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It's about motherly love, who loves her children like the back of her head.

It's about the mother's desire to give her children the best.

It's about love (Persida and Natl).

It's about differences in society, differences in social status, religion, perceptions, etc .

It's about family conflicts, intergenerational conflicts (Natl and his father).

It's about Mara, the massive, precocious woman, the widow with two children, who lives and trades daily, collects the money in 3 stockings: for her passage, for Persida and for Trica.

It is a book about life that teaches us to appreciate what we have, to love our parents and to thank them for everything they do for us.

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The novel begins by introducing the character who gives her name: Mara, a widowed woman with two children (Persida and Trica). Mara loved her children very much and that is why she was able to do everything for their own good. day for the two of them and for the funeral. She always wanted her daughter to be special and so was the boy. He wanted to send his daughter to the monastery to be well educated, she felt that she would not be able to give him a good education on her own, and he wanted to make the boy an apprentice, a journeyman at Bocioaca's house.

Mother Aegidia was highly respected by Mara and that is why she left her daughter in her care, in a monastery with a very good reputation. Persida was preferred to the mother. The mother helps Mara with money so that the woman has money for Trica, the latter studies at school.

At school, Trica was kind of fighting with those she didn't suffer, this being the case when she got beaten up by a boy older than him. Mures was upset that they were both dying of fear and their mother Aegidia of shame, but everything ended well, the children being saved.

In the spring a window of the monastery was broken by the strong wind, and at that moment Natl saw Persida at the window and froze. she could think of Persida, who seemed more beautiful than a fairy, and Persida felt that something very different was going on in her soul, she could not remember the face she saw among the shards of the broken window.

Trica was sent as a nun to Claici's house, and near Milena's wedding Mara and Persida went to visit Trica. at Munteanu's wedding to Milena. Here he finds Persida in his arms with a certain Codreanu that kind of made Persida's eyes look sweet. more obvious.

Persida was going to marry Pavel Codreanu but he refused, which made Codreanu marry another. Persida loved Natl but she did not want to admit it, repressing this feeling with all her might. months before the end of his two years of travel. This could have been overlooked by Hubar and his partners, but as Bocioaca finds out that Natl is after Persida so Natl had to spend other months away from his family. On the day he returned, there was great joy at his house. Persida was also happy when Natl returned. but Bocioaca, looking through his travel book, saw that Natl had spent more time working than at the butchers,things that made him postpone Natl's 'master cut'.

Hubar was ashamed of his son's deed and always tried to tell him something, until the day he came to the butcher to scold him and found him at work with a knife in his hand. The moment he wanted to pounce on Natl threw the knife out of his hand and pushed Hubar to avoid being slapped, but Hubar fell and hit himself. The only one who did not believe this was Persida, who could not believe such things about the man she loved. who trusted Persida.

Natl and Persida secretly got married with the help of Trica and Codrenu (who could not refuse Persida), and went together to Vienna where they felt good for a few months, although Persida missed home. being among strangers, but she felt good knowing that Natl loves her and she loves him. All until one day a letter arrives from Trica in which Mara forgives her daughter and indirectly calls her home. letter and began to do everything possible to return home. Eventually they wanted to return home where Persida was waiting for Mara and Trica, but Natl ...

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Mara-poor, widow with two children, poor of them, but she was young, and strong and industrious, and God let her have luck. sometimes she cries and cries like a widow, and then she looks around to see her children and laughs again.

Persida-shaving, shameless, helpless, young. the moon was thin, her face was longer, her cheek shoulders were exposed, her cheekbones were whiter, thinner, and somewhat stretched, her eyebrows seemed longer and thicker, and her eyes seemed larger and full of sadness pouring over her. her whole face. Too wise and too stubborn.

Maica Aegidia-she was mythical, she walked small, she spoke short and tight, she had a not very small nose and a harsh and cruel look, but she softened when she saw the widow's tears.

Hubar-he was a dull man, a little thin and red-cheeked, too young in appearance, but he was in all sorts of light-hearted, almost awkward. they often seemed nothing.

Natl-with his face slightly blown and blown by the wind, with his long and tangled hair, dressed in old and soy clothes. He was a middle-aged statesman. She was a real butcher: a man with a full face and more red than red, with strong arms clenched by his rolled-up sleeve and his chest protruding. His cheeks were, True, his blood was reddened, his eyes were harder on his head, his feet were stuck in the ground, and his upper body was shaking under the heavy burden, but he lifted the barrel and held it on his shoulder. The boy was strong and smart, he had been too good for so long, and perhaps, staying at home with his family, he was doing as he was.

Trica-he was still tall and emaciated, still a motocross and a helmet, but more unwashed and uncombed than before. come to her.

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Ioan Slavici (b. 18 January 1848 , Siria , Arad County - d. 17 august 1925 , Cross Lower , County Putna ) was a writer , journalist and educator Romanian , member (since 1882 ) of the Romanian Academy .

Ioan Slavici's literary work is influenced by the life of the Transylvanian village. The writer was considered by critic George Călinescu an "instrument of observation excellent" environmental areas, [6] featuring the stories of his people and in his studies a fresco of morals, human behavior by layering their social, the smallest details of attire, clothing, speech and gestures.

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Comedy

Fata de birău (1871)

Toane sau Vorbe de clacă (1875)

Polipul unchiului (1875)

Historical dramas

Bogdan Vodă (1876)

Gaspar Graziani (1888)

Fairy tales

„Zâna Zorilor”

„Florița din codru”

„Doi feți cu stea în frunte”

„Păcală în satul lui”

Novellas

Popa Tanda (1873)

Scormon (1875)

Roman

Din bătrâni (1902)

Din bătrâni. Manea (1905)