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The objects in each window match the brand and products, I really like the design of the MAC and Lelabo windows.
MAC: there have three huge bottles of foundation models placed in the middle of the window, hanging above some spheres, the color of the spheres same as foundation colours which is a great matching.
Lelabo's window is divided into three parts, the upper left corner set with bottles and natural fragrances, the right is a screen displaying a static picture holding lelabo perfume, the centre is a vintage cabinet, placed some perfumes neatly, as if back in the 1990s lelabo.

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1.Ellen would like to see my colour chosen in screen-printing, how to connect with the real world, because Donna's work are very tactile while my works are printed and flat, and ellen suggested finding a link point between us, such as collecting the same colour items in the real world with my prints (blue items in the real world )
2. scan works into Photoshop and set 70 dpi
3. deeply research Donna Wilson's website to see the material she used, what colour she like, and what she thought when designing her works.

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Monotype， screenprint

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using paper cutting to make this mock-up,

i was testing /playing with the light and shadow according to last Friday's photography, video gif workshop. but the paper is not stable so during the shooting process is kind of difficult.

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4 colours maximum per role

2 designs can be playful and 1 have to be rectangle.

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-background colour, texture, try add some pattern

-colour contract

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the blue color chosen on my screenprint is saturated, I need to try Donna Wilson’s color

research some children's product brands to find out how they work with children

children need pattern that simply to read.

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screenprint

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Etchings with Graphites

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Lithography

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Charlie Evaristo-Boyce “Airmen Portraits #5 -Firefighter” 2022

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Charlie Evaristo-Boyce “Airmen Portraits #5 -Firefighter” 2022

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Screenprint

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Charlie Evaristo-Boyce “Airmen Portraits #2- pilot” 2022

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Charlie Evaristo-Boyce “Airmen Portraits #2- pilot” 2022

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Screen printing

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Screenprint

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test with two type fabric type, the thin one( Double Gauze) is difficult to peel off and leave the mark on the heat transfer paper while the thicker one ( white linen) is much easier.

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-neutral colour look professional rather than the warm colour when take a photography,

-reflector, using on portrait

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Hugging is a form of physical touch that promotes relationships. Research shows that hugging typically releases dopamine, a hormone that brings happiness. It helps us feel safe when we're with the person we're hugging and can lead to improved sleep. A lack of sufficient dopamine can result in low moods, muscle and digestive issues, fatigue, and lack of motivation. However, hugging is a matter of personal preference. For those who don't like physical touch but still lack a sense of security, a blanket with a "hugging" feature could provide assistance. In the case of infants, a mother's voice, scent, and physical touch are ways to make babies feel secure. However, parents and infants are not always together every moment (when parents are busy or when the baby is sleeping in a crib at night). During such times, items like blankets, dolls, or pacifiers can provide additional comfort when needed as auxiliary tools. Nevertheless, it's important to maintain close interaction and physical contact with the baby as it is crucial for their emotional development.

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further research about babies product design

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further research about babies product design

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test these low-saturation colour on my works

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The last time we spoke, Kate Dehler announced that she was about to go full-time as an illustrator. Catching up with her a year later, we are delighted to find her in high spirits, fizzing with the excitement of new projects and inspirations. Her work, always so irresistible for its subtle textures and sunny colour palettes, has been buoyantly invested with the new "freedom" which comes with the extra time to work creatively. She explains how the "joy of drawing" is not only enriching her practice but also the way she lives: "thinking visually can be meditative and awe-inspiring, and I think it has been helping me be more present, observant, and measured in my daily life."

Kate loves being outside at the moment. "Nature is probably the most energising thing to me right now," she explains. She has recently moved with her wife to Austin, Texas, and has become fascinated by the landscape, "the extensive variety of shrubbery and flora," and "the sky colours at different times of day." We are loving the way Kate is intertwining these natural influences into the concepts for her illustrations. In her piece accompanying a Bloomberg article on how The Covid Trauma Has Changed Economics, Kate imagines old, entrenched ideas on how to manage economics, in the form of six crumbling classical columns. The flourishing of new ideas which has been sparked by the economic trauma of the Covid-19 pandemic is represented as a vivacious, and irrepressible tangle of wildlife that is quickly engulfing the crumbling tenets of pre-Covid economic theory. Another work that is buzzing with Kate's new fascination with the natural world is her piece for The New York Times, Going For A Walk. Here, a colourful menagerie of large insects peers at a pair of walking feet. The illustration imaginatively centres a perspective on the human world that we rarely consider - that of the teeming minibeast culture at ground level.

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Kate Dehler on the "meditative and awe-inspiring" possibilities of thinking visually

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We catch up with the illustration artist to find out how taking her creative practice full-time has been going.