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1. Nhà dân tộc
2. Nhà Bác Hồ
3. Model khung cửi
4. Nhà khu văn hóa làng nghề

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SƠ ĐỒ TÁCH LỚP HIỆN TRẠNG ĐIỀU KIỆN TỰ NHIÊN

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SƠ ĐỒ TÁCH LỚP HIỆN TRẠNG ĐIỀU KIỆN TỰ NHIÊN

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Bảng cơ cấu diện tích dựa trên QH đơn vị ở

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Bảng cơ cấu diện tích dựa trên QH đơn vị ở

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Tính toán số liệu
Tính toán số liệu CŨ

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SƠ ĐỒ ĐỊNH HƯỚNG PHÁT TRIỂN CẢNH QUAN CHO KHU VỰC THỰC NGHIỆM SEN

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SƠ ĐỒ ĐỊNH HƯỚNG PHÁT TRIỂN CẢNH QUAN CHO KHU VỰC THỰC NGHIỆM SEN

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SƠ ĐỒ ĐỊNH HƯỚNG PHÁT TRIỂN CẢNH QUAN CHO KHU VỰC WETLAND LỌC NƯỚC THỦY SINH

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SƠ ĐỒ ĐỊNH HƯỚNG PHÁT TRIỂN CẢNH QUAN CHO KHU VỰC WETLAND LỌC NƯỚC THỦY SINH

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SƠ ĐỒ ĐỊNH HƯỚNG PHÁT TRIỂN CẢNH QUAN CHO KHU VỰC TÁI HIỆN KHONG GIAN THỜI NIÊN THIẾU HCM

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SƠ ĐỒ ĐỊNH HƯỚNG PHÁT TRIỂN CẢNH QUAN CHO KHU VỰC TÁI HIỆN KHONG GIAN THỜI NIÊN THIẾU HCM

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Điểm nhấn của công trình chính là không gian giao lưu điệu hò - đặc biệt là dân ca ví giặm

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Bổ sung thêm 2 đối tượng: người lưu diễn/ người dân địa phương

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MẶT BẰNG CHI TIẾT CÁC KIẾN TRÚC KHAI TRIỂN

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MẶT BẰNG CHI TIẾT CÁC KIẾN TRÚC KHAI TRIỂN

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GIỮ LẠI CÁNH ĐỒNG - XÂY DỰNG TRÊN CÁNH ĐỒNG

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GIỮ LẠI CÁNH ĐỒNG - XÂY DỰNG TRÊN CÁNH ĐỒNG

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https://contextbd.com/jum-cultural-complex-rangamati/

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Jum Cultural Complex is a proposed Indigenous Cultural Complex located at Manikchari; Rangamati Bangladesh. It was the Final year (5th year) thesis project of Bangladesh University of Engineering &amp; Technology completed in 2014. Jum Cultural Complex is an initiative for the preservation, development and exposure of Jum Culture which not only promotes culture but also indigenous knowledge of sustainable living.

Chittagong Hill Tracts, located in the Southeastern corner of Bangladesh, along the border of India and Myanmar is the home of 11indigenous groups. The Indigenous groups are Chakma, Marma, Tripura,Tanchangya,Khiyang, Chak, Khumi , Mro, Pankhoya, Lusai and Bawm , all are collectively known as Jumma people. Their distinctive culture, language and lifestyle is differs from the majority of the plain land Bengali people.

' Jum ' is the traditional Swedish or slash and burn shifting cultivation on hilly area. The Jumma Peoples' livelihood, music, dance, food habit, festival are directly or indirectly related to this Jum cultivation. So Jum is the common bondage and potential sign of identity among the Jumma People.

From the colonial British Period to recent time the Jumma peoples are subjected to eviction from their ancestral land and still struggling to protect their land and culture. The built of Kaptai dam in 1960 in then East Pakistan caused hundred thousand of people evicted from their land. The so called development became the threat and fear of eviction. Recently due to decrease of land, pressure of dominant culture, lack of cultural exposure and development, the Jum Culture is on the way to extinct.

Jum Cultural Complex is an initiative for the preservation, development and exposure of Jum Culture which not only promotes culture but also indigenous knowledge of sustainable living.

Features of traditional Houses and settlement Pattern.

Most common feature of the traditional houses is raised platform with open or semi open terraces. The houses are made of local material like bamboo, wood and sun grass which are abundantly available in the hilly area.

The settlement pattern of the houses is solely dependent on the natural settings and contour of the hill. Most of the settlements are organized along the pathway creating linear settlement patterns. The varied size pathway creates gathering and activity spaces for the inhabitants. The verandahs/decks are aligned along the pathway and oriented towards the natural view.

