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Banu Tomruk - Eleştirel Haritalama (MARUF21)

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Istanbul urban database is an ongoing digital humanities project, digitizing and visualizing the historic urban archives of istanbul

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Nöbetçi Eczane,toplu ulaşım araçları ile yol tarifi, panoramik sokak görüntüleri ve eski havafotolar gibi bilgilere ulaşabileceğiniz İstanbul'un harita tabanlı rehber uygulaması İBB Şehir Haritası'na ait internet sitesi.

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Kentsel Analiz: Otobiyografik Bir Yaklaşım

Çocukken sizde yer etmiş bir mekanı düşünün. Hangi şehirdeydi? Bir apartman mıydı? Yoksa bir ev mi? Kaç katlıydı? İçerdeki ışık nasıldı? Sokakla ilişkisi var mıydı? Hava kaçta kararırdı? Kaldırım nasıldı? Oradaki yaşantın nasıldı?

Bu mekanın kentsel/mekansal bir katman olarak anlat:

1- Kolaj/assamblaj/kesit-kolaj ya da yaratıcı haritalama

2- Metin (200 kelime maksimum)

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http://ivanasidzimovska.com/projects/11-mental-maps-kreuzberg/

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Public art installation with street signs and maps, Kreuzberg - Berlin, Germany

11 Mental Maps Kreuzberg focuses on subjective notions on the Berlin neighbourhood Kreuzberg, formed through personal experiences, feelings and everyday life practices of a group of residents. The research relied upon the method of mental mapping by asking the participants to draw a personal map of Kreuzberg. The mental maps involved places that are subjectively meaningful to the residents, accompanied by a brief explanation why these places are important. Based on this information - one mental map of Kreuzberg and numerous street signs, whose content was related to the explanation notes, were created. Using the same visual language and form as official street signs in Berlin, installed on the mapped locations the signs contested and subverted the formal narratives and functions of these places.

The project is the final Master Thesis at the Kunsthochschule Berlin-Weißensee, Department Space Strategies. It was presented in 2011 in the public space of Kreuzberg, Berlin and in the public space of Skopje, under the title 9 Mental Maps Skopje, as part of the Private/Public Festival for art in public space.

http://raumstrategien.com/11-mental-maps-kreuzberg

Layout of a street sign

Documentation of the public art installation in Kreuzberg (Photos by Ljupcho Temelkovski)

Documentation of the walk in Kreuzberg (Photos by Ljupcho Temelkovski)

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11 Mental Maps Kreuzberg focuses on subjective notions on the Berlin neighbourhood Kreuzberg, formed through personal experiences, feelings and everyday life practices of a group of residents. The research relied upon the method of mental mapping by asking the participants to draw a personal map of Kreuzberg.

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https://drawingmatter.org/fresh-and-surprised/

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By Julian Lewis

Julian Lewis (1963), 'Hairy drawing' of Indische Buurt and Flevopark, 2012. Pen on paper. Courtesy the author.

Indische Buurt is a suburban area at the eastern edge of Amsterdam that is rich with diverse ethnicities, building ages and spatial experiences. The streets are named after islands and, as a territory historically built upon reclaimed land, there is an overriding feeling of an archipelago: islands that are places around each other and over the years disengaged. The flat landscape comprises diverse shaped expanses of land and water, of city and park, all made magical when they meet and merge through their shapes and changing qualities of light. The green and blue place that defines the eastern-most part of Indische Buurt is called Flevopark.

In the late-nineteenth century, parks in western Europe were often designed as counter conditions to the city. They provided a special extent of character and were designed as healthy green experiences - a kind of alter ego to urban intensity that was set apart, exotic and 'other'. Flevopark was designed to create a place to escape the city, closer to the eastern water edges, and has become known as the 'Hidden Green Pearl' of Amsterdam. But, like a tree growing up through iron railings, the expanding city found itself hampered by historic rings of infrastructures, themselves legacies of the 1950s and 70s planning for access and speed. Flevopark inadvertently became closer to the centre as the city grew, creating a strange proximity between the city and the 'other'.

