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Available at
https://www.artfund.org/whats-on/museums-and-galleries/design-museum

Accessed on 17/6/21

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The Risk-Taker: The Solomon R. Guggenheim 

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The Risk-Taker: The Solomon R. Guggenheim 

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Available at
https://news.artnet.com/womens-place-in-the-art-world/case-studies-how-four-museums-are-taking-radical-measures-to-admit-more-women-artists-into-the-art-historical-canon-1654717
Julia Halperin & Charlotte Burns, September 19, 2019
Accessed on 17/06/21

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Ideal home exhibition

Available at
https://www.thebritishacademy.ac.uk/blog/deborah-sugg-ryan-and-ideal-home/
Professor Deborah Sugg-Ryan, 2017

Accessed on 17/06/21

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New materialism

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Commodities are objects of economic value, which increases when they are more desired.
"but we call these objects valuable that resist our desire got possess them" (page 67).
The more is desired the more the value is increased as well as the price. Economy is based on exchanges values and an exchange of values. Commodities are the stuff of the material culture and the research behind it unites anthropologist and archeologists.
Commodities are not only an exchange of items and gifts but knowledge.
Also the circulation gifts is linked to social values. A contemporary tendency to immerse in the world of things.
The amount of stuff and good typical the Capitalism'society.

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The beautiful relationship between interiors and facade.
A kiss within the structure parts. Two different elements (interiors and exteriors) but they embrace each other.
Do they have a life on their own?
Do they have to match each other?
How related they should be and one compliments the other to create a unique experience. The architectural aspect of the building that seemed to be like a kiss that surprise us. The Tel Aviv Museum of Art is an example of freedom to be gained in giving up the whole building and the building as a whole.The aspects are united. Architects they are commissioned only for the interiors can loose magic and purpose.
“Pipilotti Rist is a superarchitect,” or “that building’s interior is outside in
the forest,”

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TOWARDS AN UNCENSORED HISTORY OF DESIGN:IDEAL HOMES AND CONSTANCE SPRY AT THE DESIGN MUSEUM, LONDON

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TOWARDS AN UNCENSORED HISTORY OF DESIGN:IDEAL HOMES AND CONSTANCE SPRY AT THE DESIGN MUSEUM, LONDON

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The article is about the Daily Mail ideal home exhibition between 1908 and 1993at the Design Museum, London.
This had a completely different approach from the curator to the standard and previous one. The curator was influenced by feminism, anthropology and ethnology.
To have a new look at things not just to the aesthetic side of the object but at his relation to society.
To look away from the white box approach of the museum and to give more of the Ideal Homes identity. This moved away from the good design idea of the Museum but it closer to social class, gender, and of course modern vision of the Ideal homes and it curator practices.
Same issues were raised durinf the Constance Spry exhibition since the beginning to the 1992.
The DM used to display all the items on a pedestal. also display items given to but not collected.The items were displayed for their function but not at all for their social function or status. The Museum were ignoring the women as main consumers.
The exhibitions needed to aim to make a house into a home,
They gather together social classes and different consumers. No cutting edge design but more modern and used by women.
It was in every aspect more open to consumers.It was more commercialise and open to consumerism.
All of this was soon criticised for the bad taste.
The exhibition was influenced by feminism and the relationship between objects and social environments. Design+social history rather that just design.
All of this was rejected by the Museum.
The aim of the curator was to challenge the rigid policy of it and white predominant of the Museum with more colourful aspects of cards, postcards, items from The Ideal homes.
They wanted to inspire and create the house that women with affectivness of suppliaence  rather than housework and servants.
Labor saving gadgets and functional items.
The importance of utility that comes after the War.
This exhibition bought idealism and realism to the Museum,
The spry Exhibition changed the course of the Museum and concentrate on the DIY design against the  professional one.A series of famous fashion exhibition followed that one .Dyson wanted to go back to the old policies and stop this focus of style over design.
They were probably afraid of the Museum taken over by feminism.
Also he new concept and topic of the design decided in the amateur and design+art.
What comes first design or curator view and direction?
It is important first to understand the utility of the objects.
The Museum has the strong opinion of declaring that design is not art.However design mixed with art will give an item that aura and a different aspect.
Beauty give to mass production and simple. Why not?
Items can be both.  Design is the transformation of an idea into material form, deep down the most important thing is to concentrate on the design and how it improve our lives.
Everyone is called to express there preference and how the items needs to be displayed and if can be mixed with art.
The museum wants the opinion of the visitors and curators needs to take in consideration so many aspect when exhibiting. Ultimately visitors care about why, who and how objects are made.
Nowadays curators needs to be able to engage visitors with interactive and more conceptual ideas of design.

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The

Nature Ecology and Evolution journal explains he human life during lockdown last year. They called it Anthropause as pause of humanity due to the restrictions. During these days same wild species invading urban spaces.

The relationship between wild life and humans. urban and wild.there is a science about it.
it talks about the duality of the two worlds and the preservation of the wildlife.
“Man, the conscious cultural being, sets himself against the world of natural things; civilised artificiality versus original wilderness” (Gugger & Maçães Costa 2014: 32).

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nature captured and framed