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Sorry for the terrible drawings :(

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Script for the same scene as the storyboard.

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Not really happy with the drawings but it was the best i could do. Storyboard for a scene where the protaganist is training and improving his fighting skills.

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different scene because I cant draw people

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Section 6: Storyboard Your Scene: What It Means To Kill

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Section 6: Storyboard Your Scene: What It Means To Kill

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Section 6: Storyboard Your Scene: What It Means To Kill

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Section 6: Storyboard Your Scene: What It Means To Kill

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Create a new document and edit with others at the same time -- from your computer, phone or tablet. Get stuff done with or without an internet connection. Use Docs to edit Word files. Free from Google.

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Review this PDF of creating a Narrative with t storyboard. Note how you can add comments, arrows to signify movement and use appropriate camera shots to help deliver the narrative clearly

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Review this PDF of creating a Narrative with t storyboard. Note how you can add comments, arrows to signify movement and use appropriate camera shots to help deliver the narrative clearly

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People make storyboards to set out their vision for a scene. While it takes a bit of time to make a good storyboard in the beginning, it saves you a lot of time further into the process. The best storyboards use stick figures or comic book-style sketches to show close-ups, wide shots, pov (point of view), special effects, and everything else that makes up your shot list.

In this post, we're going to show you a few scenes from our favourite films, and the storyboards that helped create them. Hopefully, these storyboard examples help you see how storyboarding is an integral part of the video production process as you set out to create your own blockbuster. On which note, don't forget to check out our free storyboard templates. Your production team will thank you!
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Animation Storyboards

1. Spiderman 2

Although it came out in 2004, some of the action scenes in Spiderman 2 are still breathtaking 15 years later. This fight scene between Spiderman and Dr Octopus, which takes place on top of a fast-moving train, is particularly spectacular. The storyboard sample shows what's moving in each shot, and in which direction, so that the production team is crystal clear on the desired end result - which is exactly what a professional storyboard should do.

Spiderman 2 fight scene storyboard

2. Up

Sparks fly when Carl and Ellie first meet in Up, and it's all thanks to a rigorous storyboard that highlights all the necessary details. Notice the way Carl looks down at his badge after Ellie pins it on, and his little smile as he looks back up. Not to mention the way he turns red with embarrassment after Ellie grabs his hand - which is the only bit of colour we can see on the storyboard. We give this storyboard 9 cute points out of 10.

3. Batman: The Animated Series

Flicking from video to storyboard, you can see how this scene was mapped out in painstaking detail by the storyboard artist. The storyboard shows exactly where Batman flies into the scene, how each punch connects with (or misses) its target, and where lighting - like the moon, or various spotlights - is used throughout the scene. All of which helps the team to speed up video production. Kablam!
Batman: The Animated Series
4. Adventure Time

Adventure Time is certainly on the quirkier end of the cartoon spectrum. But you wouldn't sense that from its orderly, highly-detailed storyboards, which break the scene down into its core elements: dialogue, action, and timing. It's super-specific, freeing things up for the fun to continue.

5. Summer Camp Island

The world of Summer Camp Island is a fantastical place, with costume changes happening as if they're... well, magic. The storyboard here shows how a hat miraculously grows, sleeves appear and change colour, and stars fly out of the character's body as their arms move up. Magic!

6. Super Mario Odyssey

Plot twist: this example is from a game, not a film. While the images here can be a little tough to follow at first glance, due to their sketchy style and minimal colouring, you can see how the storyboard informs the in-game result.

7. Tom and Jerry

The clipped, minimal wording that accompanies this storyboard has a unique charm. While the final result is light and humorous, the storyboard text is purely functional. However, the images give the director everything they need to make the scene sing.

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Action Storyboards

8. Tomorrow Never Dies

In his line of work, James Bond is no stranger to a dramatic escape. Although this scene from Tomorrow Never Dies might be the first time an escape's involved a huge banner. Like all the best storyboards, this one pinpoints the key shots to capture: Bond cutting the rope with a massive knife, a zoomed-out shot of the banner mid-tear, the two lovebirds swinging many metres from the ground.