Invited by TU Delft to explore new strategies for transformation around Flevopark, one sunny afternoon we cycled around the area with the Council officers who manage the park. [1] As Londoners, we felt a sense of exhilaration at having been given licence to view the places that they knew so well with fresh perspectives, and even naivety. With no brief for architectural or urban proposals, our movement around the site was enriched as an experience of discovery without judgement. The uplifting feeling of exploration, shared openness, the mixture of knowledges and not-yet-knowing, was beautifully captured in the park manager's follow up email to us, shown here alongside a photo of us looking at one of the entrances to the park, where a hidden Jewish cemetery, leading to a reclaimed green at the edge of the water, abuts a university campus.

Screenshot of email from Sander Meijer, manager of Flevopark, to Julian Lewis, 2012; photograph taken outside one of the park entrances.

The so-called 'hairy drawing' presented here is one of a series of early drawings used to scope interest and identify proposals and sits somewhere between documentary and proposition. I now realise the drawing evokes the form of the cycle ride itself, combined as a collective condition in memory and on paper. It mixes experiences, speeds, vistas, atmospheres and scales, portrayed with looping lines, edges, fragments and destinations.

Made rapidly and in a single sitting, I wanted to sidestep the conventional hierarchies of the urban structure we had traversed and instead to render, with as much equivalence as possible, specific aspects of the territory of Indische Buurt and Flevopark. In particular, the drawing was about simultaneously tracing and shaping the spaces created at the edges - those uncertain areas of unforeseen consequence cast across the interface between the eastern park and the expanding urban settlement.

By proximity, the mundane is dramatically juxtaposed, setting 'men playing cards', 'fly-tipping', 'heron', 'community garden', 'Jenever', 'concrete entrance', and 'picnic', within the same frame. The 'plan' format allows for a spatial significance to become visible - edges and figures shaped as characters of distinctive identity. The drawing is a provocation as nothing in it is factual or 'surveyed'. It articulates a condition that has never been designed but is here spatially imputed as a particular reading. Highly 'judgemental' you could say. But this is design that uses the place itself and relationships of space, material, use, figure and character, to help define something else, sometimes subtly, other times boldly.

The drawing is a brief, even a stimulus, for how we developed the proposals to 'stitch in to' the various parts of the place, enabling the edges to become animated, more 'urbanised' and used, to access the sublime invisibility of the cemetery, to open up with bridges, to cycle, walk, rest and play. The contingent role of the drawing remained integral to the body of the proposals themselves, which sought to curate an incomplete whole using new and existing differences and to revalidate the park and city as good companions.

This hairy drawing, and drawings like this that we have encompassed as part of our design methodology at East over the past 25 years, is essential as a process of provocation in testing how significance gets spatially allocated. Sometimes shared and sometimes individually made, these drawings are a form of thinking that helps us to guide the pleasure and audacity of creating architecture using the imaginative capacity of places as reflected through drawing.
Notes

Renewing city renewal was the subject of a research programme conducted jointly in 2011 and 2012 by De Nijl Architecten, the KEI Knowledge Centre for Urban Renewal (now Platform31) and Delft University of Technology, with funding from the Netherlands Architecture Fund (now the Creative Industries Fund NL). The programme involved exploring the task, conducting a closer analysis of four study areas.

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Indische Buurt is a suburban area at the eastern edge of Amsterdam that is rich with diverse ethnicities, building ages and spatial experiences. The streets are named after islands and, as a territory historically built upon reclaimed land, there is an overriding feeling of an archipelago: islands that are places...

