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 Everything, Everywhere, All At Once -Reflection on Asian Family Relations

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 Everything, Everywhere, All At Once -Reflection on Asian Family Relations

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I had a lot of questions about the title of the movie before watching everything everywhere all at once. I think the topic is very abstract and I can't see the theme of the film in the title. I think it's going to be a very cool movie with a lot of special effects and so on.But when I finished watching the movie, I found that most of it was a reflection on feminism and family relationships. In Asia, there seems to be a gap between parents and children, and children seldom talk to their parents and exchange ideas. So that it will lead to some emotional situations that can not be vented. In Asia, women are taught from an early age to be good mothers and take good care of their families and children, so that their careers are irrelevant. The film captures this and has a lot of wonderful depictions through the process of a mother looking for herself. Such as special powers, games with husbands, and so on. The film makes us re-examine family relations and women's attention and growth to themselves.

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Set on the outskirts of Hustol in the early 1970s,

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a disbanded youth summer camp for people with physical and mental disabilities carried out a parallel transformation, opening the prelude to the rights movement for people with physical and mental disabilities and changing the lives of young people and the history of the United States forever.

The basic question of human society: does society serve the minority, the majority or all? I think the ultimate goal of human society should be to serve all its members. Everyone should have the same rights and obligations. Society can prohibit all people from doing something (something illegal), but what society allows to do, equal convenience should be provided for everyone. The value of allowing people with disabilities to live a normal life lies not only in themselves, but also in making other people a better self through mutual understanding.

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The film tells the story of Juana, a Mexican single mother who has worked at a fruit stall for many years, who has superb knife skills and fast conditioning speed, but has been unable to play. Attracted by the elegance and persistence of Japanese cuisine, Juana decided to quit her job and work in a Japanese restaurant. When she finally mastered the skills and wanted to show her skills, she found that the female sushi chef, who was also a Mexican, was not recognized by the world.I think the best part of this film is the background of Mexican immigrants. Although the technique may not be skillful enough, we can see that it combines the director's own experience and life experience. At the beginning, Juana woke up his daughter at four o'clock, went to the factory with her father, sold fruit boxes along the street with a trolley, and then went to Juana every time he quietly sat on the bus to work. When he was sad and frustrated, he sat on the Changdeng to eat, annoyed and his father's stubbornness and incomprehension, and there was a quiet persistence flowing in these quiet scenes.

To a certain extent, immigration is also a process for a person to find his own identity, which is not an easy task. Beset with difficulties.But Chinese people believe that the body is everyone's temple. Year after year, living in accordance with the cycle of nature and conforming to time, with heaven and earth as the protagonist, are the gifts of nature and time. People can show a better texture through "eating and enjoying".

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Smoke singnal, which we translate as "Smoke Signals," was the first film produced independently by a predominantly Native American crew to both gain significant market traction and garner critical acclaim in the film industry. Different from the original people theme film and television works commonly seen in the street in the past, if it is not to gaze at the eye of curiosity, it is filled with the sentiment of the wishful thinking of civilized society, "Fireworks Signal" with realistic brush, describing the living state of contemporary native Americans.
It's about two Indian boys. One is named Victor, who is brave, handsome, mature, and also very hanging, very hanging; There is another named Thomas, who was rescued from the fire by Victor's father when he was a baby, but his parents died, and he was raised by his grandmother. He is very girly, but he is very cheerful, likes to imagine, likes to tell stories to others, and he is very simple, very pure.

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enjoy class time