9. Edge of Tomorrow

In a macabre twist on Groundhog Day, Tom Cruise finds himself killed again and again (and again), as he attempts to defeat some nasty aliens. The repeated sight of Cage and his comrades careering towards the ground on flimsy lines never ceases to amaze. It's made especially dramatic by the choice of camera angles, as set out in the film's storyboard.

10. Transformers

Like skinning a cat, there are many ways for a Transformer to burst into a building and wreak havoc. This beautiful storyboard shows exactly how the carnage should happen, and how the crew should capture it. Note the small details like the soldier getting flung back into the room, surrounded by shattering glass.

11. Apocalypse Now

What this storyboard lacks in precise detail, it makes up for in sheer beauty. The storyboard doesn't give granular direction, but it does highlight some key shots, and what the colours should look like in the scene. It also shows how to capture the magnitude of all those helicopters blazing across the sky.

Vintage Storyboards

12. West Side Story

This movie storyboard looks a little different. Probably because it's the handiwork of renowned designer, Saul Bass. As well as designing myriad company logos and movie posters, Bass also put his design skills to work as a storyboard artist for movies like West Side Story. This storyboard is a prime example of his ability to, in his words, "symbolize and summarize".

13. The Sound of Music

If you plan on making an all-singing, all-dancing box office smash, you'll find that a good storyboard goes a long way. It's amazing to watch this clip and see just how closely the onscreen action mimics the sketched storyboard scenes. We doff our caps to storyboard artist, Maurice Zuberano.

14. Gone with the Wind

Although it was made back in 1939, this fiery scene from Gone With the Wind is still just as visceral eighty years later. The orangey, smoky hues make the whole scene feel apocalyptic - like the world is on fire - and it's clear to see how much those colours are inspired by the accompanying movie storyboard.

15. Spartacus

When you've lined up 8,000 extras to shoot the final scene in your movie, making mistakes is pretty costly. Which is why Stanley Kubrick roped in our pal Saul Bass to knock up these exceptional storyboards for the iconic closing fight in Spartacus. It shows all the key camera angles and close-ups that Kubrick needs to get the job done.

Blockbuster Storyboards

16. Jurassic Park

In this particularly terrifying scene from Jurassic Park, the storyboard artist details how a velociraptor pokes his head up through an air duct, sandwiching Lex to the ceiling. Thankfully, Grant is on hand to kick this hungry dino in the chops before he can do any damage. Things get a little spicier when Lex falls through the duct, inching closer to the velociraptor. But, as we see in the storyboard, Grant's able to drag her to safety in the nick of time.

17. No Country for Old Men

Villains don't come much more villainous than the sublime Anton Chigurh of No Country for Old Men. The movie storyboard for this scene details the wide camera angle for Chigurh's entry, how the camera should pull as Chigurh walks towards the car, and the wide shot and low angle that's needed for the moment Chigurh dives behind a car to avoid Llewelyn's bullets.

18. Forrest Gump

There's so much to love about Forrest Gump, not least the moment where he moons the President while showing him a gunshot wound in his buttock. It's all laid out in the accompanying video storyboard, including specifics like the close-up shot of the President placing the medal around Gump's neck, right before he drops his trousers in front of a shocked audience.

19. Gladiator

Poor Maximus already has his work cut out in this fight, without throwing a tiger into the mix. But it does make for great viewing. The storyboard sets out exactly how the camera should capture the tiger from behind as it races towards our intrepid warrior, capturing its claws as it swipes at Maximus' body.

Looking to create a short film of your own? Check out our handy guide: How to write your first short film

20. Moulin Rouge

Baz Luhrmann's 2001 film is a riotous romp of dancing, singing, and pure flamboyance. Like this scene, where Satine swings through the Moulin Rouge and tantalises her adoring fans. All the key shots are laid out in the accompanying storyboard, including close-ups on Satine's face, and wider shots that show the sheer scale of the production.
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Sci-fi and fantasy storyboards

21. Game of Thrones

In one of Game of Thrones' trippier moments, Daenerys gives birth to three dragons. Of course she does. The storyboard captures exactly how the action should come across onscreen, including a close-up on the beating of the dragon's wings as it sits on Daenerys' shoulder. Not to mention the looks of awe (or is that terror?) from people witnessing one of the more bizarre births in cinematic history.