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A site collage? Plan-collages or section-collages of the existing site 

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A site collage? Plan-collages or section-collages of the existing site 

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https://www.quondam.com/37/3754f.htm

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2005. 10.12 15:09
Jimmy Venturi's new website...
On page 18 in A View from the Campidoglio is the famous collage architectural rendering of the Venturi & Rauch Football Hall of Fame--a "changing times" updated version of the collage renderings of Mies van der Rohe, and today oft reenacted by MVRDV (to name just one current group of architects furthering the tradition). MDRVD's Costa Iberica: Upbeat to the Leisure City is a "changing times" updated version (i.e., reenactment) of Learning from Las Vegas: The Forgotten Symbolism of Architectural Form. At least take the time to compare pages 282-83 of Costa Iberica with the cover of Out of the Ordinary. Maybe it's just coincidence that MVRDV's DataScape exhibition design is extremely similar to From Rome to Las Vegas: An Exhibit of the Work of Venturi and Rauch at the Philadelphia Art Alliance, 1968 (as pictured in Learning from Las Vegas, page 125, 1st edition), and boy do those collage rendering on page 124 look exactly like MVRDV's au courant renderings.

2006

House of Shadows Bye 2366

2006

Savoye Hystrique 2367

2007

Hurva Dormitories 2375

2007

Gooding Trice House 2377

2007

Gooding Trice Villa 2378

2007

Le Composites 2380

2007

Jung Zaha House 2382

2007

Trivilla Savoye 2385

2007

Cut & Paste Museum 2386

2007. 10.26 16:26
Collage Architecture
It's interesting how Robert Venturi's collage perspective of the National Collegiate Football Hall of Fame (1967)

predates Archigram's Instant City (1968) by one year.
One could say that Venturi's collage is an updated POP...

...version of the earlier collages by Mies van der Rohe.

MoMA

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2005. 10.12 15:09 Jimmy Venturi's new website... On page 18 in A View from the Campidoglio is the famous collage architectural rendering of the Venturi & Rauch Football Hall of Fame--a "changing times" updated version of the collage renderings of Mies van der Rohe, and today oft reenacted by MVRDV (to name just one current group of architects furthering the tradition).

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https://www.gulsahaykac.com/defter

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My new notebook for Victoria Square Project artist-in-residence program process, including 55 unused pages from my formerly used notebooks.

Happy to be in the first cycle artist-in-residence program of Hippodamia in Context!

'Victoria Square Project (VSP) in collaboration with Counterpoints Arts and the Stavros Niarchos Foundation Public Humanities Initiative (SNFPHI) at Columbia University, launches the first call of Station One AIR, a year-long residency program for emerging artists to reimagine Greek identity. The artists-in-residence will work in teams of four, for three months, under the mentorship of Columbia University faculty, collaborating artists and curators, and VSP's team to engage in a series of "contextualizations" of Johannes Pfuhl's sculpture in Victoria Square, Athens.'

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My new notebook for Victoria Square Project artist-in-residence program process, including 55 unused pages from my formerly used notebooks. Happy to be in the first cycle artist-in-residence program of Hippodamia in Context!

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https://burak-arikan.com/tr/antakya-biennial-artist-network/#jp-carousel-3223

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Bu iş Antakya Bienali'ne katılan sanatçıların yakın tarihli grup sergileri üzerine yapılan anket sonuçlarını işler. Bu veriler 2009 ve 2010 boyunca grup sergilerde beraber gösterilmiş sanatçıların listesini çıkarır. Bu harita kişisel, kavramsal, ve tarihsel bağlantılar üzerinden 2,263 sanatçının ilişkisel durumunu açığa çıkarır.

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Bu iş Antakya Bienali'ne katılan sanatçıların yakın tarihli grup sergileri üzerine yapılan anket sonuçlarını işler. Bu veriler 2009 ve 2010 boyunca grup sergilerde beraber gösterilmiş sanatçıların listesini çıkarır. Bu harita kişisel, kavramsal, ve tarihsel bağlantılar üzerinden 2,263 sanatçının ilişkisel durumunu açığa çıkarır.