The utmost consideration for this project was conservation of land, resource and natural settings; use of local material and indigenous building techniques; and mostly creating an indigenous identity.

The site (about 25 acre) is located at outskirt of Rangamati City. A spectacular view to surrounding hills and a natural stream running through the site are the major site forces for the design.

In the design, most of the land is kept as it was with less intervention to provide ownership of the cultivable land to the adjacent village community. The functional masses are organized along a linear pathway which is connected by local roads of existing villages. The complex has no boundary and connected to village roads so that villagers could commute through the project and feel as their own. The whole complex is centralized towards the " Genhuli Hall "-Circular Multipurpose Hall attached with a water body provides gathering and activity space for the cultural activity. The water body dug for the old brickfield was recreated into a waterfront walkway.

All masses were built on a raised platform with multiple open verandah and terraces just like traditional houses.

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Jum Cultural Complex is a proposed Indigenous Cultural Complex located at Manikchari; Rangamati Bangladesh. It was the Final year (5th year) thesis project of Bangladesh University of Engineering & Technology completed in 2014. Jum Cultural Complex is an initiative for the preservation, development and exposure of Jum Culture which not only promotes culture but also indigenous...

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https://eam.uauim.ro/projects/2015/44/

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European Architectural Medals for the Best Diploma Projects

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Alina Georgievskaya from Samara State University of Architecture and Civil Engineering, Russia

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Market – new public center of local communities. Historical evolution and modern approaches to the design of urban markets

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The graduation thesis touches on issues such as rethinking of the roles of markets in the urban structure as the new type of social area, supporting urban traditions and being the exchanging medium between communities not only economically, but...

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The sketch design for 'het Oog' (The Eye) follows the elaboration of the urban development plan for IJburg phase 2, or Strandeiland, on which the Municipality of Amsterdam and DELVA previously collaborated. Het Oog is a large inland water that is situated on top of the historic archaeological gully.

Het Oog is the 'living room of Strandeiland' and responds to both identities of both the Pampus and Muiderbuurt. She brings these together and thus forms the blue heart of Standeiland: a place of stay, meeting and activity for the residents, but also for ecology, water quality and the creation of a diverse urban nature. Het Oog facilitates a particularly diverse program that is always water-related, and in which the hard quay on the north side contrasts sharply with the soft bank on the south side.

Within this study, the focus is on the south side of the Eye, in order to spatially shape the soft bank there into a perceptible (underwater) landscape park. This statement is inscribed in the manual 'public space Strandeiland' that is currently being drawn up by the Municipality of Amsterdam. The sketch design lays down the basic principles for the design language, use and general atmosphere of the (underwater) landscape park.

Het Oog reconciles water quality, ecology and recreation

The inland water is not a natural water surface: it is completely 'manmade' and cannot derive its quality from the context or the landscapes behind it. The inland water must therefore generate its own identity from the role it fulfills for Strandeiland.

This identity arises from the inland water that will serve the city as much as possible and provides ecosystem services at the level of water quality (natural purification of rainwater from the island), water ecology (the creation of a robust, ecological stepping stone for fauna and flora ), and water recreation (creating water-related recreation places for the residents of Strandeiland). The southern side is being developed as a wide and varied natural bank where maximum use is made of all three themes (water quality, water recreation, water ecology).

Reed beds, underwater plants and microbes naturally purify the water. Shrubs, trees, and semi-submerged plants attract birds, insects and amphibians to the park. In addition, an intertwined path structure will be linked to programmatic functions that make the park accessible and experienceable.

Water quality: organic purification process

A measure with a major impact in preventing deterioration in water quality resulting in algal blooms, low oxygen and dead water is the use of biological water purification. By using specific emergent and submerged plants, the quality of the water can be naturally maintained.

The water that ends up in the Eye via the Muiderbuurt and Pampusbuurt is often contaminated because it is permeated with nitrogen and phosphorus, originating from green roofs, leaf litter, exhaust gases, etc. hollow reed stems are injected into the water. This extra oxygen binds with the nitrogen and phosphorus to form nitrates and phosphates. Bacteria absorb these and serve as nutrients for the growth and development of submerged and semi-submerged aquatic plants. This process reduces the nitrate and phosphate content in the water and reduces the risk of poor water quality.

Water ecology: maximizing ecological banks

The (underwater) landscape park has a major contribution to make in the natural purification of the water of the Eye. In order to maximize the number of water-purifying plants and reed banks (always semi-submerged), it is decided to work with whimsical, natural shapes. This whimsical shape is accompanied by the creation of a series of large and small islands, wetlands etc. to blur the boundary between water and land as much as possible. This creates more bank length, and therefore more space for semi-submerged plants, than if the bank were tighter and more simple.