22. Alien

Speaking of bizarre births, Ridley Scott got there first with this peach of an arrival in the 1979 sci-fi classic, Alien. The movie storyboard shows the crew merrily eating around the table, before Kane starts writhing in agony, much to the confusion of his dining companions. Then, just as the storyboard dictates, a strange creature pops out - covering Kane's gleaming white shirt in blood. Delicious.

23. Inception

Many called Christopher Nolan's film a masterpiece. Others were just... confused. And its ending doesn't do much to help. This storyboard by artist Gabriel Hardman shows how the camera should zoom in on the spinning top, before cutting for the end of the film. That's exactly what Nolan does - leaving the audience to wonder whether we're in a dream, or whether this is reality. The mystery continues...

24. Star Wars: Episode IV - A New Hope

Creating a hit motion picture series doesn't just happen overnight. It takes time - and a few good storyboards along the way. Like this one for the original Star Wars, which illustrates exactly how some of the movie's most iconic shots should look onscreen. Those are some finely-drawn explosions, right there.
Star Wars: Episode IV - A New Hope
25. Harry Potter and the Order of the Phoenix

The storyboard for this scene perfectly shows the darkness and fear that's needed to make the final result as scary as possible. Every image feels ominous, with a look of pure terror on poor Potter's face. Don't worry, though. Harry and his pals make it out alive in the end. Phew!
Harry Potter and the Order of the Phoenix
Scary Storyboards

26. The Birds

Alfred Hitchcock is the master of scenes that are packed with suspense, and this classic from The Birds is no exception. The storyboard shows how Melanie should be moving back and forth on a swing, as an army of crows gathers behind her - much to her surprise. Meanwhile, the schoolchildren watch as the scene unfolds. They'll be scarred for life, no doubt.

27. Psycho

Bass also dipped his toes into the horror world as the storyboard artist for the infamous shower scene in Alfred Hitchcock's Psycho. While the scene was directed by Hitchcock, it was heavily styled by Bass. The way he depicts an unsuspecting victim, the extreme close-up on her mouth as she screams, the iconic silhouette of her attacker. It's all there, right in Bass' storyboard. And it definitely gives you the willies.

28. Interview with the Vampire

While some storyboards show everything in pictures, others lean more heavily on text to get the point across. Take this example from Interview with the Vampire: 'Lestat's bony hand rises up from the rear seat well [...] Lestat suddenly attacks!' A few words go a long way in helping the production team to capture the vision for a particular scene.
Interview with the Vampire
The Power of Storyboarding

This collection of 28 example storyboards serves as a valuable resource for inspiration and learning. These storyboards, sourced from popular films, demonstrate the art of visual storytelling and provide insights into various techniques, shot compositions, and narrative structures.

By studying these examples, you can gain a deeper understanding of how effective storyboarding can enhance your own projects. With Boords as your creative companion, you have a powerful tool to bring your unique ideas to life and create visually captivating storyboards.
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28 Best Storyboard Examples (Updated for 2023) | Boords

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A storyboard is a series of images that explain how your story will look, shot by shot. Each image appears in chronological order, with notes underneath to explain what's happening. It's a crucial part of the pre-production process.

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Please review your work each week for this unit. See attached document for the weekly tasks including your evaluation

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Create a storyboard of the scripted scene you  wrote  last week.
Note: If you find that this isn't possible then storyboard another scene from your story which you can imagine visually.
We will see how this forces us to imagine the visuals of the scene, from perspective to 'camera angle', how close up it is, wheats in the background etc

Please review this document and make a storyboard with 6 - 8 sketches of images of the scene you scripted last week.

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So you want to write a film script (or, as some people call it, a screenplay - they're two words that mean basically the same thing). We're here to help with this simple step-by-step script writing guide.

Or better yet, use our AI script writing generator -- it's designed to take your idea and flesh out a film script with voiceovers and camera directions for your storyboard. Bring your vision to life.

Lay the groundwork

1. Know what a script is

If this is your first time creating movie magic, you might be wondering what a script actually is. Well, it can be an original story, straight from your brain. Or it can be based on a true story, or something that someone else wrote - like a novel, theatre production, or newspaper article.