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Google Maps Street View Photographs is a good source to make section-collage or photocomposition

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Google Maps Street View Photographs is a good source to make section-collage or photocomposition

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https://www.instagram.com/p/CRn9uU3tW54/

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View this post on Instagram

A post shared by frames of spaces and times (@frames_spaces_times)

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An open source

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OpenStreetMap is a map of the world, created by people like you and free to use under an open license.

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It works with Open Street Map and draw the roads.

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This website allows you to select a city and then draws every single road on a screen.

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Free download Google Maps in whichever style you like!

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Snazzy Maps - Free Styles for Google Maps

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Snazzy Maps is a repository of different color schemes for Google Maps aimed towards web designers and developers.

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MATERIALITY / MADDİLİK / MADDE OLUŞ

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What do you see in this "place as a space"? Using your personal notes, former experiences to document a site is also a step/way to analyse the context. It could be the notes on your notebook or subjective maps of your site visits.

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LINES OF THOUGHT

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Photocomposition. Photocollage. Collages of routes.

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data like users' preferences or user types or frequency/time information of the citizens might provide topological information about the context.

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while working on a collage, we could think on: how do we set relation between things? between sequences or images?

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in the same essay: materials/textures in the site.

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what kind of volume(s) does the landscape create?

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what kind of volume(s) does the landscape create?

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Link to the source

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Sketching on a site reflects lines of thoughts, a way to experience the site.

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could lines of thought turn into spaces itself?

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Gallery of "Lebbeus Woods - Architect" Returns to NYC - 1

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Image 1 of 5 from gallery of "Lebbeus Woods - Architect" Returns to NYC. Unified Urban Field. Image Courtesy of Estate of Lebbeus Woods

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arquitectura architecture scottish parliament embt architecture collage architecture graphics tagliabue miralles tagliabue embt enrique miralles benedetta

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An architect studying how our journey  to the site occurs, and what kind of experiences we have during this journey.

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IMPORTANT! NO BUBBLE DIAGRAMS YES MAPPING;  so this is just to show that there could be dynamic and creative ways of making bubble diagrams.

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Color Schemes from Geology. A Work by Uibelakers (1781)

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Franz Uibelakers was a German mineralogist. In his work, "System des Karlsbader Sinters" (1781) he presented sections of stalactites and stalagmites from the caverns of Karlsbad in Germany carefully depicted by German scientific illustrator Lachenbauer. The thirty-nine hand-colored plates are...

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Drawings from the Glenn Murcutt Masterclass [GMM]

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a color palette / site observation

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freedom for lines of thoughts on a site :) :
http://socks-studio.com/2019/03/19/review-eric-alonzo-the-architecture-of-the-road-history-and-theories-2018-2/

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exploring new tools / through abstraction and experimentation

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thinking on the geology through abstraction.

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London based artist and illustrator Ella Webb created a complex visual universe starting from two specific inspirations, geology and topography. Reduced to very simple forms and a neat palette of colours, her small drawings oscillate from almost abstract compositions to surreal takes on almost scientific explorations. Series of mountain sections, stratigraphies, axonometric projections of geological phenomena are carefully arranged to compose pages of charts. The resulting diagrams don't correspond anymore to any specific information, but make sense only because of their visual value.

All images © Ella Webb

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London based artist and illustrator Ella Webb created a complex visual universe starting from two specific inspirations, geology and topography. Reduced to very simple forms and a neat palette of colours, her small drawings oscillate from almost abstract compositions to surreal takes on almost...

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Architecture is not simply about space and form, but also about event, action, and what happens in space. // B.Tschumi, Manhattan Transcripts

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Kitchen Table

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time / space / movement

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thinking on the programme and/or relations between things without any spatial/formal/topographical input

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Description of desired connections for preliminary design process.

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Familiar (but not strict) methodologies for analysing urban contexts.

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Digimap & Photoshop Site Analysis Architecture Diagrams -ad

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http://www.presidentsmedals.com/Entry-20031