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https://www.pentagram.com/work/channel-4?rel=discipline&rel-id=18- 2d/ 3d animated type

https://www.pentagram.com/work/bacan?rel=discipline&rel-id=18 – overlap – inspired by human action

https://www.creativebloq.com/typography/examples-kinetic-typography-11121304

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https://www.typecraftinitiative.org/barmer-applique-font

https://www.typecraftinitiative.org/_files/ugd/140145_51be7e66b2724c209c505009b23928f8.pdf

https://www.typecraftinitiative.org/soof-font

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Since 2008, a reference platform for typographic and graphic posters.

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Great movie titles permanently burn into our brains. Everyone can identify a James Bond film by its graphic overlays of babes and guns. And who could ever forget Star Wars' opening crawl, how it scrolls back into space as John Williams' famous theme- da, dee dee da, dee dee da- echoes through the theater.

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Before you ever see a movie or watch a TV show, it's likely that a title screen from a trailer or poster art has gotten you there. As a UX designer, the art of the film title has always inspired me and shaped the way I think about branding and design. Here are the title creators (and one typographer) who have inspired me:

1. Saul Bass

Saul Bass is among the pioneers of title design. In 1955, his title sequence for Preminger's The Man with the Golden Arm made him famous. He then went on to design for Alfred Hitchcock, Stanley Kubrick, and Martin Scorsese. His work showed that the first minutes of a film are of great importance. When played right at the beginning, titles serve as an overture, foreshadowing part of the story, mood, or theme. It's a dramatic device that puts the audience in the world of the movie before they even start watching it.

Opening title sequences by Saul Bass.

Bass put it this way: "I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it." It's helpful advice for anyone designing a title page, presentation, or home screen. With those elements, title designers prepare audiences for what they're about to see. "Try to reach for a simple, visual phrase that tells you what the picture is all about and evokes the essence of the story," he said.

Opening title sequences by Pablo Ferro.

2. Pablo Ferro

One of Bass's fellow title designers was Cuban-born Pablo Ferro, who has designed title sequences for more than 100 films. He taught himself animation from a book by Preston Blair, who worked at Walt Disney productions.

Title designers like Ferro put a lot into setting the right tone, time period, and scene for the story you're about to see-and it all starts with font. Whether it's custom or off the shelf, font conveys a certain character and builds the brand for a movie or show. Ferro loved hand-lettering and designed many of his own fonts. When Kubrick asked him to design the title sequence for Dr. Strangelove, Ferro chose to use a tall, thin lettering that he had scribbled in one of his notebooks so that it wouldn't obscure or distract from the underlying footage.

3. Maurice Binder

Having designed title sequences for 14 James Bond films, Maurice Binder created a signature style that used silhouettes and bold typefaces to evoke espionage and intrigue. In the opening sequence for Agent 007 against Dr. No, Binder established the famous gun barrel sequence, initiating the pop era of graphic design. Binder's work is a great example of how consistency of style and typeface help build a strong brand.

4. Ed Benguiat

Does the font EF Windsor Light Condensed look familiar? Maybe set in white on a black background, accompanied by some jazz music? Yup, it's the signature opening for Woody Allen movies. Allen happened to have a conversation with typographer Ed Benguiat in a diner in New Jersey one morning, and Benguiat recommended he use the Windsor typeface for its warmth and friendliness. Allen loved it and used it for almost all of his titles from then on. Though Benguiat isn't technically a title designer, his fonts have been an influence on many.

Opening sequence of Match Point.

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5. Imaginary Forces

Typographer Ed Benguiat plays a role in our final example, too. Michelle Dougherty-of acclaimed design firm Imaginary Forces-ended up choosing his self titled font, Benguiat, as the primary typeface for the Netflix series Stranger Things. She chose it for its strong 80s appeal and ties to paperback novels from that era.

Then there was the matter of animating the logotype and adding sound and music to bring it to life. The Stranger Things title sequence shows how powerful and expressive type in motion can be. Flickering lights that imitate the optical process, morphing serifs, and the admittedly intense score convey that eerie feeling of mystery. The title sequence for Stranger Things was so well received, a couple of title generators and copycats popped up on the internet to imitate its style.

Opening sequence of Stranger Things designed by Michelle Dougherty with the Benguiat typeface.

To view a great selection of classic and contemporary title sequences head over to The Art of the Title.

Title sequences in the header image by Maurice Binder (Barbarella), Imaginary Forces (Vinyl, Stranger Things, Mad Men), R/GA (Seven), Digital Kitchen (Trueblood, Narcos, Dexter), and Nexus Productions (Catch Me If You Can).
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Get Inspired by 5 Great Film Title Designers

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How I learned design principles from going to the movies

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ln this project，I found that the letter Y is easier to find secondly the letter A is very creative Then the letters Qand Z are not easy to find

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This is a blue purple and irregular font

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D y E A B C

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O F T H n Y X

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I choose this type of building to complement my work. In daily life, letters and fonts are closely related, and their presence can be found everywhere, because houses,doors and windows can all present the shape of letters. I hope to present my work better in this form.

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References: Penrose tiling pattern, Isometric grids

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References: Penrose tiling pattern, Isometric grids

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Yogi-Type A5 Letters – Francesca Hotchin

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When a designer has a persistent yoga habit…I made my yogi pals contort themselves into yogic letterforms purely so I could illustrate them into a full alphabet, because why not? Choose your letter and get a printed to order high quality A5 print. All poses include their respective letterform, sanskrit pose names and common pose names.

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I think I can add more letter C from cutting the photo into more pieces ,so I cut some and turn it into new letter C.

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Letter A redesign ,adding a more A in the picture,using the photo in the left half photo.

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a,b,c,d,e,f,g,h,

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These photos are all taken by myself ！

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These are my alphabet a to e.

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I used the branches, the shadows in the painting, the shadows of the objects, the way the dolls and chairs were arranged, etc., to form the different letters.

If you want to be unique, you just need to be as unusual as possible, as weird as possible, and use your imagination.

Of course, these photos are not from the Internet, I took them myself, although I did adjust the color of the photos to make them look beautiful and stunning.

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T,O and Y are the most easiest to obtain.Y can be a tree branches,O can be plates and T can be buildings.