A movie script details all the parts - audio, visual, behaviour, dialogue - that you need to tell a visual story, in a movie or on TV. It's usually a team effort, going through oodles of revisions and rewrites, not to mention being nipped 'n' tucked by directors, actors, and those in production jobs. But it'll generally start with the hard work and brainpower of one person - in this case, you.

Because films and TV shows are audiovisual mediums, budding scriptwriters need to include all the audio (heard) and visual (seen) parts of a story. Your job is to translate pictures and sounds into words. Importantly, you need to show the audience what's happening, not tell them. If you nail that, you'll be well on your way to taking your feature film to Hollywood.

2. Read some scripts

The first step to stellar screenwriting is to read some great scripts - as many as you can stomach. It's an especially good idea to read some in the genre that your script is going to be in, so you can get the lay of the land. If you're writing a comedy, try searching for '50 best comedy scripts' and starting from there. Lots of scripts are available for free online.

3. Read some scriptwriting books

It's also helpful to read books that go into the craft of writing a script. There are tonnes out there, but we've listed a few corkers below to get you started.

4. Watch some great films

A quick way to get in the scriptwriting zone is to rewatch your favourite films and figure out why you like them so much. Make notes about why you love certain scenes and bits of dialogue. Examine why you're drawn to certain characters. If you're stuck for ideas of films to watch, check out some 'best movies of all time' lists and work through those instead.

Flesh out the story

5. Write a logline (a.k.a. brief summary)

You're likely to be pretty jazzed about writing your script after watching all those cinematic classics. But before you dive into writing the script, we've got a little more work to do.

First up, you need to write a ' logline'. It's got nothing to do with trees. Instead, it's a tiny summary of your story - usually one sentence - that describes your protagonist (hero) and their goal, as well as your antagonist (villain) and their conflict. Your logline should set out the basic idea of your story and its general theme. It's a chance to tell people what the story's about, what style it's in, and the feeling it creates for the viewer.

6. Write a treatment (a.k.a. longer summary)

Once your logline's in the bag, it's time to write your treatment. It's a slightly beefier summary that includes your script's title, the logline, a list of your main characters, and a mini synopsis. A treatment is a useful thing to show to producers - they might read it to decide whether they want to invest time in reading your entire script. Most importantly, your treatment needs to include your name and contact details.

Your synopsis should give a good picture of your story, including the important 'beats' (events) and plot twists. It should also introduce your characters and the general vibe of the story. Anyone who reads it (hopefully a hotshot producer) should learn enough that they start to feel a connection with your characters, and want to see what happens to them.

This stage of the writing process is a chance to look at your entire story and get a feel for how it reads when it's written down. You'll probably see some parts that work, and some parts that need a little tweaking before you start writing the finer details of each scene.

7. Develop your characters

What's the central question of your story? What's it all about? Character development means taking your characters on a transformational journey so that they can answer this question. You might find it helpful to complete a character profile worksheet when you're starting to flesh out your characters (you can find these for free online). Whoever your characters are, the most important thing is that your audience wants to get to know them, and can empathise with them. Even the villain!

8. Write your plot

By this point, you should have a pretty clear idea of what your story's about. The next step is breaking the story down into all the small pieces and inciting incidents that make up the plot - which some people call a 'beat sheet'. There are lots of different ways to do this. Some people use flashcards. Some use a notebook. Others might use a digital tool, like Trello, Google Docs, Notion, etc.

It doesn't really matter which tool you use. The most important thing is to divide the plot into scenes, then bulk out each scene with extra details - things like story beats (events that happen) and information about specific characters or plot points.

While it's tempting to dive right into writing the script, it's a good idea to spend a good portion of time sketching out the plot first. The more detail you can add here, the less time you'll waste later. While you're writing, remember that story is driven by tension - building it, then releasing it. This tension means your hero has to change in order to triumph against conflict.

Write the Script

9. Know the basics

Before you start cooking up the first draft of your script, it's good to know how to do the basics. Put simply, your script should be a printed document that's:

Font fans might balk at using Courier over their beloved Futura or Comic Sans. However, it's a non-negotiable when you write a script. The film industry's love of Courier isn't purely stylistic - it's functional, too. One script page in 12-point Courier is roughly one minute of screen time.

