of emotion to sadness, happy and a feeling on want. As well as, the repetition and that constant feeling and demonstration of going in circles in music. 

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Ratliff talks a lot about control and power kind of like a choir director. A choir director teaches us about how to control our voices and build power without over doing it. 

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Ratliff talks a lot about control and power kind of like a choir director. A choir director teaches us about how to control our voices and build power without over doing it. 

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"There are other shapes and motions a musician or band or composer can make to achieve the condition of music, or what the composer Edgard Varèse called “organized sound.”

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"There are other shapes and motions a musician or band or composer can make to achieve the condition of music, or what the composer Edgard Varèse called “organized sound.”

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(Ratliff.18)

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"And that is exactly how Varèse felt about the composition of music. The form must be imposed from the center, not from the outer layers. This, possibly, is how you live when you are not making repetitive motions, when you are entering new problems or encountering elements with a great possibility of variety: you, a being of limited variety, a biped like all the rest, move through these situations, these different rooms of life, each one revealing an endlessly permutating number of changes in color and temperature and sound and feeling.

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"And that is exactly how Varèse felt about the composition of music. The form must be imposed from the center, not from the outer layers. This, possibly, is how you live when you are not making repetitive motions, when you are entering new problems or encountering elements with a great possibility of variety: you, a being of limited variety, a biped like all the rest, move through these situations, these different rooms of life, each one revealing an endlessly permutating number of changes in color and temperature and sound and feeling.

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" (Ratliff.18)