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Contacting Frantic Assembly and Lyric Hammersmith

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Contacting Frantic Assembly and Lyric Hammersmith

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27/03/2018

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Screenshot-2018-6-29 Pool (no water) - chaimuki99 gmail com - Gmail.png

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17/03/2018
"Good evening Mr Ravenhill,

I am Chaimaa, a Performing Arts student based in London. In my course we are exploring your play: Pool (no water), and I have multiple questions about it. I am an aspiring filmmaker, and I a have a huge fascination about film documentaries and interviewing people.

I was wondering if we could arrange a day for a professional interview, as part of my course. I have experience on the field, and I am currently working in a project for the BBC Radio, K2K Radio and Portobello Radio. It will be fantastic if you could accept this offer.

My e-mail address is: chaimuki99@gmail.com (Feel free to ask any questions)
Thank you,

Chaimaa"

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Here I am explaining how I have solved a problem while filming the shots.

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This is how we organized the space, tidying everything after the last performance.

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This is the body warm up before the evening performance where we walked through the space.

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This is the vocal warm up before the evening performance, to really get ready for it.

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20/6/18 Evening Performance Vocal Workshop

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This is the blocking recap for the evening performance, since there were some blocking struggles on the matinee performance.

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20/6/2018 Blocking Recap for Evening Performance

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This is the warm up before the matinee.

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20/6/2018 Warm Up for Matinee Performance

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In these videos Chloe and Zack are having a discussion, in which I have commented about my own thought and ideas.

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I these videos we are rehearsing and refining Scene 5:

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31/5/2018 photo shoot and movement refining rehearsal

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In these videos we are having a cardiovascular warm up led by Stephen, to get ready for our rehearsal.

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In these videos we are discussing about the play to start rehearsing with an obvious objective about Pool (no water)

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In these videos we are warming up by doing cardiovascular movements and stretches.

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In these videos we are focusing on Scene 5, since we are going to incorporate a lot of movement, concretely during the skinny dipping part where we fake to take our clothes off.

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In this video we are rehearsing scene 6.

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In these videos we are rehearsing the first scene.
I have polished my way of giving the phone to Piotr.

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In these videos we are doing a vocal warm up and some stretches to get ready for rehearsals.

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In this videos we are devising movement and refining the opening scene.

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In these videos we are warming up with a physical routine, where coordination is always present.
After seeing these, I have realized that I have improved as a performer compared to last year.

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This is a run through of the play.

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03/05/2018
In this video we are performing the song.
What went well:
I twas very fluid, everyone knew were to go.
We were absolutely coordinated all the time, and we looked very professional.
What did not went well:
There was a moment on this video when we were walking in a circle, and we had to travel. I think I could have being a little bit down.
In response of my wn feedback, I will think about that for the next rehearsal of this song.

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In these video we are having a very useful warm up, that made us ready for rehearsal.
What went well:
After doing this warm up, I felt that my diction improved during the further rehearsal.

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24/05/2018
In this video I am discussing about my film ideas, sharing my own concepts of the production.

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In these videos we are using different spaces (dance studio and theater). This made me think about blocking and staging as a performer.

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opening section run through 20/4/2018 c2

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opening section run through 20/4/2018 c1

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These videos are the run through of the opening section. This videos helped me to realize how can I do more fluid movements.

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In these videos we are devising the opening scene, with the use of easels:

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In these videos we are rehearsing. We have analyzed the scene, and then we have started to devise different methods to progress with our play:

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In this videos we are using easels to devise with movement. the opening scene of the play.
You will find subsequent, continuous and fluid manoeuvres.

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In these videos we are rehearsing a sequence of physical movement in individual groups to prepare ourselves for the audition for our Final Major Project:

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After reading the Labn Analysis of Movement, I started thinking about proxemics more often. Thinking about the space between everyone, creating contrasting relationships.

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This was a very useful workshop to prepare us for the audition for the Final Major Project.
In this video Chloe S, Piotr and I, are performing a physical movement in which contact is very present:

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FMP Audition Workshop Chloe S, Chaimaa and Piotr

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In this board we can see five fundamental characteristics:

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QUARTZ ID - 157614
LEARNER ID - 156995
ULN - 5527736264

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When I realised I was using that technique, I have started to think about how my character will use its arms and hands.
My character is observative and skeptical, so these the gestures I have chose after watching that video:

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This a technique I didn´t know I was using, which the woman on the Hand Gesture Video, have mention as the technique of "I
don´t know what I´m doing".

So this is me rehearsing before watching that video:

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I will mention this video in the next posts.

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Practicing Audition Monologues : Monologue Hand Gestures

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By recording myself I could reflect on my performance.
In a technical aspect, I will add sounds and fix the sound design, for accuracy.
In terms of acting, I would like to have a contrast in my monologue, probably a drastic change in my character´s personality using different tones, volumes and pitch.

I will practice more to familiarize with the script as I was more focused on saying my lines correctly than in the acting.

Finally, for a better transition between Past and Present (where I juggle with the pistol) by doing it smoothly, without any obstruction

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Uploaded by Chaimaa Ormazabal Hamani on 2018-02-21.

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I had to paint my BB Gun, which was pink, to make my performance more realistic.
I also drew an horizontal hourglass to represent the time stagnation.

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22/02/2018
On my first rehearsal I asked for feedback, and Molly told me that sometimes she could not understand me, so in response of that feedback I pronounciated correctly each word during the rest of rehearsals.

I brought today my charachter´s costume (first photograph), to focus on characterization.

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This is a research/essay I have been doing during weeks, about Action and Reaction, interlacing my passion for psychology and art therapy.
I have done this essay, because I really liked Jack´s exercise, about Action and Reaction:

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People, Places and Things West End trailer

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20/06/2018
This performance have ran very clean and smooth, it was much powerful than the matinee.

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20/6/18 Pool (No Water) Evening Performance (ipad)

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This is the Matinee Performance.
This made us think more about blocking for the next performance.