That's why the page count for an average screenplay should be between 90 and 120 pages, although it's worth noting that this differs a bit by genre. Comedies are usually shorter (90 pages / 1.5 hours), while dramas can be a little longer (120 pages / 2 hours). A short film will be shorter still. Obviously.

10. Write the first page

Using script formatting programmes means you no longer need to know the industry standard when it comes to margins and indents. That said, it's good to know how to set up your script in the right way.

11. Format your script

A sample script from an all-hands Boords team meeting

Here's a big ol' list of items that you'll need in your script, and how to indent them properly. Your script-writing software will handle this for you, but learning's fun, right?
Scene heading
Indent: left: 0.0" / right: 0.0" / width: 6.0"

The scene heading is where you include a one-line description of the location and time of day of a scene. This is also called a 'slugline'. It should always be in caps.

Example: 'EXT. BAKERY - NIGHT' tells you that the action happens outside the bakery during the nighttime.
Subheader
Indent: left: 0.0" / right: 0.0" / width: 6.0"

When you don't need a new scene heading, but you need to make a distinction in the action, you can throw in a subheader. Go easy on them, though - Hollywood buffs frown on a script that's packed with subheaders. One reason you might use them is to make a number of quick cuts between two locations. Here, you would write 'INTERCUT' and the scene locations.
Action
Indent: left: 0.0" / right: 0.0" / width: 6.0"

This is the narrative description of what's happening in the scene, and it's always written in the present tense. You can also call this direction, visual exposition, blackstuff, description, or scene direction. Remember to only include things that your audience can see or hear.
Character
Indent: left: 2.0" / right: 0.0" / width: 4.0"

When you introduce a character, you should capitalise their name in the action. For example: 'The car speeds up and out steps GEORGIA, a muscular woman in her mid-fifties with nerves of steel.'

You should always write each character's name in caps, and put it about their dialogue. You can include minor characters without names, like 'BUTCHER' or 'LAWYER.'
Dialogue
Indent: left: 1.0" / right: 1.5" / width: 3.5"

Your dialogue is the lines that each character speaks. Use dialogue formatting whenever your audience can hear a character speaking, including off-screen speech or voiceovers.
Parenthetical
Indent: left: 1.5" / right: 2.0" / width: 2.5"

A long word with a simple meaning, a parenthetical is where you give a character direction that relates to their attitude or action - how they do something, or what they do. However, parentheticals have their roots in old school playwriting, and you should only use them when you absolutely need to.

Why? Because if you need a parenthetical to explain what's going on, your script might just need a rewrite. Also, it's the director's job to tell an actor how to give a line - and they might not appreciate your abundance of parentheticals.
Extension
Placed after the character's name, in parentheses

This is a shortened technical note that you put after a character's name to show how their voice will be heard onscreen. For example: if your character is speaking as a voiceover, it would appear as 'DAVID (V.O.)'.
Transition
Indent: left: 4.0" / right: 0.0" / width: 2.0"

Transitions are film editing instructions that usually only appear in a shooting script. Things like:

If you're writing a spec script, you should steer clear of using a transition unless there's no other way to describe what's happening in the story. For example, you might use 'DISSOLVE TO:' to show that a large portion of time has passed.
Shot
Indent: left: 0.0" / right: 0.0" / width: 6.0"

A shot tells the reader that the focal point in a scene has changed. Again, it's not something you should use very often as a spec screenwriter. It's the director's job! Some examples:

12. Spec scripts vs. shooting scripts

A 'spec script' is another way of saying 'speculative screenplay.' It's a script that you're writing in hopes of selling it to someone. The film world is a wildly competitive marketplace, which is why you need to stick to the scriptwriting rules that we talk about in this post. You don't want to annoy Spielberg and co.

Once someone buys your script, it's now a 'shooting script' or a 'production script.' This version of your script is written specifically to produce a film. Because of that, it'll include lots more technical instructions: editing notes, shots, cuts, and more. These instructions help the production assistants and director to work out which scenes to shoot in which order, making the best use of resources like the stage, cast, and location.

