# data[].attributes.body
I thought the deer was a llama so I liked the cut of blondie's jib. But alas it's a deer, but I'm including this anyway.

# data[].attributes.body
I like the creative and colourful Victorian - Baroque style garments, among the Willow trees, which speaks to me because the branches are similar to my hair.

# data[].attributes.body
What I like about this one is how expressive the guy in the middle is. His facial expression, and how expressive his body language is, with his tense shoulders and curved neck.

# data[].attributes.body
I really enjoy the Baroque - style fashion they all are rocking.

# data[].attributes.body
Kay Rasmus Nielsen (March 12, 1886 – June 21, 1957) was a Danish illustrator who was popular in the early 20th century, the "golden age of illustration."

Kay Nielsen was born in Copenhagen into an artistic family; both of his parents were actors - Nielsen's father, Martinus Nielsen, was the director of Dagmarteater and his mother, Oda Nielsen, was one of the most celebrated actresses of her time, both at the Royal Danish Theater and at the Dagmarteater.

Kay Nielsen studied art in Paris at Académie Julian and Académie Colarossi from 1904 to 1911, and then lived in England from 1911 to 1916.

He received his first English commission from Hodder and Stoughton to illustrate a collection of fairy tales, providing 24 colour plates and more than 15 monotone illustrations for In Powder and Crinoline, Fairy Tales Retold by Sir Arthur Quiller-Couch in 1913. In the same year, Nielsen was also commissioned by The Illustrated London News to produce a set of four illustrations to accompany the tales of Charles Perrault; Nielsen's illustrations for 'Sleeping Beauty', 'Puss in Boots', 'Cinderella' and 'Bluebeard' were published in the 1913 Christmas Edition.