The soft transition between land and water is characterized by three types of landscapes or facilities, each of which has a specific role within the entire (sub) water landscape and each attract and facilitate its own fauna and flora. Three zones are distinguished:

- The land zone: it is always above the highest water level
- The riparian zone: it lies both above and below the (slightly fluctuating) water level and contains vegetation that is half submerged
- The water zone: this is completely below the lowest water level

Water recreation: integration of functions in path structure

The path structure forms the beating heart of the (underwater) landscape park. From here every visitor can fully experience and discover the park. They have opted for their own design language, which is a combination between a more romantic and traditional approach found in English landscape architecture, and a sleek, modern contemporary approach to straight lines and sharp angles. This results in a playful design language with short, straight sections and rounded corners that constantly offers the visitor new views and experiences.

The path structure does not only consist of paths, but also of resting places, play elements and smaller nature paths. Each special element is therefore incorporated within the same design language so that everything forms one coherent whole. These elements invite various forms of water-related recreation and offer relaxation and play space for young and old.

Atmospheres within the plan

Inland water is the central figure in the urban design of Strandeiland. This makes it important to emphasize its connecting function by working with long sight lines that become noticeable from important points in the plan. Sightlines are created from the green fingers of the
Muiderbuurt, whose recreational program is also physically extended into the (underwater) landscape park. In addition, a long visual relationship also arises when entering Strandeiland, or from the dyke on the east side, which separates the inland water from the IJ.

The (underwater) landscape park is strongly anchored to its surroundings at 5 strategic points. The number of crossings between the park and its surroundings was limited to five because of the tram track, whereby the crossings must be reduced to a minimum. Finally, a great diversity of open and more closed places is created in the park. The visitor is guided naturally along the most important places in the park. More hidden, secluded spots are there to be discovered via more adventurous nature trails, and ensure that residents of Strandeiland can permanently discover new places in the park or to escape completely from the bustling city life.

On the west side, the park starts with a denser wooded part that immediately shields the visitor from the urban environment and offers a wide view towards the open water. The main route lies between the natural bank with reeds and (low) grasses and the small forest.
Narrower side paths give access to the forest with rough undergrowth to give the visitor the opportunity to isolate himself as much as possible from urban life.

When you walk a little further you suddenly come to an open bay that emphasizes the vastness and breadth of the water. Here the main route jumps into a continuous part (which connects with the green finger in the Muiderbuurt), and a dead-end part, which is designed as a sun deck, swimming area and springboard. On the other side of the bay there is a large, open sunbathing area oriented to the afternoon and evening sun.

After the natural bay, the main route continues much further from the quay of the Muiderbuurt. In this third part of the park, the main route moves along a wetland on the right and several small reed islands on the left. The main route incorporates several staircases that are oriented to the south and look out over the wetland. A secondary, semi-paved nature trail runs along the edge of the forest on the other side of the wetland and brings visitors very close to the habitat of water birds and ducks.

The main route continues and takes more and more distance from the quay of the Muiderbuurt. In this part people walk over and between a large number of reed islands. More open places with views over the water alternate with very dense, narrower places where one feels completely enclosed by the high reeds.

When one has passed the high reeds, the (underwater) landscape park suddenly opens up completely again into a large, well-equipped swimming and recreation zone. Here part of the water is enclosed as a closed swimming zone. The swimming area is delimited by the main path that also serves as a south-oriented sun deck and an open grassy meadow on the other side. A shallow part also gives the smallest among us the chance to enjoy the water. A little further on, the main route still originates in a side path that takes the visitor to a small island where a dock for canoes is provided.

All the way to the east of the park, the experience is rounded off with the main route that goes over a small bay and gives space to a seating stand that offers a view towards the setting sun. Groups of islands before and after the seating stand are only accessible via hidden narrower paths and stepping stones, to completely unwind here, completely surrounded by the water.

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The new city park on Strandeiland, DELVA Landscape Architects + Municipality of Amsterdam + Sweco

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The sketch design for 'het Oog' (The Eye) follows the elaboration of the urban development plan for IJburg phase 2, or Strandeiland, on which the Municipality of Amsterdam and DELVA previously collaborated. Het Oog is a large inland water that is situated on top of the historic archaeological gully.

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Đồ án điều chỉnh Quy hoạch chi tiết (tỷ lệ 1/500) Khu du lịch văn hóa, lịch sử Ngục Kon Tum, thành phố Kon Tum, tỉnh Kon Tum

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Đồ án điều chỉnh Quy hoạch chi tiết (tỷ lệ 1/500) Khu du lịch văn hóa, lịch sử Ngục Kon Tum, thành phố Kon Tum, tỉnh Kon Tum