Don't include any elements from a shooting script in your spec script, like camera angles or editing transitions. It's tempting to do this - naturally, you have opinions about how the story should look - but it's a strict no-no. If you want to have your way with that stuff, then try the independent filmmaker route. If you want to sell your script, stick to the rules.

13. Choose your weapon

While writing a big-screen smash is hard work, it's a heck of a lot easier nowadays thanks to a smorgasbord of affordable screenwriting software. These programmes handle the script format (margins, spacing, etc.) so that you can get down to telling a great story. Here are a few programmes to check out:

There are also a tonne of outlining and development programmes. These make it easier to collect your thoughts and storytelling ideas together before you put pen to paper. Take a peek at these:

14. Make a plan

When you're approaching a chunky project, it's always good to set a deadline so you've got a clear goal to reach. You probably want to allow 8-12 weeks to write a script - this is the amount of time that the industry would usually give a writer to work on a script. Be sure to put the deadline somewhere you'll see it: on your calendar, or your phone, or tattooed on your hand.

For your first draft, concentrate on getting words on the page. Don't be too critical - just write whatever comes into your head, and follow your outline. If you can crank out 1-2 pages per day, you'll have your first draft within two or three months. Easy!

Some people find it helpful to write at the same time each day. Some people write first thing. Some people write late at night. Some people have no routine whatsoever. Find a routine (or lack thereof) that works for you, and stick to it. You got this.

15. Read it out loud

One surefire way to see if your dialogue sounds natural is to read it out loud. While you're writing dialogue, speak it through at the same time. If it doesn't flow, or it feels a little stilted, you'll need to make some tweaks. Highlight the phrases that need work then come back to them later when you're editing.

16. Take a break

When your draft's finished, you might think it's the greatest thing ever written - or you might think it's pure dross. The reality is probably somewhere in the middle. When you're deep inside a creative project, it's hard to see the forest for the trees.

That's why it's important to take a decent break between writing and editing. Look at something else for a few weeks. Read a book. Watch TV. Then, when you come back to edit your script, you'll be able to see it with fresh eyes.

17. Make notes

After you've taken a good break, read your whole script and take notes on the bits that don't make sense or sound a little weird. Are there sections where the story's confusing? Are the characters doing things that don't push the story along? Find those bits and make liberal use of a red pen. Like we mentioned before, this is a good time to read the script out loud - adding accents and performing lines in a way that's true to your vision for the story.

As you work towards a final version of your script, you might want to share it with some people to get their feedback. The Commenting & Feedback feature in Boords allows users to directly comment on individual frames and include necessary reference links, simplifying the process of responding to client feedback.

Friends and family members are a good first port of call, or other writers if you know any. Ask them to give feedback on any parts you're concerned about, and see if there's anything that didn't make sense to them.

Wrap things up

19. Write final draft

After you've made notes and gathered feedback, it's time to climb back into the weeds and work towards your final draft. Keep making edits until you're happy. If you need to make changes to the story or characters, do those first as they might help fix larger problems in the script.

Create each new draft in a new document so you can transfer parts you like from old scripts into the new one. Drill into the details, but don't get so bogged down in small things that you can't finish a draft. And, before you start sharing it with the world, be sure to do a serious spelling and grammar check using a tool like Grammarly.

20. Presentation and binding

There are rules for everything when writing a script. Even how you bind the thing. Buckle up!

This is a list of stuff you'll need to prepare your script before sending it out and taking over the world:

And this is how to bind your script:

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How to Write a Script (Step-by-Step Guide) | Boords

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So you want to write a film script (or, as some people call it, a screenplay - they're two words that mean basically the same thing). We're here to help with this simple step-by-step screenwriting guide.

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There is no villian because I wanted the conflict for the protagonist to be internal and not external one.

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Task: You will create a villain and add a section to your Narrative Design document where you describe your VILLAIN. Please use the template below where you will provide answers to questions about your villain.

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Task: You will create a villain and add a section to your Narrative Design document where you describe your VILLAIN. Please use the template below where you will provide answers to questions about your villain.

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Some notes on 3 act structure and also villains ( from books )

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Some notes on 3 act structure and also villains ( from books )

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Today's task: Complete the film treatment template for your story

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Today's task: Complete the film treatment template for your story

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Please complete there template below and add to your Padlet column